5344 Résultats
Classification:
expositions
expositions
Titre:
Naoya Hatakeyama : Échelles
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
27 septembre 2007 au 3 février 2008
27 septembre 2007 au 3 février 2008
Titre:
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Classification:
expositions
expositions
Date:
27 septembre 2007 au
3 février 2008
27 septembre 2007 au
3 février 2008
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Reference material
Reference material
Numéro de référence:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Personnes et institutions:
Date:
circa 1947-2008
circa 1947-2008
Titre:
Reference material
Actions:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Reference material
Actions:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Niveau de description archivistique:
Series
Series
Date:
circa 1947-2008
circa 1947-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP154.S1.1966.PR01
Description:
File AP154.S1.1966.PR01, Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966), documents a project by Giovanni Pasanella and Joseph Merz for a master plan for a new campus for Wykeham Rise School in Washington, Connecticut. The project was awarded to the architects as the outcome of a limited competition. The design was featured in the exhibition 40 under 40: an exhibition of young talent in architecture, organized by the Architectural League of New York and presented in 1966. The project, described as being "under design" in the exhibition catalogue, seem not to have been realized. The file consists of presentation drawings and design drawings.
AP154.S1.1966.PR01
Description:
File AP154.S1.1966.PR01, Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966), documents a project by Giovanni Pasanella and Joseph Merz for a master plan for a new campus for Wykeham Rise School in Washington, Connecticut. The project was awarded to the architects as the outcome of a limited competition. The design was featured in the exhibition 40 under 40: an exhibition of young talent in architecture, organized by the Architectural League of New York and presented in 1966. The project, described as being "under design" in the exhibition catalogue, seem not to have been realized. The file consists of presentation drawings and design drawings.
Personnes et institutions:
Date:
1966
1966
Titre:
Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966)
Actions:
AP154.S1.1966.PR01
Description:
File AP154.S1.1966.PR01, Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966), documents a project by Giovanni Pasanella and Joseph Merz for a master plan for a new campus for Wykeham Rise School in Washington, Connecticut. The project was awarded to the architects as the outcome of a limited competition. The design was featured in the exhibition 40 under 40: an exhibition of young talent in architecture, organized by the Architectural League of New York and presented in 1966. The project, described as being "under design" in the exhibition catalogue, seem not to have been realized. The file consists of presentation drawings and design drawings.
Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966)
Actions:
AP154.S1.1966.PR01
Description:
File AP154.S1.1966.PR01, Wykeham Rise School, Washington, Connecticut: Master plan for new campus (1966), documents a project by Giovanni Pasanella and Joseph Merz for a master plan for a new campus for Wykeham Rise School in Washington, Connecticut. The project was awarded to the architects as the outcome of a limited competition. The design was featured in the exhibition 40 under 40: an exhibition of young talent in architecture, organized by the Architectural League of New York and presented in 1966. The project, described as being "under design" in the exhibition catalogue, seem not to have been realized. The file consists of presentation drawings and design drawings.
Niveau de description archivistique:
Project
Project
Date:
1966
1966
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds André Blouin
Fonds André Blouin
Numéro de référence:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Personnes et institutions:
Date:
1933-1996
1933-1996
Titre:
Fonds André Blouin
Actions:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Fonds André Blouin
Actions:
AP038
Résumé:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-1996
1933-1996
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
21 mai 2015 , 18h
21 mai 2015 , 18h
Titre:
L’enseignement de… Copenhague
Actions:
Description:
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
L’enseignement de… Copenhague
Actions:
Description:
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
Classification:
événements
événements
Date:
21 mai 2015
18h
21 mai 2015
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
CIAM IV, CIRPAC and London
CIAM IV, CIRPAC and London
Numéro de référence:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Personnes et institutions:
Date:
1933-1934
1933-1934
Titre:
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Niveau de description archivistique:
Series
Series
Date:
1933-1934
1933-1934
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personnes et institutions:
Date:
1999
1999
Titre:
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Classification:
documents textuels
documents textuels
Date:
1999
1999
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
4 août 2016, 18h
4 août 2016, 18h
Titre:
Séminaire de chercheur en résidence : Olumuyiwa Adegun
Actions:
Description:
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Séminaire de chercheur en résidence : Olumuyiwa Adegun
Actions:
Description:
Olumuyiwa Adegun, chercheur en résidence 2016, présente ses recherches : Les villes d’Europe au XIXe siècle, à l’instar des villes d’Afrique aujourd’hui, ont souffert de graves problèmes de logement. Les bidonvilles ont marqué Berlin et Paris, tout comme dans les dernières décennies, le logement informel est devenu un trait particulier de Nairobi et de Johannesburg.(...)
Classification:
événements
événements
Date:
4 août 2016
18h
4 août 2016
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
expositions
expositions
Titre:
Jouets et transports
Jouets et transports
Actions:
Description:
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
15 novembre 2000 au 1 avril 2001
15 novembre 2000 au 1 avril 2001
Titre:
Jouets et transports
Actions:
Description:
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Jouets et transports
Actions:
Description:
Tout nouveau moyen de transport ou toute modification apportée à un système existant de mobilité urbaine – l’élargissement des tranchées permettant aux voies ferrées de se relier à un terminus ou à une jonction, l’extension des gares de triage desservant les systèmes de transport métropolitains et de banlieue, la multiplication des bretelles des ponts, des autoroutes(...)
Classification:
expositions
expositions
Date:
15 novembre 2000 au
1 avril 2001
15 novembre 2000 au
1 avril 2001
Localisation:
Salle octogonale
Salle octogonale
