33214 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
Personnes et institutions:
Date:
circa 2002-2006
circa 2002-2006
Titre:
Centro José Saramago [José Saramago Centre], Granada, Spain (2002)
Actions:
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
Centro José Saramago [José Saramago Centre], Granada, Spain (2002)
Actions:
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
Niveau de description archivistique:
Project
Project
Date:
circa 2002-2006
circa 2002-2006
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Project records from Mr. Koz
Project records from Mr. Koz
Numéro de référence:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Personnes et institutions:
Date:
1996
1996
Titre:
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Niveau de description archivistique:
Series
Series
Date:
1996
1996
Personnes et institutions:
Classification:
événements
événements
Titre:
À bas les parcs?
À bas les parcs?
Actions:
Description:
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
Date:
25 mai 2017
25 mai 2017
Titre:
À bas les parcs?
Actions:
Description:
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
À bas les parcs?
Actions:
Description:
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
Classification:
événements
événements
Date:
25 mai 2017
25 mai 2017
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2005
Chercheurs en résidence 2005
Actions:
Description:
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgique Sujet : Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, États-Unis Sujet : Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgique Sujet : Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, États-Unis Sujet : Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Date:
3 janvier 2005 au 30 septembre 2005
3 janvier 2005 au 30 septembre 2005
Titre:
Chercheurs en résidence 2005
Actions:
Description:
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgique Sujet : Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, États-Unis Sujet : Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Chercheurs en résidence 2005
Actions:
Description:
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgique Sujet : Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, États-Unis Sujet : Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Classification:
recherche
recherche
Date:
3 janvier 2005 au
30 septembre 2005
3 janvier 2005 au
30 septembre 2005
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Titre:
Stirling
Stirling
Actions:
Numéro de référence:
AP140.S2.SS7.D3.P10.2
Description:
British architect James Stirling and various critics talk about his philosophy and work while viewing his architectural projects around the world. New York, NY : Michael Blackwood Productions, c1987. Produced and directed by Michael Blackwood ; a coproduction Michael Blackwood Productions, Saarländischer Rundfunk, BBC Television, Sveriges Television/AB/SVTI ; photographed by John Else, Mead Hunt, Bodo Kessler ; edited by Stephen Plumlee ; narration written by Martin Filler and Rosemarie Hagg Bletter ; narrated by Russell Connor ; additional photography by John Adderly, Ricky Gauld, Mark Trottenberg ; sound-recordists, Brian Greenman, Martyn Clift, M. Webberley ; consultants, Martin Filler, Rosemarie Hagg Bletter ; still photographs, John Donat ... [et al.] ; associate director, Stephen Plumlee ; associate producer, Kelley Forsyth ; executive producers, Peter Brugger, Rolf Porsborn, Alan Yentob
AP140.S2.SS7.D3.P10.2
Description:
British architect James Stirling and various critics talk about his philosophy and work while viewing his architectural projects around the world. New York, NY : Michael Blackwood Productions, c1987. Produced and directed by Michael Blackwood ; a coproduction Michael Blackwood Productions, Saarländischer Rundfunk, BBC Television, Sveriges Television/AB/SVTI ; photographed by John Else, Mead Hunt, Bodo Kessler ; edited by Stephen Plumlee ; narration written by Martin Filler and Rosemarie Hagg Bletter ; narrated by Russell Connor ; additional photography by John Adderly, Ricky Gauld, Mark Trottenberg ; sound-recordists, Brian Greenman, Martyn Clift, M. Webberley ; consultants, Martin Filler, Rosemarie Hagg Bletter ; still photographs, John Donat ... [et al.] ; associate director, Stephen Plumlee ; associate producer, Kelley Forsyth ; executive producers, Peter Brugger, Rolf Porsborn, Alan Yentob
Personnes et institutions:
Date:
1987
1987
Titre:
Stirling
Actions:
AP140.S2.SS7.D3.P10.2
Description:
British architect James Stirling and various critics talk about his philosophy and work while viewing his architectural projects around the world. New York, NY : Michael Blackwood Productions, c1987. Produced and directed by Michael Blackwood ; a coproduction Michael Blackwood Productions, Saarländischer Rundfunk, BBC Television, Sveriges Television/AB/SVTI ; photographed by John Else, Mead Hunt, Bodo Kessler ; edited by Stephen Plumlee ; narration written by Martin Filler and Rosemarie Hagg Bletter ; narrated by Russell Connor ; additional photography by John Adderly, Ricky Gauld, Mark Trottenberg ; sound-recordists, Brian Greenman, Martyn Clift, M. Webberley ; consultants, Martin Filler, Rosemarie Hagg Bletter ; still photographs, John Donat ... [et al.] ; associate director, Stephen Plumlee ; associate producer, Kelley Forsyth ; executive producers, Peter Brugger, Rolf Porsborn, Alan Yentob
Stirling
Actions:
AP140.S2.SS7.D3.P10.2
Description:
British architect James Stirling and various critics talk about his philosophy and work while viewing his architectural projects around the world. New York, NY : Michael Blackwood Productions, c1987. Produced and directed by Michael Blackwood ; a coproduction Michael Blackwood Productions, Saarländischer Rundfunk, BBC Television, Sveriges Television/AB/SVTI ; photographed by John Else, Mead Hunt, Bodo Kessler ; edited by Stephen Plumlee ; narration written by Martin Filler and Rosemarie Hagg Bletter ; narrated by Russell Connor ; additional photography by John Adderly, Ricky Gauld, Mark Trottenberg ; sound-recordists, Brian Greenman, Martyn Clift, M. Webberley ; consultants, Martin Filler, Rosemarie Hagg Bletter ; still photographs, John Donat ... [et al.] ; associate director, Stephen Plumlee ; associate producer, Kelley Forsyth ; executive producers, Peter Brugger, Rolf Porsborn, Alan Yentob
Date:
1987
1987
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
Personnes et institutions:
Date:
1976-1984
1976-1984
Titre:
70 PINE ST. - PROMOTION
Actions:
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
70 PINE ST. - PROMOTION
Actions:
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
Classification:
documents textuels
documents textuels
Date:
1976-1984
1976-1984
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
Personnes et institutions:
Date:
1977-1982
1977-1982
Titre:
Various poster advertising IAUS exhibitions
Actions:
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
Various poster advertising IAUS exhibitions
Actions:
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
Classification:
graphique
graphique
Date:
1977-1982
1977-1982
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
DDR [Miscellaneous, 1981]
DDR [Miscellaneous, 1981]
Numéro de référence:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
Personnes et institutions:
Date:
1981
1981
Titre:
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
Classification:
documents textuels
documents textuels
Date:
1981
1981
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
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Titre:
Accusé de réception confirmant l'inscription de Jacques Rousseau
Actions:
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
Accusé de réception confirmant l'inscription de Jacques Rousseau
Actions:
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
Classification:
dessins, documents textuels
dessins, documents textuels
Personnes et institutions:
