26258 Résultats
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2012:0012:082:005
Description:
File containing documents in English (predominant) and French, including a book outlining competition requirements (with annotations in graphite and red ink), correspondence, magazine clippings, maps, notes, and sketches related to the RCAF Memorial Architectural Competition. Original folder inscribed in graphite: RCAF MEMORIAL COMP.
DR2012:0012:082:005
Description:
File containing documents in English (predominant) and French, including a book outlining competition requirements (with annotations in graphite and red ink), correspondence, magazine clippings, maps, notes, and sketches related to the RCAF Memorial Architectural Competition. Original folder inscribed in graphite: RCAF MEMORIAL COMP.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Competition requirements, correspondence, magazine clippings, maps, notes, and sketches, Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
DR2012:0012:082:005
Description:
File containing documents in English (predominant) and French, including a book outlining competition requirements (with annotations in graphite and red ink), correspondence, magazine clippings, maps, notes, and sketches related to the RCAF Memorial Architectural Competition. Original folder inscribed in graphite: RCAF MEMORIAL COMP.
Competition requirements, correspondence, magazine clippings, maps, notes, and sketches, Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
DR2012:0012:082:005
Description:
File containing documents in English (predominant) and French, including a book outlining competition requirements (with annotations in graphite and red ink), correspondence, magazine clippings, maps, notes, and sketches related to the RCAF Memorial Architectural Competition. Original folder inscribed in graphite: RCAF MEMORIAL COMP.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1969-1971
1969-1971
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Personnes et institutions:
Date:
1920, 1990-2008
1920, 1990-2008
Titre:
Publications
Actions:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Publications
Actions:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Niveau de description archivistique:
Series
Series
Date:
1920, 1990-2008
1920, 1990-2008
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
Personnes et institutions:
Date:
1971-1973
1971-1973
Titre:
Composition notebook of sketches and notes for Automation House, Tree Dance, and A W-Hole House, and Anarchitecture
Actions:
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
Composition notebook of sketches and notes for Automation House, Tree Dance, and A W-Hole House, and Anarchitecture
Actions:
PHCON2002:0016:024
Description:
Notebook consists of drawings and text related to Automation House (1972); Tree Dance (1971); A W-Hole House (1973); the proposal for Storm King Roof Plaza (undated); and Anarchitecture (1974); along with other architectural drawings. Composition book contains 31 pages of sketches/text in the front of the book plus 5 pages at the back.
Classification:
livres
livres
Date:
1971-1973
1971-1973
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Education
Education
Numéro de référence:
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Personnes et institutions:
Date:
[1776?]-1868
[1776?]-1868
Titre:
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Education
CI001.S2.D1
Description:
Like his father Hubert, Charles Rohault de Fleury also studied at the École polytechnique with Jean-Nicolas-Louis Durand (1820-1821), and at the École des Beaux-Arts (1823-1825), Charles studied under his father and Louis Hippolyte Lebas. The CCA collection contains his printed exercise book from the École polytechnique and an album of drawings of the orders executed at both schools. The printed exercise book (DR1974:0002:001:001-105), primarily dated to 1821, provides an overview of the first year curriculum at the École polytechnique reflecting the emphasis placed on the course in descriptive geometry. The exercises proceed from the simple to the complex; from the analysis of simple shapes to the interpretation of basic architectural elements. Many of the problems have been solved by Charles, and carry the approval seal of his professor. A large engraving included in the album provides a succinct table recording the career paths of graduating students in the various Écoles d'application, a description of the core curriculum, and a historical and chronological outline of the École polytechnique from its inception to 1828. Charles' studies of the architectural orders (DR1974:0002:019:001-033), many of which are copied directly from Charles Normand's 'Nouveau parallele des ordres d'architecture...,' demonstrate the continued application of Durand's methodology applied to typical Beaux-Arts studies. The orders executed at the École polytechnique are pared down to their essential form and porticos are abstracted and grouped according to their tetrastyle, hexastyle, or octastyle configurations, whereas the orders completed at the École des beaux-arts are simplified, but still reflect the traditional mimetic interpretation of classical antiquity, with its fidelity to mouldings and details. The conspicous abscence of the composite order and the addition of the 'Dorique Romain and Moderne', attest to the continued influence of Durand's ''Precis'. The information regarding George's architectural career is limited to twelve drawings for architectural ornament and sculpture (1858-1859) submitted to a newly introduced, and obligatory, 'dessin' Concours d'emulation at the École des beaux-arts (1). (1) R. Chaffe, "The teaching of architecture at the École des Beaux-Arts" in Arthur Drexler ed., 'The Architecture of the École des Beaux-Arts' (New York: MOMA, 1975), p.84 and fn. 120.)
Niveau de description archivistique:
File 1
File 1
Date:
[1776?]-1868
[1776?]-1868
Personnes et institutions:
Actions:
Numéro de référence:
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
Personnes et institutions:
Date:
1989
1989
Titre:
Building sights (Television program)
Actions:
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
Building sights (Television program)
Actions:
AP140.S2.SS7.D3.P10.6
Description:
Episode of television program "Building sites". James Stirling presents the architecture of the Katherine Stephen Room, a room for rare books at Newnham College, Cambridge, England, designed by architects Joanna van Heyningen and Birkin Haward. Presented by James Stirling. Camera, David Swan; sound, David Jewitt; stills photography, Hugh Palmer, Martin Charles; graphics, Rose James, Joel Greenberg; video editor, John Paroussi; production assistant, Mary McKernan; researcher, Ruth Rosenthal; producer, Clare Paterson; director, Geoff Dunlop.
Date:
1989
1989
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP052
Résumé:
The Charbonneau et Charbonneau architectes fonds, 1907-1981, documents the built projects of Québec architectural firm Charbonneau et Charbonneau, architectes. The 145 projects that are represented in this fonds are divided by the works of Audet et Charbonneau, architectes (1913-1917); René Charbonneau, architecte (1918-1945); Charbonneau et Charbonneau, architectes (1945-1969); and Gérard Charbonneau, architecte (1969-1979). Materials in this fonds consist of 3135 drawings (including reprographic copies), 51 textual records and 3 photographs.
AP052
Résumé:
The Charbonneau et Charbonneau architectes fonds, 1907-1981, documents the built projects of Québec architectural firm Charbonneau et Charbonneau, architectes. The 145 projects that are represented in this fonds are divided by the works of Audet et Charbonneau, architectes (1913-1917); René Charbonneau, architecte (1918-1945); Charbonneau et Charbonneau, architectes (1945-1969); and Gérard Charbonneau, architecte (1969-1979). Materials in this fonds consist of 3135 drawings (including reprographic copies), 51 textual records and 3 photographs.
Personnes et institutions:
Date:
1907-1981
1907-1981
Titre:
Fonds Charbonneau et Charbonneau architectes
Actions:
AP052
Résumé:
The Charbonneau et Charbonneau architectes fonds, 1907-1981, documents the built projects of Québec architectural firm Charbonneau et Charbonneau, architectes. The 145 projects that are represented in this fonds are divided by the works of Audet et Charbonneau, architectes (1913-1917); René Charbonneau, architecte (1918-1945); Charbonneau et Charbonneau, architectes (1945-1969); and Gérard Charbonneau, architecte (1969-1979). Materials in this fonds consist of 3135 drawings (including reprographic copies), 51 textual records and 3 photographs.
Fonds Charbonneau et Charbonneau architectes
Actions:
AP052
Résumé:
The Charbonneau et Charbonneau architectes fonds, 1907-1981, documents the built projects of Québec architectural firm Charbonneau et Charbonneau, architectes. The 145 projects that are represented in this fonds are divided by the works of Audet et Charbonneau, architectes (1913-1917); René Charbonneau, architecte (1918-1945); Charbonneau et Charbonneau, architectes (1945-1969); and Gérard Charbonneau, architecte (1969-1979). Materials in this fonds consist of 3135 drawings (including reprographic copies), 51 textual records and 3 photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1907-1981
1907-1981
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Personnes et institutions:
Date:
2005-2015
2005-2015
Titre:
Document d’archives des projets de R&Sie(n)
Actions:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Document d’archives des projets de R&Sie(n)
Actions:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2005-2015
2005-2015
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personnes et institutions:
Date:
1991-1994
1991-1994
Titre:
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Classification:
documents textuels
documents textuels
Date:
1991-1994
1991-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
AA Exhibition
AA Exhibition
Numéro de référence:
AP144.S2.D126
Description:
File documents Cedric Price's involvement in a retrospective exhibition of his works hosted by the Architectural Association, London, England, entitled 'Works II: Cedric Price'. This file also documents 3 public lectures that Price gave to coincide with the exhibition, as well as his work on the book 'Cedric Price: Works II', which was published to coincide with the exhibition. Material in this file was produced between 1980 and 1985, but predominantly in 1984. File contains textual records.
AP144.S2.D126
Description:
File documents Cedric Price's involvement in a retrospective exhibition of his works hosted by the Architectural Association, London, England, entitled 'Works II: Cedric Price'. This file also documents 3 public lectures that Price gave to coincide with the exhibition, as well as his work on the book 'Cedric Price: Works II', which was published to coincide with the exhibition. Material in this file was produced between 1980 and 1985, but predominantly in 1984. File contains textual records.
Personnes et institutions:
Date:
1980-1985, predominant 1984
1980-1985, predominant 1984
Titre:
AA Exhibition
Actions:
AP144.S2.D126
Description:
File documents Cedric Price's involvement in a retrospective exhibition of his works hosted by the Architectural Association, London, England, entitled 'Works II: Cedric Price'. This file also documents 3 public lectures that Price gave to coincide with the exhibition, as well as his work on the book 'Cedric Price: Works II', which was published to coincide with the exhibition. Material in this file was produced between 1980 and 1985, but predominantly in 1984. File contains textual records.
AA Exhibition
Actions:
AP144.S2.D126
Description:
File documents Cedric Price's involvement in a retrospective exhibition of his works hosted by the Architectural Association, London, England, entitled 'Works II: Cedric Price'. This file also documents 3 public lectures that Price gave to coincide with the exhibition, as well as his work on the book 'Cedric Price: Works II', which was published to coincide with the exhibition. Material in this file was produced between 1980 and 1985, but predominantly in 1984. File contains textual records.
Niveau de description archivistique:
File 126
File 126
Date:
1980-1985, predominant 1984
1980-1985, predominant 1984
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Personnes et institutions:
Date:
2015-2016
2015-2016
Titre:
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Classification:
documents textuels
documents textuels
Date:
2015-2016
2015-2016
Personnes et institutions:
