4065 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Personnes et institutions:
Date:
2003-2006
2003-2006
Titre:
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Niveau de description archivistique:
Project
Project
Date:
2003-2006
2003-2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
Personnes et institutions:
Date:
circa 1970
circa 1970
Titre:
Art Gallery of Ontario, Existing Building, Toronto (1970)
Actions:
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
Art Gallery of Ontario, Existing Building, Toronto (1970)
Actions:
AP018.S1.1970.PR07
Description:
This project series documents the existing Art Gallery of Ontario (AGO) buildings in Toronto around 1970. The office identified the project number as 70056. This project consisted of creating drawings of the two existing AGO buildings, before the start of construction on the AGO expansion. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. The work for AGO projects was divided into 4 physical areas of the art gallery (A, B, C and D) and the drawings for this project reflect this division. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through reprographic copies of area D drawings dating from around 1970.
Niveau de description archivistique:
Project
Project
Date:
circa 1970
circa 1970
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP002
Résumé:
The Ludger and Paul M. Lemieux fonds, 1897-1966, documents the built projects of Québec architectural firm, Ludger & Paul M. Lemieux. The 500 projects that are represented in this fonds are divided by the architectural works of Macduff & Lemieux (1897-1917), Ludger Lemieux (1910-1950), Ludger & Paul M. Lemieux (1929-1951), and Paul M. Lemieux (1934-1966). Materials in this fonds consist of 4988 drawings (including reprographic prints), 320 photographic materials and 5 l.m. of textual records.
AP002
Résumé:
The Ludger and Paul M. Lemieux fonds, 1897-1966, documents the built projects of Québec architectural firm, Ludger & Paul M. Lemieux. The 500 projects that are represented in this fonds are divided by the architectural works of Macduff & Lemieux (1897-1917), Ludger Lemieux (1910-1950), Ludger & Paul M. Lemieux (1929-1951), and Paul M. Lemieux (1934-1966). Materials in this fonds consist of 4988 drawings (including reprographic prints), 320 photographic materials and 5 l.m. of textual records.
Personnes et institutions:
Date:
1897-1966
1897-1966
Titre:
Fonds Ludger et Paul M. Lemieux
Actions:
AP002
Résumé:
The Ludger and Paul M. Lemieux fonds, 1897-1966, documents the built projects of Québec architectural firm, Ludger & Paul M. Lemieux. The 500 projects that are represented in this fonds are divided by the architectural works of Macduff & Lemieux (1897-1917), Ludger Lemieux (1910-1950), Ludger & Paul M. Lemieux (1929-1951), and Paul M. Lemieux (1934-1966). Materials in this fonds consist of 4988 drawings (including reprographic prints), 320 photographic materials and 5 l.m. of textual records.
Fonds Ludger et Paul M. Lemieux
Actions:
AP002
Résumé:
The Ludger and Paul M. Lemieux fonds, 1897-1966, documents the built projects of Québec architectural firm, Ludger & Paul M. Lemieux. The 500 projects that are represented in this fonds are divided by the architectural works of Macduff & Lemieux (1897-1917), Ludger Lemieux (1910-1950), Ludger & Paul M. Lemieux (1929-1951), and Paul M. Lemieux (1934-1966). Materials in this fonds consist of 4988 drawings (including reprographic prints), 320 photographic materials and 5 l.m. of textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1897-1966
1897-1966
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1990.PR04
Description:
This project series documents a competition entry for the Canada Life Assurance building in Toronto in 1990. The office identified the project number as 9007. This project consisted of a proposal to renovate the existing Canada Life Assurance headquarters located in the historic Beaux-Arts style building on the corner of Queen and University Streets. This work would also include the construction of a new, 15 storey mixed-use development with approximately 1,000,000 square feet of commercial office space, retail space and a hotel. The design goal was to create an urban campus while extending the corporate headquarters. This proposal was done in joint-venture with Bregman & Hamann and was headed by Marianne McKenna and Bruce Kuwabara. This was not the winning entry for the competition and the project was eventually realized by Shore Tilbe Henshall Irwin. The project is recorded through drawings, a presentation painting and a model dating from 1988-1990. The drawings are mostly originals and consist of sketches, plans, elevations, perspectives and axonometric drawings.
AP056.S1.1990.PR04
Description:
This project series documents a competition entry for the Canada Life Assurance building in Toronto in 1990. The office identified the project number as 9007. This project consisted of a proposal to renovate the existing Canada Life Assurance headquarters located in the historic Beaux-Arts style building on the corner of Queen and University Streets. This work would also include the construction of a new, 15 storey mixed-use development with approximately 1,000,000 square feet of commercial office space, retail space and a hotel. The design goal was to create an urban campus while extending the corporate headquarters. This proposal was done in joint-venture with Bregman & Hamann and was headed by Marianne McKenna and Bruce Kuwabara. This was not the winning entry for the competition and the project was eventually realized by Shore Tilbe Henshall Irwin. The project is recorded through drawings, a presentation painting and a model dating from 1988-1990. The drawings are mostly originals and consist of sketches, plans, elevations, perspectives and axonometric drawings.
Personnes et institutions:
Date:
1988-1990
1988-1990
Titre:
Canada Life Assurance Building Competition, Toronto (1990)
Actions:
AP056.S1.1990.PR04
Description:
This project series documents a competition entry for the Canada Life Assurance building in Toronto in 1990. The office identified the project number as 9007. This project consisted of a proposal to renovate the existing Canada Life Assurance headquarters located in the historic Beaux-Arts style building on the corner of Queen and University Streets. This work would also include the construction of a new, 15 storey mixed-use development with approximately 1,000,000 square feet of commercial office space, retail space and a hotel. The design goal was to create an urban campus while extending the corporate headquarters. This proposal was done in joint-venture with Bregman & Hamann and was headed by Marianne McKenna and Bruce Kuwabara. This was not the winning entry for the competition and the project was eventually realized by Shore Tilbe Henshall Irwin. The project is recorded through drawings, a presentation painting and a model dating from 1988-1990. The drawings are mostly originals and consist of sketches, plans, elevations, perspectives and axonometric drawings.
Canada Life Assurance Building Competition, Toronto (1990)
Actions:
AP056.S1.1990.PR04
Description:
This project series documents a competition entry for the Canada Life Assurance building in Toronto in 1990. The office identified the project number as 9007. This project consisted of a proposal to renovate the existing Canada Life Assurance headquarters located in the historic Beaux-Arts style building on the corner of Queen and University Streets. This work would also include the construction of a new, 15 storey mixed-use development with approximately 1,000,000 square feet of commercial office space, retail space and a hotel. The design goal was to create an urban campus while extending the corporate headquarters. This proposal was done in joint-venture with Bregman & Hamann and was headed by Marianne McKenna and Bruce Kuwabara. This was not the winning entry for the competition and the project was eventually realized by Shore Tilbe Henshall Irwin. The project is recorded through drawings, a presentation painting and a model dating from 1988-1990. The drawings are mostly originals and consist of sketches, plans, elevations, perspectives and axonometric drawings.
Niveau de description archivistique:
Project
Project
Date:
1988-1990
1988-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Weavers' Studio
Weavers' Studio
Numéro de référence:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Personnes et institutions:
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Titre:
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Office dA project records
Office dA project records
Numéro de référence:
AP179
Résumé:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
AP179
Résumé:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
Personnes et institutions:
Date:
1991-2007
1991-2007
Titre:
Office dA project records
Actions:
AP179
Résumé:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
Office dA project records
Actions:
AP179
Résumé:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-2007
1991-2007
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Wells Coates
Fonds Wells Coates
Numéro de référence:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Personnes et institutions:
Date:
1909-1986
1909-1986
Titre:
Fonds Wells Coates
Actions:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Fonds Wells Coates
Actions:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1909-1986
1909-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2003.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Wellesley Central Health Corporation Neighbourhood Project, in Toronto. Orberlander worked in this project in the first half of the 2000s. She was hired to prepare the masterplan for the redevelopment of the four-acre MCHC's property bounded by Wellesley Street, Sherbourne Street, Wellesley place, and Wellesley Lane. The project was planned to comprise the construction of townhomes, condominum towers and a long-term-care facility. Oberlander also design the landscape for the Wellesley Central Place park, for which she collaborated with Diana Gerrard of gh3. The project consists in a one-acre park for a long-term-care facility for senior citizens and individuals who have suffered a traumatic injury or illness. The project series contains predominantly documents related to Oberlander's work for the landscape masterplan of the WCHC property. The material comprises correspondence, including correspondence with clients and consultants, scope of work, proposed work plan by Oberlander, financial documents, a plant list, and specifications. The project series also includes a site plan, design development drawings, such as details and sections for planting, and reference drawings, such as site surveys and grading plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.2003.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Wellesley Central Health Corporation Neighbourhood Project, in Toronto. Orberlander worked in this project in the first half of the 2000s. She was hired to prepare the masterplan for the redevelopment of the four-acre MCHC's property bounded by Wellesley Street, Sherbourne Street, Wellesley place, and Wellesley Lane. The project was planned to comprise the construction of townhomes, condominum towers and a long-term-care facility. Oberlander also design the landscape for the Wellesley Central Place park, for which she collaborated with Diana Gerrard of gh3. The project consists in a one-acre park for a long-term-care facility for senior citizens and individuals who have suffered a traumatic injury or illness. The project series contains predominantly documents related to Oberlander's work for the landscape masterplan of the WCHC property. The material comprises correspondence, including correspondence with clients and consultants, scope of work, proposed work plan by Oberlander, financial documents, a plant list, and specifications. The project series also includes a site plan, design development drawings, such as details and sections for planting, and reference drawings, such as site surveys and grading plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
2003-2007
2003-2007
Titre:
Wellesley Central Health Corporation Neighbourhood Project, Toronto, Ontario (2003)
Actions:
AP075.S1.2003.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Wellesley Central Health Corporation Neighbourhood Project, in Toronto. Orberlander worked in this project in the first half of the 2000s. She was hired to prepare the masterplan for the redevelopment of the four-acre MCHC's property bounded by Wellesley Street, Sherbourne Street, Wellesley place, and Wellesley Lane. The project was planned to comprise the construction of townhomes, condominum towers and a long-term-care facility. Oberlander also design the landscape for the Wellesley Central Place park, for which she collaborated with Diana Gerrard of gh3. The project consists in a one-acre park for a long-term-care facility for senior citizens and individuals who have suffered a traumatic injury or illness. The project series contains predominantly documents related to Oberlander's work for the landscape masterplan of the WCHC property. The material comprises correspondence, including correspondence with clients and consultants, scope of work, proposed work plan by Oberlander, financial documents, a plant list, and specifications. The project series also includes a site plan, design development drawings, such as details and sections for planting, and reference drawings, such as site surveys and grading plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Wellesley Central Health Corporation Neighbourhood Project, Toronto, Ontario (2003)
Actions:
AP075.S1.2003.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Wellesley Central Health Corporation Neighbourhood Project, in Toronto. Orberlander worked in this project in the first half of the 2000s. She was hired to prepare the masterplan for the redevelopment of the four-acre MCHC's property bounded by Wellesley Street, Sherbourne Street, Wellesley place, and Wellesley Lane. The project was planned to comprise the construction of townhomes, condominum towers and a long-term-care facility. Oberlander also design the landscape for the Wellesley Central Place park, for which she collaborated with Diana Gerrard of gh3. The project consists in a one-acre park for a long-term-care facility for senior citizens and individuals who have suffered a traumatic injury or illness. The project series contains predominantly documents related to Oberlander's work for the landscape masterplan of the WCHC property. The material comprises correspondence, including correspondence with clients and consultants, scope of work, proposed work plan by Oberlander, financial documents, a plant list, and specifications. The project series also includes a site plan, design development drawings, such as details and sections for planting, and reference drawings, such as site surveys and grading plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
2003-2007
2003-2007
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Personnes et institutions:
Date:
1991-2009
1991-2009
Titre:
Documents d’archives de Asymptote Architecture pour le projet New York Stock Exchange
Actions:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Documents d’archives de Asymptote Architecture pour le projet New York Stock Exchange
Actions:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-2009
1991-2009
Personnes et institutions:
