397311 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds B.C. Binning
Fonds B.C. Binning
Numéro de référence:
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
Personnes et institutions:
Date:
1941-1963
1941-1963
Titre:
Fonds B.C. Binning
Actions:
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
Fonds B.C. Binning
Actions:
AP069
Résumé:
The B.C. Binning fonds documents the activities of artist B.C. Binning and the links between his art and architecture. The fonds contains drawings, reprographic copies, photographs and coloured test panels related to five projects, among others, the design of Binning's residence in West Vancouver, British Columbia and the mural for the B.C. Electric Head Office in Vancouver. Material in the fonds was produced between 1941 and 1963.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1941-1963
1941-1963
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP072
AP072
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Personnes et institutions:
Date:
1936-2021
1936-2021
Titre:
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1936-2021
1936-2021
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Office dA project records
Office dA project records
Numéro de référence:
AP179
Résumé:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
AP179
Résumé:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
Personnes et institutions:
Date:
1991-2007
1991-2007
Titre:
Office dA project records
Actions:
AP179
Résumé:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
Office dA project records
Actions:
AP179
Résumé:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-2007
1991-2007
Personnes et institutions:
Classification:
maquettes, archives
Niveau de description archivistique:
Fonds
maquettes, archives
Niveau de description archivistique:
Fonds
Numéro de référence:
ARCH275744
ARCH275744
Personnes et institutions:
Date:
September-October 2013
September-October 2013
Classification:
maquettes, archives
Niveau de description archivistique:
model(s)
maquettes, archives
Niveau de description archivistique:
model(s)
Date:
September-October 2013
September-October 2013
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Personnes et institutions:
Date:
1996-2015
1996-2015
Titre:
Documents d’archives de RUR Architecture pour le projet Kansai-kan, National Diet Library
Actions:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Documents d’archives de RUR Architecture pour le projet Kansai-kan, National Diet Library
Actions:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1996-2015
1996-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Personnes et institutions:
Date:
1994-2004
1994-2004
Titre:
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2004
1994-2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Cache fonds
Bernard Cache fonds
Numéro de référence:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Personnes et institutions:
Date:
1992-2011
1992-2011
Titre:
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1992-2011
1992-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Personnes et institutions:
Date:
1990 - 2014
1990 - 2014
Titre:
Documents d’archives de Mark Goulthorpe pour le projet Hyposurface
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Documents d’archives de Mark Goulthorpe pour le projet Hyposurface
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990 - 2014
1990 - 2014
Personnes et institutions:
