43397 Résultats
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:047:035
Description:
A planimetric map of downtown Montréal, Québec titled "Boul. Réné-Lévesque de la Rue du Fort à la Rue St. Marc. Nature des travaux: Réaménagement du mail central et reconstruction de trottoirs, là où requis". Translated, "Boulevard Réné-Lévesque from Rue du Fort to Rue St. Marc. The nature of the work is the renovation of the central mall and the reconstruction of sidewalks, where required." The roll is labelled "CCA median/ contract drawings July 2004", but contains only one item.
DR2012:0012:047:035
Description:
A planimetric map of downtown Montréal, Québec titled "Boul. Réné-Lévesque de la Rue du Fort à la Rue St. Marc. Nature des travaux: Réaménagement du mail central et reconstruction de trottoirs, là où requis". Translated, "Boulevard Réné-Lévesque from Rue du Fort to Rue St. Marc. The nature of the work is the renovation of the central mall and the reconstruction of sidewalks, where required." The roll is labelled "CCA median/ contract drawings July 2004", but contains only one item.
Personnes et institutions:
Date:
circa 1987-1995
circa 1987-1995
Titre:
Planimetric map of downtown Montréal
Actions:
DR2012:0012:047:035
Description:
A planimetric map of downtown Montréal, Québec titled "Boul. Réné-Lévesque de la Rue du Fort à la Rue St. Marc. Nature des travaux: Réaménagement du mail central et reconstruction de trottoirs, là où requis". Translated, "Boulevard Réné-Lévesque from Rue du Fort to Rue St. Marc. The nature of the work is the renovation of the central mall and the reconstruction of sidewalks, where required." The roll is labelled "CCA median/ contract drawings July 2004", but contains only one item.
Planimetric map of downtown Montréal
Actions:
DR2012:0012:047:035
Description:
A planimetric map of downtown Montréal, Québec titled "Boul. Réné-Lévesque de la Rue du Fort à la Rue St. Marc. Nature des travaux: Réaménagement du mail central et reconstruction de trottoirs, là où requis". Translated, "Boulevard Réné-Lévesque from Rue du Fort to Rue St. Marc. The nature of the work is the renovation of the central mall and the reconstruction of sidewalks, where required." The roll is labelled "CCA median/ contract drawings July 2004", but contains only one item.
Classification:
dessins
dessins
Date:
circa 1987-1995
circa 1987-1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
Personnes et institutions:
Date:
1991-2001
1991-2001
Titre:
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
Niveau de description archivistique:
Project
Project
Date:
1991-2001
1991-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
Personnes et institutions:
Date:
1992-2009
1992-2009
Titre:
Liu Centre for Global Studies, University of British Columbia, Vancouver, British Columbia (1992)
Actions:
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
Liu Centre for Global Studies, University of British Columbia, Vancouver, British Columbia (1992)
Actions:
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
Niveau de description archivistique:
Project
Project
Date:
1992-2009
1992-2009
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S2.1970.PR04
Description:
This project series contains sketches for elevations and sections for windows and door frames. Riva worked on these designs in the 1970s. The project is also identified as Serramenti Superati.
AP180.S2.1970.PR04
Description:
This project series contains sketches for elevations and sections for windows and door frames. Riva worked on these designs in the 1970s. The project is also identified as Serramenti Superati.
Personnes et institutions:
Date:
1970s
1970s
Titre:
Serramenti [Windows and doors frames], Otranto, Italy (1970s)
Actions:
AP180.S2.1970.PR04
Description:
This project series contains sketches for elevations and sections for windows and door frames. Riva worked on these designs in the 1970s. The project is also identified as Serramenti Superati.
Serramenti [Windows and doors frames], Otranto, Italy (1970s)
Actions:
AP180.S2.1970.PR04
Description:
This project series contains sketches for elevations and sections for windows and door frames. Riva worked on these designs in the 1970s. The project is also identified as Serramenti Superati.
Niveau de description archivistique:
Project
Project
Date:
1970s
1970s
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
Personnes et institutions:
Date:
1994-2001
1994-2001
Titre:
O/K Apartment (New York, N.Y.)
Actions:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
O/K Apartment (New York, N.Y.)
Actions:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
Niveau de description archivistique:
Series
Series
Date:
1994-2001
1994-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1987-2015
circa 1987-2015
Titre:
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1987-2015
circa 1987-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1995.PR05
Description:
This project series documents the Reitoria da Universidade de Alicante in Alicante, Spain. While the records were held in the office’s archives this project was assigned the number 59/90. The office assigned the date 1995-1998 to this project The rectory was located on the former military aerodrome of Rabasa. The H-shaped, two-storey building had two inner courtyards and was often compared to a fortress. The ground floor included classrooms, an auditorium, a hall, as well as spaces for the Law and Linguistics department and the office of International Relations. The second floor was used as office space. The project was realized. Documenting this project are sketches, working drawings, structural drawings, technical drawings and mechanical drawings. Textual materials included project documentation, correspondence and catalogues. Photographic materials document the model, site, construction work and the built project.
AP178.S1.1995.PR05
Description:
This project series documents the Reitoria da Universidade de Alicante in Alicante, Spain. While the records were held in the office’s archives this project was assigned the number 59/90. The office assigned the date 1995-1998 to this project The rectory was located on the former military aerodrome of Rabasa. The H-shaped, two-storey building had two inner courtyards and was often compared to a fortress. The ground floor included classrooms, an auditorium, a hall, as well as spaces for the Law and Linguistics department and the office of International Relations. The second floor was used as office space. The project was realized. Documenting this project are sketches, working drawings, structural drawings, technical drawings and mechanical drawings. Textual materials included project documentation, correspondence and catalogues. Photographic materials document the model, site, construction work and the built project.
Personnes et institutions:
Date:
1995-2003
1995-2003
Titre:
Reitoria da Universidade de Alicante [Rectory, University of Alicante], Alicante, Spain (1995-1998)
Actions:
AP178.S1.1995.PR05
Description:
This project series documents the Reitoria da Universidade de Alicante in Alicante, Spain. While the records were held in the office’s archives this project was assigned the number 59/90. The office assigned the date 1995-1998 to this project The rectory was located on the former military aerodrome of Rabasa. The H-shaped, two-storey building had two inner courtyards and was often compared to a fortress. The ground floor included classrooms, an auditorium, a hall, as well as spaces for the Law and Linguistics department and the office of International Relations. The second floor was used as office space. The project was realized. Documenting this project are sketches, working drawings, structural drawings, technical drawings and mechanical drawings. Textual materials included project documentation, correspondence and catalogues. Photographic materials document the model, site, construction work and the built project.
Reitoria da Universidade de Alicante [Rectory, University of Alicante], Alicante, Spain (1995-1998)
Actions:
AP178.S1.1995.PR05
Description:
This project series documents the Reitoria da Universidade de Alicante in Alicante, Spain. While the records were held in the office’s archives this project was assigned the number 59/90. The office assigned the date 1995-1998 to this project The rectory was located on the former military aerodrome of Rabasa. The H-shaped, two-storey building had two inner courtyards and was often compared to a fortress. The ground floor included classrooms, an auditorium, a hall, as well as spaces for the Law and Linguistics department and the office of International Relations. The second floor was used as office space. The project was realized. Documenting this project are sketches, working drawings, structural drawings, technical drawings and mechanical drawings. Textual materials included project documentation, correspondence and catalogues. Photographic materials document the model, site, construction work and the built project.
Niveau de description archivistique:
Project
Project
Date:
1995-2003
1995-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Personnes et institutions:
Date:
1994-2005
1994-2005
Titre:
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Niveau de description archivistique:
Project
Project
Date:
1994-2005
1994-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1981.PR01
Description:
This project series documents the design and construction of the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia from 1981-1985. The office identified the project number as 8101. This project consisted of two, two-storey buildings, one with a gymnasium and the other with a swimming pool, connected to one another by change rooms. Another small building connected to these contained a classroom, squash court, first aid, weight training room and instructor's office. This project also included an outdoor sports field, car park and site work. The building was commissioned by Public Works Canada, a federal agency. The project is recorded through drawings, photographs and textual records dating from 1981-1985. The drawings consist of plans, elevations, sections, and construction drawings for the building, as well as site plans for the exterior aspects of the project. The textual records include project notes, correspondence, construction documentation, contract and technical data, tender documents, conference, meeting and design reports, and the project proposal.
AP018.S1.1981.PR01
Description:
This project series documents the design and construction of the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia from 1981-1985. The office identified the project number as 8101. This project consisted of two, two-storey buildings, one with a gymnasium and the other with a swimming pool, connected to one another by change rooms. Another small building connected to these contained a classroom, squash court, first aid, weight training room and instructor's office. This project also included an outdoor sports field, car park and site work. The building was commissioned by Public Works Canada, a federal agency. The project is recorded through drawings, photographs and textual records dating from 1981-1985. The drawings consist of plans, elevations, sections, and construction drawings for the building, as well as site plans for the exterior aspects of the project. The textual records include project notes, correspondence, construction documentation, contract and technical data, tender documents, conference, meeting and design reports, and the project proposal.
Personnes et institutions:
Date:
1981-1985
1981-1985
Titre:
Canadian Coast Guard College, Physical Training Facilities, Sydney, Nova Scotia (1981-1985)
Actions:
AP018.S1.1981.PR01
Description:
This project series documents the design and construction of the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia from 1981-1985. The office identified the project number as 8101. This project consisted of two, two-storey buildings, one with a gymnasium and the other with a swimming pool, connected to one another by change rooms. Another small building connected to these contained a classroom, squash court, first aid, weight training room and instructor's office. This project also included an outdoor sports field, car park and site work. The building was commissioned by Public Works Canada, a federal agency. The project is recorded through drawings, photographs and textual records dating from 1981-1985. The drawings consist of plans, elevations, sections, and construction drawings for the building, as well as site plans for the exterior aspects of the project. The textual records include project notes, correspondence, construction documentation, contract and technical data, tender documents, conference, meeting and design reports, and the project proposal.
Canadian Coast Guard College, Physical Training Facilities, Sydney, Nova Scotia (1981-1985)
Actions:
AP018.S1.1981.PR01
Description:
This project series documents the design and construction of the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia from 1981-1985. The office identified the project number as 8101. This project consisted of two, two-storey buildings, one with a gymnasium and the other with a swimming pool, connected to one another by change rooms. Another small building connected to these contained a classroom, squash court, first aid, weight training room and instructor's office. This project also included an outdoor sports field, car park and site work. The building was commissioned by Public Works Canada, a federal agency. The project is recorded through drawings, photographs and textual records dating from 1981-1985. The drawings consist of plans, elevations, sections, and construction drawings for the building, as well as site plans for the exterior aspects of the project. The textual records include project notes, correspondence, construction documentation, contract and technical data, tender documents, conference, meeting and design reports, and the project proposal.
Niveau de description archivistique:
Project
Project
Date:
1981-1985
1981-1985
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Personnes et institutions:
Date:
circa 1919-1920
circa 1919-1920
Titre:
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
circa 1919-1920
circa 1919-1920
Personnes et institutions:
