16750 Résultats
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
Personnes et institutions:
Date:
2003-2004
2003-2004
Titre:
Correspondence regarding the exhibition "Contemporary techniques = new landscape", held at the Illinois Institute of Technology, Chicago, Illinois, United States
Actions:
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
Correspondence regarding the exhibition "Contemporary techniques = new landscape", held at the Illinois Institute of Technology, Chicago, Illinois, United States
Actions:
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
2003-2004
2003-2004
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1991.011
Description:
This sketchbook includes sketches for the Dom Company Headquarters in Cologne, Germany, for the Habitações em Concepcion Arenal in Cadiz, Spain, for the Faculty of Architecture of the University of Porto, as well as for the Museum of Contemporary Art of the Serralves Foundation. It also contains sketches of people and animals.
AP178.S2.1991.011
Description:
This sketchbook includes sketches for the Dom Company Headquarters in Cologne, Germany, for the Habitações em Concepcion Arenal in Cadiz, Spain, for the Faculty of Architecture of the University of Porto, as well as for the Museum of Contemporary Art of the Serralves Foundation. It also contains sketches of people and animals.
Personnes et institutions:
Date:
December 1991
December 1991
Titre:
Sketchbook 324: Cadiz - Bouça - Fac. Arq.ra - Serralves
Actions:
AP178.S2.1991.011
Description:
This sketchbook includes sketches for the Dom Company Headquarters in Cologne, Germany, for the Habitações em Concepcion Arenal in Cadiz, Spain, for the Faculty of Architecture of the University of Porto, as well as for the Museum of Contemporary Art of the Serralves Foundation. It also contains sketches of people and animals.
Sketchbook 324: Cadiz - Bouça - Fac. Arq.ra - Serralves
Actions:
AP178.S2.1991.011
Description:
This sketchbook includes sketches for the Dom Company Headquarters in Cologne, Germany, for the Habitações em Concepcion Arenal in Cadiz, Spain, for the Faculty of Architecture of the University of Porto, as well as for the Museum of Contemporary Art of the Serralves Foundation. It also contains sketches of people and animals.
Classification:
dessins
dessins
Date:
December 1991
December 1991
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273839
Description:
Newspaper clippings and photocopies of newspaper and magazine articles related to Arthur Erickson's life and work. Includes articles on the Museum of Glass, the Canadian Chancery and other projects as well as articles on architecture in Vancouver, British Columbia. Includes contents of an envelope with newspaper clippings about Simon Fraser University.
ARCH273839
Description:
Newspaper clippings and photocopies of newspaper and magazine articles related to Arthur Erickson's life and work. Includes articles on the Museum of Glass, the Canadian Chancery and other projects as well as articles on architecture in Vancouver, British Columbia. Includes contents of an envelope with newspaper clippings about Simon Fraser University.
Personnes et institutions:
Date:
ca. 1980- ca. 2000
ca. 1980- ca. 2000
Titre:
Press material on Arthur Erickson
Actions:
ARCH273839
Description:
Newspaper clippings and photocopies of newspaper and magazine articles related to Arthur Erickson's life and work. Includes articles on the Museum of Glass, the Canadian Chancery and other projects as well as articles on architecture in Vancouver, British Columbia. Includes contents of an envelope with newspaper clippings about Simon Fraser University.
Press material on Arthur Erickson
Actions:
ARCH273839
Description:
Newspaper clippings and photocopies of newspaper and magazine articles related to Arthur Erickson's life and work. Includes articles on the Museum of Glass, the Canadian Chancery and other projects as well as articles on architecture in Vancouver, British Columbia. Includes contents of an envelope with newspaper clippings about Simon Fraser University.
Classification:
documents textuels
documents textuels
Date:
ca. 1980- ca. 2000
ca. 1980- ca. 2000
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH276761
Description:
Binder contains working and presentation slides (models, plans, schemes, renderings, completion phase) for various projects. Includes: Canadian Chancery, British Columbia Place, Victoria Harbour, Museum of Anthropology, Robson Square, Ohio State University, Beverly Hills Civic Center, San Diego Convention Center, Public Service Building, Portland and others, unidentified.
ARCH276761
Description:
Binder contains working and presentation slides (models, plans, schemes, renderings, completion phase) for various projects. Includes: Canadian Chancery, British Columbia Place, Victoria Harbour, Museum of Anthropology, Robson Square, Ohio State University, Beverly Hills Civic Center, San Diego Convention Center, Public Service Building, Portland and others, unidentified.
Personnes et institutions:
Date:
1970s-1980s
1970s-1980s
Titre:
Working and presentation slides for various projects
Actions:
ARCH276761
Description:
Binder contains working and presentation slides (models, plans, schemes, renderings, completion phase) for various projects. Includes: Canadian Chancery, British Columbia Place, Victoria Harbour, Museum of Anthropology, Robson Square, Ohio State University, Beverly Hills Civic Center, San Diego Convention Center, Public Service Building, Portland and others, unidentified.
Working and presentation slides for various projects
Actions:
ARCH276761
Description:
Binder contains working and presentation slides (models, plans, schemes, renderings, completion phase) for various projects. Includes: Canadian Chancery, British Columbia Place, Victoria Harbour, Museum of Anthropology, Robson Square, Ohio State University, Beverly Hills Civic Center, San Diego Convention Center, Public Service Building, Portland and others, unidentified.
Classification:
photographies
photographies
Date:
1970s-1980s
1970s-1980s
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds André Blouin
Fonds André Blouin
Numéro de référence:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Personnes et institutions:
Date:
1933-1996
1933-1996
Titre:
Fonds André Blouin
Actions:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Fonds André Blouin
Actions:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-1996
1933-1996
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257211
Description:
Offer of Services and Permanent Files: York University expression of interest in campus concept plan, Maritime Museum of British Columbia (Victoria), Ontario Hydro Building proposal, Architects / Engineers questionaire, memo on filing Prblic Relations material, slides of models and projects (including Napp Laboratories, Calfornia Plaza, Air Defense Command, amongst others)
ARCH257211
Description:
Offer of Services and Permanent Files: York University expression of interest in campus concept plan, Maritime Museum of British Columbia (Victoria), Ontario Hydro Building proposal, Architects / Engineers questionaire, memo on filing Prblic Relations material, slides of models and projects (including Napp Laboratories, Calfornia Plaza, Air Defense Command, amongst others)
Personnes et institutions:
Date:
1986-1990
1986-1990
Titre:
Offer of Services and permanent files for various projects
Actions:
ARCH257211
Description:
Offer of Services and Permanent Files: York University expression of interest in campus concept plan, Maritime Museum of British Columbia (Victoria), Ontario Hydro Building proposal, Architects / Engineers questionaire, memo on filing Prblic Relations material, slides of models and projects (including Napp Laboratories, Calfornia Plaza, Air Defense Command, amongst others)
Offer of Services and permanent files for various projects
Actions:
ARCH257211
Description:
Offer of Services and Permanent Files: York University expression of interest in campus concept plan, Maritime Museum of British Columbia (Victoria), Ontario Hydro Building proposal, Architects / Engineers questionaire, memo on filing Prblic Relations material, slides of models and projects (including Napp Laboratories, Calfornia Plaza, Air Defense Command, amongst others)
Classification:
documents textuels
documents textuels
Date:
1986-1990
1986-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Personnes et institutions:
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Titre:
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Food for the Future
Actions:
AP144.S2.D87
Description:
File documents proposals for an international exhibition on the theme of innovations in agriculture and food production. Peter Kuttner was the exhibition organizer and the full extent of Cedric Price’s involvement in the project is unclear, although his office produced a model, drawings, and exhibition and display design ideas. Plans show exhibition, cinema, and lecture areas, as well as, book stalls and a restaurant. Plans also show thematic areas: 'Farms for Food', 'Methods of Production and Storage', and the 'Nature of Food', as well as circulation patterns. An initial proposal titled 'Food for the Future' was submitted to the Greater London Council for the Hayward Gallery, in London, but was rejected. A subsequent submission with the title 'Food First' was made to the Cooper-Hewitt Museum in New York. Material in this file was created between 1971 and 1978 but predominantly between 1971 and 1975. Peter Kuttner is attributed as the organizer of the exhibition which was originally titled: 'Food of the future exhibition'. File contains conceptual drawings, model, and textual records.
Niveau de description archivistique:
File 87
File 87
Date:
1971-1978, predominant 1971-1975
1971-1978, predominant 1971-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2018
2012-2018
Titre:
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2018
2012-2018
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
DDR - IAUS
DDR - IAUS
Numéro de référence:
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
Personnes et institutions:
Date:
1968-1978, 1981
1968-1978, 1981
Titre:
DDR - IAUS
Actions:
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
DDR - IAUS
Actions:
ARCH153471
Description:
Address of Rust Welch in The Hague, on a card Membership Campaign - The Drawing Center, submitted to The New York Community Trust; Nov. 1, 1978. Report from the Rockefeller Foundation Training Fellows in Museum Education at the Metropolitan Museum of Art 1974-75. (article on Paul J. Sachs) Description of the exhibition "Musical Manuscripts" by A. Ciniglio Ada V. Ciniglio, "Pioneers in American Museums: Paul J. Sachs", Museum News, September/October 1976, pp 48-51 & 68-71. Curriculum Vitae of Vladimir Paperny Letter from John Burgee to Gerald D. Hines Interest (about conference at the Institute); April 23, 1981. Letter to Peter Eisenman from S.L. Solomon, Harvard University, April 14, 1981. Xerox from the Postmaster about new Zip code of the IAUS Hand notes of Peter Eisenman on yellow paper (Spanish cultural affairs) Memo to Peter Wolf from Peter Eisenman: 1 September 1972 (confirmation of Wolf's nomitation as Chairman of the Board of Fellows). IAUS Alumni news report : 1 page
Classification:
documents textuels
documents textuels
Date:
1968-1978, 1981
1968-1978, 1981
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Date:
24 avril 2014 , 18h
24 avril 2014 , 18h
Titre:
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Classification:
événements
événements
Date:
24 avril 2014
18h
24 avril 2014
18h
