44140 Résultats
Numéro de référence:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Personnes et institutions:
Date:
2001-2002
2001-2002
Titre:
Reviews, Announcements, Catalogues 2001-2002
Actions:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Reviews, Announcements, Catalogues 2001-2002
Actions:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Date:
2001-2002
2001-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Personnes et institutions:
Date:
1972-1980
1972-1980
Titre:
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Niveau de description archivistique:
Project
Project
Date:
1972-1980
1972-1980
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP163.S2.SS1.D22
Description:
File documents Victor Prus's work with the National Industrial Design Council for the creation of an Industrial Design Exhibition in Canada, to be held in Stratford, Ontario. Material in this file was produced between 1957 and 1960. The file contains site plans and plans for the exhibition. There are also textual records, including correspondence and reports, and a photograph of the proposed site for the exhibition.
AP163.S2.SS1.D22
Description:
File documents Victor Prus's work with the National Industrial Design Council for the creation of an Industrial Design Exhibition in Canada, to be held in Stratford, Ontario. Material in this file was produced between 1957 and 1960. The file contains site plans and plans for the exhibition. There are also textual records, including correspondence and reports, and a photograph of the proposed site for the exhibition.
Personnes et institutions:
Date:
1957-1960
1957-1960
Titre:
Stratford Industrial Design Exhibition
Actions:
AP163.S2.SS1.D22
Description:
File documents Victor Prus's work with the National Industrial Design Council for the creation of an Industrial Design Exhibition in Canada, to be held in Stratford, Ontario. Material in this file was produced between 1957 and 1960. The file contains site plans and plans for the exhibition. There are also textual records, including correspondence and reports, and a photograph of the proposed site for the exhibition.
Stratford Industrial Design Exhibition
Actions:
AP163.S2.SS1.D22
Description:
File documents Victor Prus's work with the National Industrial Design Council for the creation of an Industrial Design Exhibition in Canada, to be held in Stratford, Ontario. Material in this file was produced between 1957 and 1960. The file contains site plans and plans for the exhibition. There are also textual records, including correspondence and reports, and a photograph of the proposed site for the exhibition.
Niveau de description archivistique:
File 22
File 22
Date:
1957-1960
1957-1960
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Rejoignez-nous le 8 mai pour une conférence de Noelia Monteiro portant sur son travail chez Estudio Flume. L’atelier, établi à São Paulo, développe des projets socio-environnementaux dans des régions reculées du Brasil, contribuant à la protection des communautés autochtones qui veillent sur la forêt amazonienne. Son travail pose une question clé : face à la rareté des(...)
Rejoignez-nous le 8 mai pour une conférence de Noelia Monteiro portant sur son travail chez Estudio Flume. L’atelier, établi à São Paulo, développe des projets socio-environnementaux dans des régions reculées du Brasil, contribuant à la protection des communautés autochtones qui veillent sur la forêt amazonienne. Son travail pose une question clé : face à la rareté des(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
8 mai 2025, 18h
8 mai 2025, 18h
Titre:
Sur le terrain avec Noelia Monteiro
Actions:
Description:
Rejoignez-nous le 8 mai pour une conférence de Noelia Monteiro portant sur son travail chez Estudio Flume. L’atelier, établi à São Paulo, développe des projets socio-environnementaux dans des régions reculées du Brasil, contribuant à la protection des communautés autochtones qui veillent sur la forêt amazonienne. Son travail pose une question clé : face à la rareté des(...)
Sur le terrain avec Noelia Monteiro
Actions:
Description:
Rejoignez-nous le 8 mai pour une conférence de Noelia Monteiro portant sur son travail chez Estudio Flume. L’atelier, établi à São Paulo, développe des projets socio-environnementaux dans des régions reculées du Brasil, contribuant à la protection des communautés autochtones qui veillent sur la forêt amazonienne. Son travail pose une question clé : face à la rareté des(...)
Classification:
événements
événements
Date:
8 mai 2025
18h
8 mai 2025
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CI007.S2
Description:
The series is composed of photographs documenting Ludwig Mies van der Rohe's designs for various exhibitions and exhibition pavilions, predominantly in Germany. Some of his German exhibitions were in collaboration with Lilly Reich. Also included are photographs of Mies' work for the Exposición International de Barcelona and Art Institute of Chicago. The photographs in this series were produced between 1931 and 1969.
CI007.S2
Description:
The series is composed of photographs documenting Ludwig Mies van der Rohe's designs for various exhibitions and exhibition pavilions, predominantly in Germany. Some of his German exhibitions were in collaboration with Lilly Reich. Also included are photographs of Mies' work for the Exposición International de Barcelona and Art Institute of Chicago. The photographs in this series were produced between 1931 and 1969.
Personnes et institutions:
Date:
1931-1969
1931-1969
Titre:
Exhibitions designs by Mies van der Rohe
CI007.S2
Description:
The series is composed of photographs documenting Ludwig Mies van der Rohe's designs for various exhibitions and exhibition pavilions, predominantly in Germany. Some of his German exhibitions were in collaboration with Lilly Reich. Also included are photographs of Mies' work for the Exposición International de Barcelona and Art Institute of Chicago. The photographs in this series were produced between 1931 and 1969.
Exhibitions designs by Mies van der Rohe
CI007.S2
Description:
The series is composed of photographs documenting Ludwig Mies van der Rohe's designs for various exhibitions and exhibition pavilions, predominantly in Germany. Some of his German exhibitions were in collaboration with Lilly Reich. Also included are photographs of Mies' work for the Exposición International de Barcelona and Art Institute of Chicago. The photographs in this series were produced between 1931 and 1969.
Niveau de description archivistique:
series
series
Date:
1931-1969
1931-1969
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI006.S1.1926.PR1
Description:
Series documents Mart Stam's work on the Van Nelle Factory in Rotterdam, Netherlands from 1926-1930, in collaboration with Brinkman and Van der Vlugt. The material in this series was produced between 1925 and 1930. The series contains photographs of the Van Nelle Factory, predominantly by the photographers Iwao Yamawaki and Jan Kamman, including a photography of a perspective drawing by Mart Stam.
CI006.S1.1926.PR1
Description:
Series documents Mart Stam's work on the Van Nelle Factory in Rotterdam, Netherlands from 1926-1930, in collaboration with Brinkman and Van der Vlugt. The material in this series was produced between 1925 and 1930. The series contains photographs of the Van Nelle Factory, predominantly by the photographers Iwao Yamawaki and Jan Kamman, including a photography of a perspective drawing by Mart Stam.
Personnes et institutions:
Date:
1925-1930
1925-1930
Titre:
Van Nelle Factory, Rotterdam, Netherlands (1926-1930)
Actions:
CI006.S1.1926.PR1
Description:
Series documents Mart Stam's work on the Van Nelle Factory in Rotterdam, Netherlands from 1926-1930, in collaboration with Brinkman and Van der Vlugt. The material in this series was produced between 1925 and 1930. The series contains photographs of the Van Nelle Factory, predominantly by the photographers Iwao Yamawaki and Jan Kamman, including a photography of a perspective drawing by Mart Stam.
Van Nelle Factory, Rotterdam, Netherlands (1926-1930)
Actions:
CI006.S1.1926.PR1
Description:
Series documents Mart Stam's work on the Van Nelle Factory in Rotterdam, Netherlands from 1926-1930, in collaboration with Brinkman and Van der Vlugt. The material in this series was produced between 1925 and 1930. The series contains photographs of the Van Nelle Factory, predominantly by the photographers Iwao Yamawaki and Jan Kamman, including a photography of a perspective drawing by Mart Stam.
Niveau de description archivistique:
project
project
Date:
1925-1930
1925-1930
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Exhibitions
Exhibitions
Numéro de référence:
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
Personnes et institutions:
Date:
1966, 1982, 1999-2003
1966, 1982, 1999-2003
Titre:
Exhibitions
Actions:
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
Exhibitions
Actions:
AP187.S2
Description:
This series documents a few of Günter Günschel's solo and group exhibitions. Material was produced between 1966 and 2003. They were mainly conceived around fantastic architecture, a theme that is well represented in Günschel's work. Documenting the series are conceptual sketches and drawings, photomontages, collages, and a few textual records for the exhibitions "Strukturen" (1966), "Fantastische Architekturen" (1982), and Architekturphantasien" (2003).
Niveau de description archivistique:
Series
Series
Date:
1966, 1982, 1999-2003
1966, 1982, 1999-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1997.PR01
Description:
This project series documents the Casa Manuel Silva in Lousada, Portugal. While the records were held in the office’s archives this project was assigned the number 81/90. The office assigned the date 1995 to this project. Documenting this project are sketches and working drawings. Textual materials include project documentation. Photographic material documents the models, construction work, and the built project.
AP178.S1.1997.PR01
Description:
This project series documents the Casa Manuel Silva in Lousada, Portugal. While the records were held in the office’s archives this project was assigned the number 81/90. The office assigned the date 1995 to this project. Documenting this project are sketches and working drawings. Textual materials include project documentation. Photographic material documents the models, construction work, and the built project.
Personnes et institutions:
Date:
1992-2002
1992-2002
Titre:
Casa Manuel Silva [Manuel Silva house], Quinta de S. Ovidio, Lousada, Portugal (1997)
Actions:
AP178.S1.1997.PR01
Description:
This project series documents the Casa Manuel Silva in Lousada, Portugal. While the records were held in the office’s archives this project was assigned the number 81/90. The office assigned the date 1995 to this project. Documenting this project are sketches and working drawings. Textual materials include project documentation. Photographic material documents the models, construction work, and the built project.
Casa Manuel Silva [Manuel Silva house], Quinta de S. Ovidio, Lousada, Portugal (1997)
Actions:
AP178.S1.1997.PR01
Description:
This project series documents the Casa Manuel Silva in Lousada, Portugal. While the records were held in the office’s archives this project was assigned the number 81/90. The office assigned the date 1995 to this project. Documenting this project are sketches and working drawings. Textual materials include project documentation. Photographic material documents the models, construction work, and the built project.
Niveau de description archivistique:
Project
Project
Date:
1992-2002
1992-2002
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Personnes et institutions:
Date:
1997-2000
1997-2000
Titre:
Documents d’archives de Kivi Sotamaa pour les projets de OCEAN North
Actions:
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Documents d’archives de Kivi Sotamaa pour les projets de OCEAN North
Actions:
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1997-2000
1997-2000
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S3.SS07
Description:
The sub-series documents the publication "Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" written by Pettena and published by Vallina Edizioni in Milano, in 2013. The publication focuses on the work of the Radical movement artist-architects Raimund Abraham, Hans Hollein, Max Peintner, Peter Pichler, Ettore Sottsass Senior, and Pettena himself. The sub-series contains the scanned publication.
AP207.S3.SS07
Description:
The sub-series documents the publication "Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" written by Pettena and published by Vallina Edizioni in Milano, in 2013. The publication focuses on the work of the Radical movement artist-architects Raimund Abraham, Hans Hollein, Max Peintner, Peter Pichler, Ettore Sottsass Senior, and Pettena himself. The sub-series contains the scanned publication.
Personnes et institutions:
Date:
2012-2013
2012-2013
Titre:
Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass (2013)
Actions:
AP207.S3.SS07
Description:
The sub-series documents the publication "Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" written by Pettena and published by Vallina Edizioni in Milano, in 2013. The publication focuses on the work of the Radical movement artist-architects Raimund Abraham, Hans Hollein, Max Peintner, Peter Pichler, Ettore Sottsass Senior, and Pettena himself. The sub-series contains the scanned publication.
Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass (2013)
Actions:
AP207.S3.SS07
Description:
The sub-series documents the publication "Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" written by Pettena and published by Vallina Edizioni in Milano, in 2013. The publication focuses on the work of the Radical movement artist-architects Raimund Abraham, Hans Hollein, Max Peintner, Peter Pichler, Ettore Sottsass Senior, and Pettena himself. The sub-series contains the scanned publication.
Niveau de description archivistique:
Subseries
Subseries
Date:
2012-2013
2012-2013
Personnes et institutions:
