4309 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH258799
Description:
Correspondance, incluant des plans, des rapports, des dessins, des notes et calculs relatifs à l'Institut de Cardiologie (Gaston Ganier, architecte), la distribution de chaleur de l'université, « Anatomie », utilisation du bloc ouest, documents de la Ville de Montréal, des plans de Ludger Venne. Comprend aussi des calculs du « Bibliothèque », « Sports de plein air », « Gymnase », « Centre social », et résidences.
ARCH258799
Description:
Correspondance, incluant des plans, des rapports, des dessins, des notes et calculs relatifs à l'Institut de Cardiologie (Gaston Ganier, architecte), la distribution de chaleur de l'université, « Anatomie », utilisation du bloc ouest, documents de la Ville de Montréal, des plans de Ludger Venne. Comprend aussi des calculs du « Bibliothèque », « Sports de plein air », « Gymnase », « Centre social », et résidences.
Personnes et institutions:
Date:
1960-1961
1960-1961
Titre:
Correspondance, rapports et notes relatives à l'Institute de Cardiologie
Actions:
ARCH258799
Description:
Correspondance, incluant des plans, des rapports, des dessins, des notes et calculs relatifs à l'Institut de Cardiologie (Gaston Ganier, architecte), la distribution de chaleur de l'université, « Anatomie », utilisation du bloc ouest, documents de la Ville de Montréal, des plans de Ludger Venne. Comprend aussi des calculs du « Bibliothèque », « Sports de plein air », « Gymnase », « Centre social », et résidences.
Correspondance, rapports et notes relatives à l'Institute de Cardiologie
Actions:
ARCH258799
Description:
Correspondance, incluant des plans, des rapports, des dessins, des notes et calculs relatifs à l'Institut de Cardiologie (Gaston Ganier, architecte), la distribution de chaleur de l'université, « Anatomie », utilisation du bloc ouest, documents de la Ville de Montréal, des plans de Ludger Venne. Comprend aussi des calculs du « Bibliothèque », « Sports de plein air », « Gymnase », « Centre social », et résidences.
Classification:
documents textuels
documents textuels
Date:
1960-1961
1960-1961
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Date:
24 avril 2014 , 18h
24 avril 2014 , 18h
Titre:
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Classification:
événements
événements
Date:
24 avril 2014
18h
24 avril 2014
18h
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP106
Résumé:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
AP106
Résumé:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
Personnes et institutions:
Date:
1989-1994
1989-1994
Titre:
Documents d’archives pour le projet Faubourg Québec
Actions:
AP106
Résumé:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
Documents d’archives pour le projet Faubourg Québec
Actions:
AP106
Résumé:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1989-1994
1989-1994
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
ARCH153788
Description:
Various posters advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 (2) Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 (2) Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] (2) Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 (2) O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 (2) Philip Johnson: Processes, September 12 to October 31, 1978 (2) Wallace Harrison: Fifty Years of Architecture, December 13, 1979 to January 13, 1980 (1) On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves] (2)
ARCH153788
Description:
Various posters advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 (2) Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 (2) Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] (2) Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 (2) O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 (2) Philip Johnson: Processes, September 12 to October 31, 1978 (2) Wallace Harrison: Fifty Years of Architecture, December 13, 1979 to January 13, 1980 (1) On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves] (2)
Personnes et institutions:
Date:
1977-1982
1977-1982
Titre:
Various posters advertising IAUS exhibitions
Actions:
ARCH153788
Description:
Various posters advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 (2) Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 (2) Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] (2) Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 (2) O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 (2) Philip Johnson: Processes, September 12 to October 31, 1978 (2) Wallace Harrison: Fifty Years of Architecture, December 13, 1979 to January 13, 1980 (1) On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves] (2)
Various posters advertising IAUS exhibitions
Actions:
ARCH153788
Description:
Various posters advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 (2) Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 (2) Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] (2) Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 (2) O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 (2) Philip Johnson: Processes, September 12 to October 31, 1978 (2) Wallace Harrison: Fifty Years of Architecture, December 13, 1979 to January 13, 1980 (1) On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves] (2)
Classification:
graphique
graphique
Date:
1977-1982
1977-1982
Personnes et institutions:
Classification:
articles
articles
Actions:
Pujita Guha s’intéresse aux manières dont les Khasi tissent leurs mondes dans la forêt
Mot(s)-clé(s):
Khasi, Khasis, forest, Zomia, pont, Tyrna, Pujita Guha, Meghalaya, ficus elastica, bamboo, Zomia Garden, Yutong Lin, Programme de résidence pour commissaires émergents
Khasi, Khasis, forest, Zomia, pont, Tyrna, Pujita Guha, Meghalaya, ficus elastica, bamboo, Zomia Garden, Yutong Lin, Programme de résidence pour commissaires émergents
Publié:
23 juin 2025
23 juin 2025
Titre:
Siej, Jri Bramon et autres plantes
Pujita Guha s’intéresse aux manières dont les Khasi tissent leurs mondes dans la forêt
Actions:
Siej, Jri Bramon et autres plantes
Pujita Guha s’intéresse aux manières dont les Khasi tissent leurs mondes dans la forêt
Actions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds PGL architectes
Fonds PGL architectes
Numéro de référence:
AP014
Résumé:
Le fonds PGL architectes, 1959 – 1994, témoigne des activités de la firme d’architecture montréalaise, Papineau Gérin-Lajoie Le Blanc architectes, autant que ses sociétés affiliées et firmes remplaçantes. La majorité du fonds comprend des documents qui représentent 70 projets architecturaux, incluant des projets entrepris à travers le Québec, à Ottawa, à de multiples endroits au Nunavut, ainsi que des projets internationaux. Le fonds met en évidence la participation du PGL dans la construction d'infrastructure coloniale au Nunavik et au Nunavut, y compris les travaux sur des écoles associées avec des foyers fédéraux, qui sont reconnus comme faisant partie du système des pensionnats autochtones du Canada. De plus, le fonds documente l’utilisation des panneaux de fibre de verre modulaires employés par PGL. Pour la plupart, les documents dans ce fonds se composent des dessins, des documents photographiques, et des documents textuels. _____________________________________________________________________________________________________________ The PGL architectes fonds, 1959 - 1994, documents the work and activities of the Montréal-based architecture firm, Papineau Gérin-Lajoie Le Blanc architectes, and its successor and affiliate companies. The records within this fonds represent 70 architectural projects undertaken by the firm, which include projects throughout Québec, Ottawa, and various locations in Nunavut, as well as some international projects. The fonds offers evidence of PGL’s participation in the construction of colonial infrastructure in Nunavik and Nunavut, including work on schools that are connected to Federal Hostels which are recognised as part of Canada's Indian Residential School system. The fonds also contains records documenting PGL’s use of modular, fiberglass-reinforced plastic panels in construction. The records within this fonds largely consist of drawings, photographic materials, and textual records.
AP014
Résumé:
Le fonds PGL architectes, 1959 – 1994, témoigne des activités de la firme d’architecture montréalaise, Papineau Gérin-Lajoie Le Blanc architectes, autant que ses sociétés affiliées et firmes remplaçantes. La majorité du fonds comprend des documents qui représentent 70 projets architecturaux, incluant des projets entrepris à travers le Québec, à Ottawa, à de multiples endroits au Nunavut, ainsi que des projets internationaux. Le fonds met en évidence la participation du PGL dans la construction d'infrastructure coloniale au Nunavik et au Nunavut, y compris les travaux sur des écoles associées avec des foyers fédéraux, qui sont reconnus comme faisant partie du système des pensionnats autochtones du Canada. De plus, le fonds documente l’utilisation des panneaux de fibre de verre modulaires employés par PGL. Pour la plupart, les documents dans ce fonds se composent des dessins, des documents photographiques, et des documents textuels. _____________________________________________________________________________________________________________ The PGL architectes fonds, 1959 - 1994, documents the work and activities of the Montréal-based architecture firm, Papineau Gérin-Lajoie Le Blanc architectes, and its successor and affiliate companies. The records within this fonds represent 70 architectural projects undertaken by the firm, which include projects throughout Québec, Ottawa, and various locations in Nunavut, as well as some international projects. The fonds offers evidence of PGL’s participation in the construction of colonial infrastructure in Nunavik and Nunavut, including work on schools that are connected to Federal Hostels which are recognised as part of Canada's Indian Residential School system. The fonds also contains records documenting PGL’s use of modular, fiberglass-reinforced plastic panels in construction. The records within this fonds largely consist of drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1959 - 1994
1959 - 1994
Titre:
Fonds PGL architectes
Actions:
AP014
Résumé:
Le fonds PGL architectes, 1959 – 1994, témoigne des activités de la firme d’architecture montréalaise, Papineau Gérin-Lajoie Le Blanc architectes, autant que ses sociétés affiliées et firmes remplaçantes. La majorité du fonds comprend des documents qui représentent 70 projets architecturaux, incluant des projets entrepris à travers le Québec, à Ottawa, à de multiples endroits au Nunavut, ainsi que des projets internationaux. Le fonds met en évidence la participation du PGL dans la construction d'infrastructure coloniale au Nunavik et au Nunavut, y compris les travaux sur des écoles associées avec des foyers fédéraux, qui sont reconnus comme faisant partie du système des pensionnats autochtones du Canada. De plus, le fonds documente l’utilisation des panneaux de fibre de verre modulaires employés par PGL. Pour la plupart, les documents dans ce fonds se composent des dessins, des documents photographiques, et des documents textuels. _____________________________________________________________________________________________________________ The PGL architectes fonds, 1959 - 1994, documents the work and activities of the Montréal-based architecture firm, Papineau Gérin-Lajoie Le Blanc architectes, and its successor and affiliate companies. The records within this fonds represent 70 architectural projects undertaken by the firm, which include projects throughout Québec, Ottawa, and various locations in Nunavut, as well as some international projects. The fonds offers evidence of PGL’s participation in the construction of colonial infrastructure in Nunavik and Nunavut, including work on schools that are connected to Federal Hostels which are recognised as part of Canada's Indian Residential School system. The fonds also contains records documenting PGL’s use of modular, fiberglass-reinforced plastic panels in construction. The records within this fonds largely consist of drawings, photographic materials, and textual records.
Fonds PGL architectes
Actions:
AP014
Résumé:
Le fonds PGL architectes, 1959 – 1994, témoigne des activités de la firme d’architecture montréalaise, Papineau Gérin-Lajoie Le Blanc architectes, autant que ses sociétés affiliées et firmes remplaçantes. La majorité du fonds comprend des documents qui représentent 70 projets architecturaux, incluant des projets entrepris à travers le Québec, à Ottawa, à de multiples endroits au Nunavut, ainsi que des projets internationaux. Le fonds met en évidence la participation du PGL dans la construction d'infrastructure coloniale au Nunavik et au Nunavut, y compris les travaux sur des écoles associées avec des foyers fédéraux, qui sont reconnus comme faisant partie du système des pensionnats autochtones du Canada. De plus, le fonds documente l’utilisation des panneaux de fibre de verre modulaires employés par PGL. Pour la plupart, les documents dans ce fonds se composent des dessins, des documents photographiques, et des documents textuels. _____________________________________________________________________________________________________________ The PGL architectes fonds, 1959 - 1994, documents the work and activities of the Montréal-based architecture firm, Papineau Gérin-Lajoie Le Blanc architectes, and its successor and affiliate companies. The records within this fonds represent 70 architectural projects undertaken by the firm, which include projects throughout Québec, Ottawa, and various locations in Nunavut, as well as some international projects. The fonds offers evidence of PGL’s participation in the construction of colonial infrastructure in Nunavik and Nunavut, including work on schools that are connected to Federal Hostels which are recognised as part of Canada's Indian Residential School system. The fonds also contains records documenting PGL’s use of modular, fiberglass-reinforced plastic panels in construction. The records within this fonds largely consist of drawings, photographic materials, and textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1959 - 1994
1959 - 1994
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Domestic Commissions
Domestic Commissions
Numéro de référence:
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Personnes et institutions:
Date:
[between 1838 and 1861]
[between 1838 and 1861]
Titre:
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Niveau de description archivistique:
File 2
File 2
Date:
[between 1838 and 1861]
[between 1838 and 1861]
Personnes et institutions:
Classification:
articles
articles
Titre:
Mettre en doute les seuils
Mettre en doute les seuils
Actions:
Tairan An, Pinar Kutluay, Samuel Dubois
Mot(s)-clé(s):
Outils d’aujourd’hui 2021, Légalités pour vivre, Programme de résidences de recherche pour doctorants, recherche, Mettre en doute,
Outils d’aujourd’hui 2021, Légalités pour vivre, Programme de résidences de recherche pour doctorants, recherche, Mettre en doute,
Publié:
18 septembre 2023
18 septembre 2023
Classification:
documents textuels
documents textuels
Numéro de référence:
AP140.S2.SS5.P1
Description:
certificates, including Diploma, Award of a Medal for good design in Housing, presented to James Stirling and James Gowan for the Housing redevelopment in Avenham, Preston in 1963; American Institute of Architects, Certificate of Honor, The 1965 R. S. Reynolds Memorial Award, presented to James Stirling and James Gowan and to Leicester University for the Leicester University Engineering Building; Concrete Society Award, presented to James Stirling for the Students' residences, University of St. Andrews, in 1969; American Institute of Architects, Certificate of Honorary Fellowship presented to James Stirling in 1976; National Institute of Arts and Letters, Prize in Architecture, Arnold W. Brunner Award, presented to James Stirling in 1976; Bund Deutscher Architekten BDA, Honorary Membership; Bund Deutscher Architekten BDA, Landesverband Baden-Württemberg, Auszeichnung guter Bauten for the State Gallery Addition and New Chamber Theatre Competition project, presented in 1987; Royal Institute of British Architects, Regional Award 1988, Architecture Award, London Region, for the Clore Gallery in 1988; Bund Deutscher Architekten BDA, Hugo-Häring-Preis, awarded for the State Gallery Addition and New Chamber Theatre Competition project, in 1988; Civic Trust Awards, certificate awarded for the Clore Gallery in 1989.
AP140.S2.SS5.P1
Description:
certificates, including Diploma, Award of a Medal for good design in Housing, presented to James Stirling and James Gowan for the Housing redevelopment in Avenham, Preston in 1963; American Institute of Architects, Certificate of Honor, The 1965 R. S. Reynolds Memorial Award, presented to James Stirling and James Gowan and to Leicester University for the Leicester University Engineering Building; Concrete Society Award, presented to James Stirling for the Students' residences, University of St. Andrews, in 1969; American Institute of Architects, Certificate of Honorary Fellowship presented to James Stirling in 1976; National Institute of Arts and Letters, Prize in Architecture, Arnold W. Brunner Award, presented to James Stirling in 1976; Bund Deutscher Architekten BDA, Honorary Membership; Bund Deutscher Architekten BDA, Landesverband Baden-Württemberg, Auszeichnung guter Bauten for the State Gallery Addition and New Chamber Theatre Competition project, presented in 1987; Royal Institute of British Architects, Regional Award 1988, Architecture Award, London Region, for the Clore Gallery in 1988; Bund Deutscher Architekten BDA, Hugo-Häring-Preis, awarded for the State Gallery Addition and New Chamber Theatre Competition project, in 1988; Civic Trust Awards, certificate awarded for the Clore Gallery in 1989.
Personnes et institutions:
Date:
1963-1989
1963-1989
Titre:
Certificates, including diploma and a medal, for various awards and honours
Actions:
AP140.S2.SS5.P1
Description:
certificates, including Diploma, Award of a Medal for good design in Housing, presented to James Stirling and James Gowan for the Housing redevelopment in Avenham, Preston in 1963; American Institute of Architects, Certificate of Honor, The 1965 R. S. Reynolds Memorial Award, presented to James Stirling and James Gowan and to Leicester University for the Leicester University Engineering Building; Concrete Society Award, presented to James Stirling for the Students' residences, University of St. Andrews, in 1969; American Institute of Architects, Certificate of Honorary Fellowship presented to James Stirling in 1976; National Institute of Arts and Letters, Prize in Architecture, Arnold W. Brunner Award, presented to James Stirling in 1976; Bund Deutscher Architekten BDA, Honorary Membership; Bund Deutscher Architekten BDA, Landesverband Baden-Württemberg, Auszeichnung guter Bauten for the State Gallery Addition and New Chamber Theatre Competition project, presented in 1987; Royal Institute of British Architects, Regional Award 1988, Architecture Award, London Region, for the Clore Gallery in 1988; Bund Deutscher Architekten BDA, Hugo-Häring-Preis, awarded for the State Gallery Addition and New Chamber Theatre Competition project, in 1988; Civic Trust Awards, certificate awarded for the Clore Gallery in 1989.
Certificates, including diploma and a medal, for various awards and honours
Actions:
AP140.S2.SS5.P1
Description:
certificates, including Diploma, Award of a Medal for good design in Housing, presented to James Stirling and James Gowan for the Housing redevelopment in Avenham, Preston in 1963; American Institute of Architects, Certificate of Honor, The 1965 R. S. Reynolds Memorial Award, presented to James Stirling and James Gowan and to Leicester University for the Leicester University Engineering Building; Concrete Society Award, presented to James Stirling for the Students' residences, University of St. Andrews, in 1969; American Institute of Architects, Certificate of Honorary Fellowship presented to James Stirling in 1976; National Institute of Arts and Letters, Prize in Architecture, Arnold W. Brunner Award, presented to James Stirling in 1976; Bund Deutscher Architekten BDA, Honorary Membership; Bund Deutscher Architekten BDA, Landesverband Baden-Württemberg, Auszeichnung guter Bauten for the State Gallery Addition and New Chamber Theatre Competition project, presented in 1987; Royal Institute of British Architects, Regional Award 1988, Architecture Award, London Region, for the Clore Gallery in 1988; Bund Deutscher Architekten BDA, Hugo-Häring-Preis, awarded for the State Gallery Addition and New Chamber Theatre Competition project, in 1988; Civic Trust Awards, certificate awarded for the Clore Gallery in 1989.
Classification:
documents textuels
documents textuels
Date:
1963-1989
1963-1989
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
