5434 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Personnes et institutions:
Date:
circa 2003-2004
circa 2003-2004
Titre:
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Personnes et institutions:
Date:
1991-1997
1991-1997
Titre:
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Niveau de description archivistique:
Project
Project
Date:
1991-1997
1991-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
Personnes et institutions:
Date:
1987-1996
1987-1996
Titre:
King James Place, Toronto, Ontario (1987-1991)
Actions:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
King James Place, Toronto, Ontario (1987-1991)
Actions:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
Niveau de description archivistique:
Project
Project
Date:
1987-1996
1987-1996
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Zéphirin Perrault
Fonds Zéphirin Perrault
Numéro de référence:
AP107
Résumé:
The Zéphirin Perrault fonds, 1866-1885, documents architect Zéphirin Perrault’s design of approximately ten churches in rural Québec and the St. Michael Cathedral in Toronto, Ontario. A drawing by Victor Bourgneau (1809-1888) is also included in this fonds. Materials consist of approximately 42 drawings and 5 textual documents.
AP107
Résumé:
The Zéphirin Perrault fonds, 1866-1885, documents architect Zéphirin Perrault’s design of approximately ten churches in rural Québec and the St. Michael Cathedral in Toronto, Ontario. A drawing by Victor Bourgneau (1809-1888) is also included in this fonds. Materials consist of approximately 42 drawings and 5 textual documents.
Personnes et institutions:
Date:
1866-1885
1866-1885
Titre:
Fonds Zéphirin Perrault
Actions:
AP107
Résumé:
The Zéphirin Perrault fonds, 1866-1885, documents architect Zéphirin Perrault’s design of approximately ten churches in rural Québec and the St. Michael Cathedral in Toronto, Ontario. A drawing by Victor Bourgneau (1809-1888) is also included in this fonds. Materials consist of approximately 42 drawings and 5 textual documents.
Fonds Zéphirin Perrault
Actions:
AP107
Résumé:
The Zéphirin Perrault fonds, 1866-1885, documents architect Zéphirin Perrault’s design of approximately ten churches in rural Québec and the St. Michael Cathedral in Toronto, Ontario. A drawing by Victor Bourgneau (1809-1888) is also included in this fonds. Materials consist of approximately 42 drawings and 5 textual documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1866-1885
1866-1885
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
ARCH186567
Description:
1977-1995 - subjects concerning Desbarats, including clippings of American Embassy competition, restoration of the Queen Elizabeth Centre, article on federal civil service; b&w photocopy prints of McGill University Student Centre, colour photocopy prints of Governor General's residence in Quebec City, photocopy of map concerning the site of the National Aviation Museum
ARCH186567
Description:
1977-1995 - subjects concerning Desbarats, including clippings of American Embassy competition, restoration of the Queen Elizabeth Centre, article on federal civil service; b&w photocopy prints of McGill University Student Centre, colour photocopy prints of Governor General's residence in Quebec City, photocopy of map concerning the site of the National Aviation Museum
Personnes et institutions:
Date:
1977 - 1995
1977 - 1995
Titre:
Subjects concerning Desbarats
Actions:
ARCH186567
Description:
1977-1995 - subjects concerning Desbarats, including clippings of American Embassy competition, restoration of the Queen Elizabeth Centre, article on federal civil service; b&w photocopy prints of McGill University Student Centre, colour photocopy prints of Governor General's residence in Quebec City, photocopy of map concerning the site of the National Aviation Museum
Subjects concerning Desbarats
Actions:
ARCH186567
Description:
1977-1995 - subjects concerning Desbarats, including clippings of American Embassy competition, restoration of the Queen Elizabeth Centre, article on federal civil service; b&w photocopy prints of McGill University Student Centre, colour photocopy prints of Governor General's residence in Quebec City, photocopy of map concerning the site of the National Aviation Museum
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Date:
1977 - 1995
1977 - 1995
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
Personnes et institutions:
Date:
1957 - 1985
1957 - 1985
Titre:
Architectural projects
Actions:
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
Architectural projects
Actions:
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
Niveau de description archivistique:
Sub-series 1
Sub-series 1
Date:
1957 - 1985
1957 - 1985
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS3
Description:
This project subseries documents the restoration of the Câmara Chaves building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 7. The office assigned the date 1991-1996 for this project. The Câmara Chaves building was part of Bloco A and identified as building 7 in Siza's reconstruction plan. Documenting this project subseries are sketches, studies, plans, elevations, working drawings and details. There are photographs, negatives, and slides that show the construction site and the building before, during and after construction. Textual materials include project documentation and details of the mechanical work. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces work (AP178.S1.1988.PR07.SS1).
AP178.S1.1988.PR07.SS3
Description:
This project subseries documents the restoration of the Câmara Chaves building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 7. The office assigned the date 1991-1996 for this project. The Câmara Chaves building was part of Bloco A and identified as building 7 in Siza's reconstruction plan. Documenting this project subseries are sketches, studies, plans, elevations, working drawings and details. There are photographs, negatives, and slides that show the construction site and the building before, during and after construction. Textual materials include project documentation and details of the mechanical work. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces work (AP178.S1.1988.PR07.SS1).
Personnes et institutions:
Date:
1988-2003
1988-2003
Titre:
Câmara Chaves, Bloco A, Reconstrução do Chiado, Lisbon (1988-1998)
Actions:
AP178.S1.1988.PR07.SS3
Description:
This project subseries documents the restoration of the Câmara Chaves building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 7. The office assigned the date 1991-1996 for this project. The Câmara Chaves building was part of Bloco A and identified as building 7 in Siza's reconstruction plan. Documenting this project subseries are sketches, studies, plans, elevations, working drawings and details. There are photographs, negatives, and slides that show the construction site and the building before, during and after construction. Textual materials include project documentation and details of the mechanical work. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces work (AP178.S1.1988.PR07.SS1).
Câmara Chaves, Bloco A, Reconstrução do Chiado, Lisbon (1988-1998)
Actions:
AP178.S1.1988.PR07.SS3
Description:
This project subseries documents the restoration of the Câmara Chaves building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 7. The office assigned the date 1991-1996 for this project. The Câmara Chaves building was part of Bloco A and identified as building 7 in Siza's reconstruction plan. Documenting this project subseries are sketches, studies, plans, elevations, working drawings and details. There are photographs, negatives, and slides that show the construction site and the building before, during and after construction. Textual materials include project documentation and details of the mechanical work. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces work (AP178.S1.1988.PR07.SS1).
Niveau de description archivistique:
Project
Project
Date:
1988-2003
1988-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Personnes et institutions:
Date:
1967-1968
1967-1968
Titre:
Competition Fortezza da Basso, National Centre for Arts and Crafts, Florence, Italy (1967)
Actions:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Competition Fortezza da Basso, National Centre for Arts and Crafts, Florence, Italy (1967)
Actions:
AP148.S1.1967.PR01
Description:
This project series documents Poli's contribution to the competition entry for the restoration of a 16th century fort in Florence, the Fortezza da Bassa and its transformation into a National Centre for Arts and Crafts. This competition design was a Superstudio project led by Adolfo Natalini, reflecting the group's interest at the time in architecture on a "monumental' scale" (Lang and Menking, 2003, 100). Project material consists of study sketches in coloured pencil and graphite, many with annotations, and a page of typed notes, also with smaller sketches. Poli's sketches and notes seem to focus on designs for the entrance to the fort -- "ingresso alla Fortezza" -- and the movement of spectators into the fort. The typed notes and some sketches suggest the idea of a pinball machine with flippers and multi coloured lights lighting up a path.
Niveau de description archivistique:
Project
Project
Date:
1967-1968
1967-1968
Personnes et institutions:
Classification:
expositions
expositions
Description:
À l’aide d’objets tirés de la collection du CCA, Photographie et pratique de l’architecture en France, 1839-1870 montre comment la photographie est devenue, dans la seconde moitié du XIXe siècle, partie intégrante du processus de conception, de construction et de restauration architecturale, et élément de publication dans ce domaine. Commissaires : David Harris, CCA, et(...)
À l’aide d’objets tirés de la collection du CCA, Photographie et pratique de l’architecture en France, 1839-1870 montre comment la photographie est devenue, dans la seconde moitié du XIXe siècle, partie intégrante du processus de conception, de construction et de restauration architecturale, et élément de publication dans ce domaine. Commissaires : David Harris, CCA, et(...)
Localisation:
Vitrines
Vitrines
Date:
25 janvier 1995 au 4 juin 1995
25 janvier 1995 au 4 juin 1995
Titre:
Photographie et pratique de l'architecture en France, 1839-1870
Actions:
Description:
À l’aide d’objets tirés de la collection du CCA, Photographie et pratique de l’architecture en France, 1839-1870 montre comment la photographie est devenue, dans la seconde moitié du XIXe siècle, partie intégrante du processus de conception, de construction et de restauration architecturale, et élément de publication dans ce domaine. Commissaires : David Harris, CCA, et(...)
Photographie et pratique de l'architecture en France, 1839-1870
Actions:
Description:
À l’aide d’objets tirés de la collection du CCA, Photographie et pratique de l’architecture en France, 1839-1870 montre comment la photographie est devenue, dans la seconde moitié du XIXe siècle, partie intégrante du processus de conception, de construction et de restauration architecturale, et élément de publication dans ce domaine. Commissaires : David Harris, CCA, et(...)
Classification:
expositions
expositions
Date:
25 janvier 1995 au
4 juin 1995
25 janvier 1995 au
4 juin 1995
Localisation:
Vitrines
Vitrines
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
Personnes et institutions:
Date:
October 1996
October 1996
Titre:
Sketchbook 424: Moveis Expo - Serralves - Casas Evora - Casa Viseu - Salonica
Actions:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
Sketchbook 424: Moveis Expo - Serralves - Casas Evora - Casa Viseu - Salonica
Actions:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
Classification:
dessins
dessins
Date:
October 1996
October 1996
Personnes et institutions:
