1304 Résultats
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livres
livres
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xv, 262 pages ; illustrations ; 24 cm
Description:
xv, 262 pages ; illustrations ; 24 cm
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Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2020.
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2020.
Titre:
Non-standard architectural productions : between aesthetic experience and social action / edited by Sandra Karina Löschke.
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Description:
xv, 262 pages ; illustrations ; 24 cm
Non-standard architectural productions : between aesthetic experience and social action / edited by Sandra Karina Löschke.
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Description:
xv, 262 pages ; illustrations ; 24 cm
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livres
livres
Publication:
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2020.
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2020.
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livres
livres
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Description:
557 pages : illustrations ; 25 cm
Description:
557 pages : illustrations ; 25 cm
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Cinisello Balsamo (Milano) : Silvana Editoriale, [2021], ©2021
Cinisello Balsamo (Milano) : Silvana Editoriale, [2021], ©2021
Titre:
The story of (my) exhibitions / Germano Celant.
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Description:
557 pages : illustrations ; 25 cm
The story of (my) exhibitions / Germano Celant.
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Description:
557 pages : illustrations ; 25 cm
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livres
livres
Publication:
Cinisello Balsamo (Milano) : Silvana Editoriale, [2021], ©2021
Cinisello Balsamo (Milano) : Silvana Editoriale, [2021], ©2021
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audio
audio
Titre:
Nizhónígo Hadadít'eh.
Nizhónígo Hadadít'eh.
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1 online resource.
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[Place of publication not identified] : Momus, 2023.
[Place of publication not identified] : Momus, 2023.
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audio
audio
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[Place of publication not identified] : Momus, 2023.
[Place of publication not identified] : Momus, 2023.
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livres
livres
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Description:
xvii, 201 pages : illustrations ; 25 cm.
Description:
xvii, 201 pages : illustrations ; 25 cm.
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Cambridge, MA : MIT Press, 2010.
Cambridge, MA : MIT Press, 2010.
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Architecture at the edge of everything else / edited by Esther Choi and Marrikka Trotter.
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Description:
xvii, 201 pages : illustrations ; 25 cm.
Architecture at the edge of everything else / edited by Esther Choi and Marrikka Trotter.
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xvii, 201 pages : illustrations ; 25 cm.
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livres
livres
Publication:
Cambridge, MA : MIT Press, 2010.
Cambridge, MA : MIT Press, 2010.
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livres
livres
Titre:
Curating art now
Curating art now
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$46.99
(disponible en magasin)
Résumé:
''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of(...)
$46.99
(disponible en magasin)
Résumé:
''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of(...)
Titre:
Curating art now
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$46.99
(disponible en magasin)
Résumé:
''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms.
Curating art now
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Prix:
$46.99
(disponible en magasin)
Résumé:
''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms.
Classification:
livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Curating research
Curating research
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$40.00
(disponible sur commande)
Résumé:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
$40.00
(disponible sur commande)
Résumé:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
Titre:
Curating research
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$40.00
(disponible sur commande)
Résumé:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
Curating research
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$40.00
(disponible sur commande)
Résumé:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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1 online resource : illustrations.
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Publication:
Ostfildern : Hatje Cantz, [2012], ©2012
Ostfildern : Hatje Cantz, [2012], ©2012
Titre:
Show and tell = Zeigen und Erzählen / Iwona Blazwick ; translation/Übersetzung: Astrid Wege.
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Description:
1 online resource : illustrations.
Show and tell = Zeigen und Erzählen / Iwona Blazwick ; translation/Übersetzung: Astrid Wege.
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Description:
1 online resource : illustrations.
Classification:
livres
livres
Publication:
Ostfildern : Hatje Cantz, [2012], ©2012
Ostfildern : Hatje Cantz, [2012], ©2012
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livres
livres
Titre:
Curating Subjects
Curating Subjects
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$36.00
(disponible sur commande)
Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
$36.00
(disponible sur commande)
Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
Titre:
Curating Subjects
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$36.00
(disponible sur commande)
Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
Curating Subjects
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$36.00
(disponible sur commande)
Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
Classification:
livres
livres
Publication:
octobre 2011, London
octobre 2011, London
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$29.95
(disponible sur commande)
Résumé:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
$29.95
(disponible sur commande)
Résumé:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
Titre:
The culture of curating and the curating of culture(s)
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Prix:
$29.95
(disponible sur commande)
Résumé:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
The culture of curating and the curating of culture(s)
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Prix:
$29.95
(disponible sur commande)
Résumé:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Curating and repair
Curating and repair
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$45.00
(disponible sur commande)
Résumé:
''Curating & Repair'' is a publication exploring contemporary curatorial practices and exhibition-making as contexts for dialogue, exchange and the remaking of social and cultural relations through repair. It seeks actionable insights into how artistic work, its mediation and the institutions that support it might be mobilised toward more sustainable and interdependent(...)
$45.00
(disponible sur commande)
Résumé:
''Curating & Repair'' is a publication exploring contemporary curatorial practices and exhibition-making as contexts for dialogue, exchange and the remaking of social and cultural relations through repair. It seeks actionable insights into how artistic work, its mediation and the institutions that support it might be mobilised toward more sustainable and interdependent(...)
Titre:
Curating and repair
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$45.00
(disponible sur commande)
Résumé:
''Curating & Repair'' is a publication exploring contemporary curatorial practices and exhibition-making as contexts for dialogue, exchange and the remaking of social and cultural relations through repair. It seeks actionable insights into how artistic work, its mediation and the institutions that support it might be mobilised toward more sustainable and interdependent worlds. Taking flight from perspectives on translation, solidarity and power, ''Curating & Repair'' approaches mediation both as contested terrain and generative possibility. It discusses the importance of challenging normative power relations in artistic collaboration, alongside the difficulties of sustaining creative work against the undertow of multiplying global crises. By aligning the curatorial with the dialogical, it calls attention to the serious, collective work that we as artists, mediators and publics have at our hands
Curating and repair
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Prix:
$45.00
(disponible sur commande)
Résumé:
''Curating & Repair'' is a publication exploring contemporary curatorial practices and exhibition-making as contexts for dialogue, exchange and the remaking of social and cultural relations through repair. It seeks actionable insights into how artistic work, its mediation and the institutions that support it might be mobilised toward more sustainable and interdependent worlds. Taking flight from perspectives on translation, solidarity and power, ''Curating & Repair'' approaches mediation both as contested terrain and generative possibility. It discusses the importance of challenging normative power relations in artistic collaboration, alongside the difficulties of sustaining creative work against the undertow of multiplying global crises. By aligning the curatorial with the dialogical, it calls attention to the serious, collective work that we as artists, mediators and publics have at our hands
Classification:
livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Muséologie
Muséologie
