6897 Résultats
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
DR1995:0258:001-100
Description:
clippings, maps, photographs, sketches, notes, competition entries, correspondence, diagrams, design notes, receipts, competition programme, promotional material, booklets, invoice, architect's portfolio, table, and office memoranda, for work with the architecture firm Heinle, Wischer und Partner regarding a competition for pedestrian walkways at Konigstrasse and Schlossplatz in Stuttgart, Germany
DR1995:0258:001-100
Description:
clippings, maps, photographs, sketches, notes, competition entries, correspondence, diagrams, design notes, receipts, competition programme, promotional material, booklets, invoice, architect's portfolio, table, and office memoranda, for work with the architecture firm Heinle, Wischer und Partner regarding a competition for pedestrian walkways at Konigstrasse and Schlossplatz in Stuttgart, Germany
Personnes et institutions:
Date:
1973
1973
Titre:
Clippings, maps, photographs, sketches, notes, competition entries
Actions:
DR1995:0258:001-100
Description:
clippings, maps, photographs, sketches, notes, competition entries, correspondence, diagrams, design notes, receipts, competition programme, promotional material, booklets, invoice, architect's portfolio, table, and office memoranda, for work with the architecture firm Heinle, Wischer und Partner regarding a competition for pedestrian walkways at Konigstrasse and Schlossplatz in Stuttgart, Germany
Clippings, maps, photographs, sketches, notes, competition entries
Actions:
DR1995:0258:001-100
Description:
clippings, maps, photographs, sketches, notes, competition entries, correspondence, diagrams, design notes, receipts, competition programme, promotional material, booklets, invoice, architect's portfolio, table, and office memoranda, for work with the architecture firm Heinle, Wischer und Partner regarding a competition for pedestrian walkways at Konigstrasse and Schlossplatz in Stuttgart, Germany
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Date:
1973
1973
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP153.S2
Description:
Series related to the professional correspondence sent and received by Douglas Kelbaugh, promotional material for the Kelbaugh + Lee architectural firm and documentation about the Douglas Kelbaugh, the firm or about architecture, solar energy and low cost housing. The material in this series was produced between 1974 and 2008. The series contains textual records, a photograph of Douglas Kelbaugh and a book about solar energy.
AP153.S2
Description:
Series related to the professional correspondence sent and received by Douglas Kelbaugh, promotional material for the Kelbaugh + Lee architectural firm and documentation about the Douglas Kelbaugh, the firm or about architecture, solar energy and low cost housing. The material in this series was produced between 1974 and 2008. The series contains textual records, a photograph of Douglas Kelbaugh and a book about solar energy.
Personnes et institutions:
Date:
1974-2008
1974-2008
Titre:
Professional correspondence and documentation
Actions:
AP153.S2
Description:
Series related to the professional correspondence sent and received by Douglas Kelbaugh, promotional material for the Kelbaugh + Lee architectural firm and documentation about the Douglas Kelbaugh, the firm or about architecture, solar energy and low cost housing. The material in this series was produced between 1974 and 2008. The series contains textual records, a photograph of Douglas Kelbaugh and a book about solar energy.
Professional correspondence and documentation
Actions:
AP153.S2
Description:
Series related to the professional correspondence sent and received by Douglas Kelbaugh, promotional material for the Kelbaugh + Lee architectural firm and documentation about the Douglas Kelbaugh, the firm or about architecture, solar energy and low cost housing. The material in this series was produced between 1974 and 2008. The series contains textual records, a photograph of Douglas Kelbaugh and a book about solar energy.
Niveau de description archivistique:
Series 2
Series 2
Date:
1974-2008
1974-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S5.D3
Description:
Le dossier documente la participation de Rousseau au concours Exposition "À table", tenu à la Galerie Christiane Chassay, à Montréal, Québec, en 1988, du 14 mai au16 juin. Le dossier contient des documents photographiques, des documents textuels, une maquette, un album et une publication. Description du projet: "À l'occasion d'une exposition consacrée à la discipline de l'architecture à la Galerie Christianne Chassay, à Montréal le 14 mai prochain, je désire montrer le travail évolutif du projet pour une habitation. Ayant pour titre préliminaire "À TABLE", ce dévoilement du travail a pour objectif de révéler l'enthousiasme qui le fonde." Jacques Rousseau, "À TABLE" , Annexe 2, (ARCON1999:0028:018)
AP066.S5.D3
Description:
Le dossier documente la participation de Rousseau au concours Exposition "À table", tenu à la Galerie Christiane Chassay, à Montréal, Québec, en 1988, du 14 mai au16 juin. Le dossier contient des documents photographiques, des documents textuels, une maquette, un album et une publication. Description du projet: "À l'occasion d'une exposition consacrée à la discipline de l'architecture à la Galerie Christianne Chassay, à Montréal le 14 mai prochain, je désire montrer le travail évolutif du projet pour une habitation. Ayant pour titre préliminaire "À TABLE", ce dévoilement du travail a pour objectif de révéler l'enthousiasme qui le fonde." Jacques Rousseau, "À TABLE" , Annexe 2, (ARCON1999:0028:018)
Personnes et institutions:
Date:
14 mai-16 juin 1988
14 mai-16 juin 1988
Titre:
Exposition "À table"
Actions:
AP066.S5.D3
Description:
Le dossier documente la participation de Rousseau au concours Exposition "À table", tenu à la Galerie Christiane Chassay, à Montréal, Québec, en 1988, du 14 mai au16 juin. Le dossier contient des documents photographiques, des documents textuels, une maquette, un album et une publication. Description du projet: "À l'occasion d'une exposition consacrée à la discipline de l'architecture à la Galerie Christianne Chassay, à Montréal le 14 mai prochain, je désire montrer le travail évolutif du projet pour une habitation. Ayant pour titre préliminaire "À TABLE", ce dévoilement du travail a pour objectif de révéler l'enthousiasme qui le fonde." Jacques Rousseau, "À TABLE" , Annexe 2, (ARCON1999:0028:018)
Exposition "À table"
Actions:
AP066.S5.D3
Description:
Le dossier documente la participation de Rousseau au concours Exposition "À table", tenu à la Galerie Christiane Chassay, à Montréal, Québec, en 1988, du 14 mai au16 juin. Le dossier contient des documents photographiques, des documents textuels, une maquette, un album et une publication. Description du projet: "À l'occasion d'une exposition consacrée à la discipline de l'architecture à la Galerie Christianne Chassay, à Montréal le 14 mai prochain, je désire montrer le travail évolutif du projet pour une habitation. Ayant pour titre préliminaire "À TABLE", ce dévoilement du travail a pour objectif de révéler l'enthousiasme qui le fonde." Jacques Rousseau, "À TABLE" , Annexe 2, (ARCON1999:0028:018)
Niveau de description archivistique:
Dossier 3
Dossier 3
Date:
14 mai-16 juin 1988
14 mai-16 juin 1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Personnes et institutions:
Date:
1993-1994
1993-1994
Titre:
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Niveau de description archivistique:
File 106
File 106
Date:
1993-1994
1993-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Bar Braque
Bar Braque
Numéro de référence:
AP066.S2.D5
Description:
Le dossier documente le projet de construction du Bar Braque, siuté au 980 est, rue Rachel, à Montréal, Québec. Le budget aloué pour ce projet était de 200 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'ordre des architectes du Québec, distinction en architecture, en 1983. Le dossier contient des dessins, des documents textuels, des reprographies, des photographies, des négatifs, des diapositives, des panneaux et un photomontage. Description du projet par l'architecte: "Le bar Braque, du 980 est, rue Rachel à Montréal est un projet d'insertion d'une construction sur un site rendu vacant à la suite d'un feu, il y a plusieurs années. Une construction neuve a permis d'envisager le projet comme un geste entier d'intégration à la rue et à la ville. Les études de façade témoignent de la volonté de réaliser une architecture interprétative du caractère commercial montréalais. On peut y voir les liens fragiles qu'elle établit avec les voisines et simultanément l'importance qu'elle s'accorde par rapport à elles. Aussi, tente-t-elle de vibrer aux textures et aux couleurs préviliégiées des matériaux aptes à assumer les rôles commerciaux et culturels du lieu : bar dans la ville." Jacques Rousseau, Section A, nº 5-6, vol. 2, janvier 1985, p. 12-13.
AP066.S2.D5
Description:
Le dossier documente le projet de construction du Bar Braque, siuté au 980 est, rue Rachel, à Montréal, Québec. Le budget aloué pour ce projet était de 200 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'ordre des architectes du Québec, distinction en architecture, en 1983. Le dossier contient des dessins, des documents textuels, des reprographies, des photographies, des négatifs, des diapositives, des panneaux et un photomontage. Description du projet par l'architecte: "Le bar Braque, du 980 est, rue Rachel à Montréal est un projet d'insertion d'une construction sur un site rendu vacant à la suite d'un feu, il y a plusieurs années. Une construction neuve a permis d'envisager le projet comme un geste entier d'intégration à la rue et à la ville. Les études de façade témoignent de la volonté de réaliser une architecture interprétative du caractère commercial montréalais. On peut y voir les liens fragiles qu'elle établit avec les voisines et simultanément l'importance qu'elle s'accorde par rapport à elles. Aussi, tente-t-elle de vibrer aux textures et aux couleurs préviliégiées des matériaux aptes à assumer les rôles commerciaux et culturels du lieu : bar dans la ville." Jacques Rousseau, Section A, nº 5-6, vol. 2, janvier 1985, p. 12-13.
Personnes et institutions:
Date:
1981-1983
1981-1983
Titre:
Bar Braque
Actions:
AP066.S2.D5
Description:
Le dossier documente le projet de construction du Bar Braque, siuté au 980 est, rue Rachel, à Montréal, Québec. Le budget aloué pour ce projet était de 200 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'ordre des architectes du Québec, distinction en architecture, en 1983. Le dossier contient des dessins, des documents textuels, des reprographies, des photographies, des négatifs, des diapositives, des panneaux et un photomontage. Description du projet par l'architecte: "Le bar Braque, du 980 est, rue Rachel à Montréal est un projet d'insertion d'une construction sur un site rendu vacant à la suite d'un feu, il y a plusieurs années. Une construction neuve a permis d'envisager le projet comme un geste entier d'intégration à la rue et à la ville. Les études de façade témoignent de la volonté de réaliser une architecture interprétative du caractère commercial montréalais. On peut y voir les liens fragiles qu'elle établit avec les voisines et simultanément l'importance qu'elle s'accorde par rapport à elles. Aussi, tente-t-elle de vibrer aux textures et aux couleurs préviliégiées des matériaux aptes à assumer les rôles commerciaux et culturels du lieu : bar dans la ville." Jacques Rousseau, Section A, nº 5-6, vol. 2, janvier 1985, p. 12-13.
Bar Braque
Actions:
AP066.S2.D5
Description:
Le dossier documente le projet de construction du Bar Braque, siuté au 980 est, rue Rachel, à Montréal, Québec. Le budget aloué pour ce projet était de 200 000$. Aussi, le projet s'est mérité le Prix d'excellence de l'ordre des architectes du Québec, distinction en architecture, en 1983. Le dossier contient des dessins, des documents textuels, des reprographies, des photographies, des négatifs, des diapositives, des panneaux et un photomontage. Description du projet par l'architecte: "Le bar Braque, du 980 est, rue Rachel à Montréal est un projet d'insertion d'une construction sur un site rendu vacant à la suite d'un feu, il y a plusieurs années. Une construction neuve a permis d'envisager le projet comme un geste entier d'intégration à la rue et à la ville. Les études de façade témoignent de la volonté de réaliser une architecture interprétative du caractère commercial montréalais. On peut y voir les liens fragiles qu'elle établit avec les voisines et simultanément l'importance qu'elle s'accorde par rapport à elles. Aussi, tente-t-elle de vibrer aux textures et aux couleurs préviliégiées des matériaux aptes à assumer les rôles commerciaux et culturels du lieu : bar dans la ville." Jacques Rousseau, Section A, nº 5-6, vol. 2, janvier 1985, p. 12-13.
Niveau de description archivistique:
Projet
Projet
Date:
1981-1983
1981-1983
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
Personnes et institutions:
Date:
2018
2018
Titre:
Rebreathing Architecture (2018)
Actions:
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
Rebreathing Architecture (2018)
Actions:
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
Niveau de description archivistique:
Project
Project
Date:
2018
2018
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Georg Lippsmeier
Collection Georg Lippsmeier
Numéro de référence:
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Personnes et institutions:
Date:
1960s-2010
1960s-2010
Titre:
Collection Georg Lippsmeier
Actions:
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Collection Georg Lippsmeier
Actions:
CD037
Résumé:
The Georg Lippsmeier collection comprises the research collection of the Institut für Tropenbau. Founded by Georg Lippsmeier the Institute was active from the 1960s to the early 1990s. The collection includes research material on architecture in tropical climates and building technologies.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1960s-2010
1960s-2010
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Richard Schave, un historien et guide de Los Angeles, analyse le développement de la ville depuis le tournage du documentaire urbain Reyner Banham Loves Los Angeles (R.-U.,1972), il y a 35 ans. Schave, un ancien étudiant de Banham, présente les recherches de son professeur en confrontant ses propres photographies documentaires à des extraits du film. Il analyse plus(...)
Richard Schave, un historien et guide de Los Angeles, analyse le développement de la ville depuis le tournage du documentaire urbain Reyner Banham Loves Los Angeles (R.-U.,1972), il y a 35 ans. Schave, un ancien étudiant de Banham, présente les recherches de son professeur en confrontant ses propres photographies documentaires à des extraits du film. Il analyse plus(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
28 mai 2009
28 mai 2009
Titre:
L'enseignement de... Los Angeles
Actions:
Description:
Richard Schave, un historien et guide de Los Angeles, analyse le développement de la ville depuis le tournage du documentaire urbain Reyner Banham Loves Los Angeles (R.-U.,1972), il y a 35 ans. Schave, un ancien étudiant de Banham, présente les recherches de son professeur en confrontant ses propres photographies documentaires à des extraits du film. Il analyse plus(...)
L'enseignement de... Los Angeles
Actions:
Description:
Richard Schave, un historien et guide de Los Angeles, analyse le développement de la ville depuis le tournage du documentaire urbain Reyner Banham Loves Los Angeles (R.-U.,1972), il y a 35 ans. Schave, un ancien étudiant de Banham, présente les recherches de son professeur en confrontant ses propres photographies documentaires à des extraits du film. Il analyse plus(...)
Classification:
événements
événements
Date:
28 mai 2009
28 mai 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Gene Summers
Fonds Gene Summers
Numéro de référence:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Personnes et institutions:
Date:
1957 - 2004
1957 - 2004
Titre:
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1957 - 2004
1957 - 2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS3.D10
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the New Architecture: Foster, Rogers, Stirling exhibition at the Royal Academy of Arts, in London, England, United Kingdom. Material in this file was produced between 1984 and 1987. File contains design development and working drawings for exhibition layout. File also contains textual records, including reprographic copies of drawings, correspondence, minutes, clippings, and some slides and photographs of exhibition models.
AP140.S2.SS3.D10
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the New Architecture: Foster, Rogers, Stirling exhibition at the Royal Academy of Arts, in London, England, United Kingdom. Material in this file was produced between 1984 and 1987. File contains design development and working drawings for exhibition layout. File also contains textual records, including reprographic copies of drawings, correspondence, minutes, clippings, and some slides and photographs of exhibition models.
Personnes et institutions:
Date:
1984-1987, predominant 1986
1984-1987, predominant 1986
Titre:
New Architecture: Foster, Rogers, Stirling, Royal Academy of Arts
Actions:
AP140.S2.SS3.D10
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the New Architecture: Foster, Rogers, Stirling exhibition at the Royal Academy of Arts, in London, England, United Kingdom. Material in this file was produced between 1984 and 1987. File contains design development and working drawings for exhibition layout. File also contains textual records, including reprographic copies of drawings, correspondence, minutes, clippings, and some slides and photographs of exhibition models.
New Architecture: Foster, Rogers, Stirling, Royal Academy of Arts
Actions:
AP140.S2.SS3.D10
Description:
File documents the participation of the office of James Stirling, Michael Wilford, and Associates to the New Architecture: Foster, Rogers, Stirling exhibition at the Royal Academy of Arts, in London, England, United Kingdom. Material in this file was produced between 1984 and 1987. File contains design development and working drawings for exhibition layout. File also contains textual records, including reprographic copies of drawings, correspondence, minutes, clippings, and some slides and photographs of exhibition models.
Niveau de description archivistique:
File 10
File 10
Date:
1984-1987, predominant 1986
1984-1987, predominant 1986
Personnes et institutions:
