3212 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Fun Palace Project
Fun Palace Project
Numéro de référence:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Personnes et institutions:
Date:
1961-1985, predominant 1961-1974
1961-1985, predominant 1961-1974
Titre:
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Niveau de description archivistique:
File 46
File 46
Date:
1961-1985, predominant 1961-1974
1961-1985, predominant 1961-1974
Personnes et institutions:
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Numéro de référence:
AP181.S1.019
Description:
Original directory name: "25_TRIAS-Aussenbrücke". File content shows the design and construction planning for a pedestrian bridge connecting BMW Welt to the BMW Museum. Records include plans, drawings, research material, presentations, approval planning, building specification, list of plans, final handover of the arch bridge, etc. The bulk of records are CAD drawings and 3D models of the design development and planning. The drawings are organized by type of plan: site plan, sections, axonometric views, etc. As for 3D models, they are organized mostly by file format, and then by date. The "3D" sub-directory also contains more than 1500 screenshots saved as JPEG. Additional records include site photographs, digitized sketches, visual research material, presentations of the concept, bridge structure technical descriptions, 2D and 3D technical drawings (in PDF, CAD, JPG, and Illustrator formats), renderings, project planning charts, and plan lists. Most common file formats: JPEG File Interchange Format, AutoCAD Drawing, 3DM, Exchangeable Image File Format (Compressed), Maya Binary File Format
AP181.S1.019
Description:
Original directory name: "25_TRIAS-Aussenbrücke". File content shows the design and construction planning for a pedestrian bridge connecting BMW Welt to the BMW Museum. Records include plans, drawings, research material, presentations, approval planning, building specification, list of plans, final handover of the arch bridge, etc. The bulk of records are CAD drawings and 3D models of the design development and planning. The drawings are organized by type of plan: site plan, sections, axonometric views, etc. As for 3D models, they are organized mostly by file format, and then by date. The "3D" sub-directory also contains more than 1500 screenshots saved as JPEG. Additional records include site photographs, digitized sketches, visual research material, presentations of the concept, bridge structure technical descriptions, 2D and 3D technical drawings (in PDF, CAD, JPG, and Illustrator formats), renderings, project planning charts, and plan lists. Most common file formats: JPEG File Interchange Format, AutoCAD Drawing, 3DM, Exchangeable Image File Format (Compressed), Maya Binary File Format
Personnes et institutions:
Date:
2002-2007
2002-2007
Titre:
Design and construction planning of bridge to BMW Museum, BMW Welt, Munich
Actions:
AP181.S1.019
Description:
Original directory name: "25_TRIAS-Aussenbrücke". File content shows the design and construction planning for a pedestrian bridge connecting BMW Welt to the BMW Museum. Records include plans, drawings, research material, presentations, approval planning, building specification, list of plans, final handover of the arch bridge, etc. The bulk of records are CAD drawings and 3D models of the design development and planning. The drawings are organized by type of plan: site plan, sections, axonometric views, etc. As for 3D models, they are organized mostly by file format, and then by date. The "3D" sub-directory also contains more than 1500 screenshots saved as JPEG. Additional records include site photographs, digitized sketches, visual research material, presentations of the concept, bridge structure technical descriptions, 2D and 3D technical drawings (in PDF, CAD, JPG, and Illustrator formats), renderings, project planning charts, and plan lists. Most common file formats: JPEG File Interchange Format, AutoCAD Drawing, 3DM, Exchangeable Image File Format (Compressed), Maya Binary File Format
Design and construction planning of bridge to BMW Museum, BMW Welt, Munich
Actions:
AP181.S1.019
Description:
Original directory name: "25_TRIAS-Aussenbrücke". File content shows the design and construction planning for a pedestrian bridge connecting BMW Welt to the BMW Museum. Records include plans, drawings, research material, presentations, approval planning, building specification, list of plans, final handover of the arch bridge, etc. The bulk of records are CAD drawings and 3D models of the design development and planning. The drawings are organized by type of plan: site plan, sections, axonometric views, etc. As for 3D models, they are organized mostly by file format, and then by date. The "3D" sub-directory also contains more than 1500 screenshots saved as JPEG. Additional records include site photographs, digitized sketches, visual research material, presentations of the concept, bridge structure technical descriptions, 2D and 3D technical drawings (in PDF, CAD, JPG, and Illustrator formats), renderings, project planning charts, and plan lists. Most common file formats: JPEG File Interchange Format, AutoCAD Drawing, 3DM, Exchangeable Image File Format (Compressed), Maya Binary File Format
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Date:
2002-2007
2002-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR02
Description:
This project series documents a competition entry for the design of Ottawa City Hall in Ottawa, Ontario from 1987-1988. The office identified the project number as 8711. This competition for Ottawa's new city hall called for a contemporary building that would integrate the old city hall, originally built in the 1950s and located on Green Island in the Rideau Canal. Set between Sussex Drive and Union Street, this project consisted of 1 building with 6 distinct parts: the old office building, the new office building, the City Room, the Council Chamber, the podium, and the daycare centre. The old office building was the original modernist-style city hall that would now serve as office spaces for civic workers. It would be renovated to create better circulation with the new extension. The new office building, serving a similar function, would sit behind the old one to create an L-shape on half of the perimeter. It had a large civic tower on one end that would serve as an observation deck. The City Room, a three-storey element in the centre of the structure, had a distinctive roof made up of more than a dozen small pyramids. Whitton Hall would be used as a ceremonial space, the building's lobby, a major central assembly hall, and meeting rooms. The council chambers were located in a self-contained rotunda, which also had press offices on the ground floor. The daycare centre consisted of a rectangular pavilion, set on a diagonal axis from the rest of City Hall. All of these elements sat on a raised podium that had landscaped terraces and gardens around the building's exterior. The terrace offered stunning views of the Ottawa cityscape across the canal. The podium contained one level of parking, with two additional levels below ground. This project was conceptualized to have two distinct fronts, one with its formal address on Sussex Drive that had a ceremonial entrance called the Plaza of Nations, and one off Union Street beneath the podium and underneath the Peace Bell. KPMB's entry proposed a building that would integrate with the existing system of green parks and walkways already present on the island. However, this was not the winning design for the competition and the project was eventually realized by architect Moshe Safdie. This project is recorded through drawings, photographs, a model and watercolour paintings dating from 1987-1988. The drawings are mostly originals and include sketches, surveys and site plans, floor plans, elevations, sections, perspectives and axonometrics of the design. There are also a number of presentation panels that show the final competition submission with short texts about the design intention and construction phasing. The watercolours present the building's exterior and photographs show different views of the project model.
AP056.S1.1987.PR02
Description:
This project series documents a competition entry for the design of Ottawa City Hall in Ottawa, Ontario from 1987-1988. The office identified the project number as 8711. This competition for Ottawa's new city hall called for a contemporary building that would integrate the old city hall, originally built in the 1950s and located on Green Island in the Rideau Canal. Set between Sussex Drive and Union Street, this project consisted of 1 building with 6 distinct parts: the old office building, the new office building, the City Room, the Council Chamber, the podium, and the daycare centre. The old office building was the original modernist-style city hall that would now serve as office spaces for civic workers. It would be renovated to create better circulation with the new extension. The new office building, serving a similar function, would sit behind the old one to create an L-shape on half of the perimeter. It had a large civic tower on one end that would serve as an observation deck. The City Room, a three-storey element in the centre of the structure, had a distinctive roof made up of more than a dozen small pyramids. Whitton Hall would be used as a ceremonial space, the building's lobby, a major central assembly hall, and meeting rooms. The council chambers were located in a self-contained rotunda, which also had press offices on the ground floor. The daycare centre consisted of a rectangular pavilion, set on a diagonal axis from the rest of City Hall. All of these elements sat on a raised podium that had landscaped terraces and gardens around the building's exterior. The terrace offered stunning views of the Ottawa cityscape across the canal. The podium contained one level of parking, with two additional levels below ground. This project was conceptualized to have two distinct fronts, one with its formal address on Sussex Drive that had a ceremonial entrance called the Plaza of Nations, and one off Union Street beneath the podium and underneath the Peace Bell. KPMB's entry proposed a building that would integrate with the existing system of green parks and walkways already present on the island. However, this was not the winning design for the competition and the project was eventually realized by architect Moshe Safdie. This project is recorded through drawings, photographs, a model and watercolour paintings dating from 1987-1988. The drawings are mostly originals and include sketches, surveys and site plans, floor plans, elevations, sections, perspectives and axonometrics of the design. There are also a number of presentation panels that show the final competition submission with short texts about the design intention and construction phasing. The watercolours present the building's exterior and photographs show different views of the project model.
Personnes et institutions:
Date:
1987-1988
1987-1988
Titre:
Ottawa City Hall Competition, Ontario (1987-1988)
Actions:
AP056.S1.1987.PR02
Description:
This project series documents a competition entry for the design of Ottawa City Hall in Ottawa, Ontario from 1987-1988. The office identified the project number as 8711. This competition for Ottawa's new city hall called for a contemporary building that would integrate the old city hall, originally built in the 1950s and located on Green Island in the Rideau Canal. Set between Sussex Drive and Union Street, this project consisted of 1 building with 6 distinct parts: the old office building, the new office building, the City Room, the Council Chamber, the podium, and the daycare centre. The old office building was the original modernist-style city hall that would now serve as office spaces for civic workers. It would be renovated to create better circulation with the new extension. The new office building, serving a similar function, would sit behind the old one to create an L-shape on half of the perimeter. It had a large civic tower on one end that would serve as an observation deck. The City Room, a three-storey element in the centre of the structure, had a distinctive roof made up of more than a dozen small pyramids. Whitton Hall would be used as a ceremonial space, the building's lobby, a major central assembly hall, and meeting rooms. The council chambers were located in a self-contained rotunda, which also had press offices on the ground floor. The daycare centre consisted of a rectangular pavilion, set on a diagonal axis from the rest of City Hall. All of these elements sat on a raised podium that had landscaped terraces and gardens around the building's exterior. The terrace offered stunning views of the Ottawa cityscape across the canal. The podium contained one level of parking, with two additional levels below ground. This project was conceptualized to have two distinct fronts, one with its formal address on Sussex Drive that had a ceremonial entrance called the Plaza of Nations, and one off Union Street beneath the podium and underneath the Peace Bell. KPMB's entry proposed a building that would integrate with the existing system of green parks and walkways already present on the island. However, this was not the winning design for the competition and the project was eventually realized by architect Moshe Safdie. This project is recorded through drawings, photographs, a model and watercolour paintings dating from 1987-1988. The drawings are mostly originals and include sketches, surveys and site plans, floor plans, elevations, sections, perspectives and axonometrics of the design. There are also a number of presentation panels that show the final competition submission with short texts about the design intention and construction phasing. The watercolours present the building's exterior and photographs show different views of the project model.
Ottawa City Hall Competition, Ontario (1987-1988)
Actions:
AP056.S1.1987.PR02
Description:
This project series documents a competition entry for the design of Ottawa City Hall in Ottawa, Ontario from 1987-1988. The office identified the project number as 8711. This competition for Ottawa's new city hall called for a contemporary building that would integrate the old city hall, originally built in the 1950s and located on Green Island in the Rideau Canal. Set between Sussex Drive and Union Street, this project consisted of 1 building with 6 distinct parts: the old office building, the new office building, the City Room, the Council Chamber, the podium, and the daycare centre. The old office building was the original modernist-style city hall that would now serve as office spaces for civic workers. It would be renovated to create better circulation with the new extension. The new office building, serving a similar function, would sit behind the old one to create an L-shape on half of the perimeter. It had a large civic tower on one end that would serve as an observation deck. The City Room, a three-storey element in the centre of the structure, had a distinctive roof made up of more than a dozen small pyramids. Whitton Hall would be used as a ceremonial space, the building's lobby, a major central assembly hall, and meeting rooms. The council chambers were located in a self-contained rotunda, which also had press offices on the ground floor. The daycare centre consisted of a rectangular pavilion, set on a diagonal axis from the rest of City Hall. All of these elements sat on a raised podium that had landscaped terraces and gardens around the building's exterior. The terrace offered stunning views of the Ottawa cityscape across the canal. The podium contained one level of parking, with two additional levels below ground. This project was conceptualized to have two distinct fronts, one with its formal address on Sussex Drive that had a ceremonial entrance called the Plaza of Nations, and one off Union Street beneath the podium and underneath the Peace Bell. KPMB's entry proposed a building that would integrate with the existing system of green parks and walkways already present on the island. However, this was not the winning design for the competition and the project was eventually realized by architect Moshe Safdie. This project is recorded through drawings, photographs, a model and watercolour paintings dating from 1987-1988. The drawings are mostly originals and include sketches, surveys and site plans, floor plans, elevations, sections, perspectives and axonometrics of the design. There are also a number of presentation panels that show the final competition submission with short texts about the design intention and construction phasing. The watercolours present the building's exterior and photographs show different views of the project model.
Niveau de description archivistique:
Project
Project
Date:
1987-1988
1987-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Personnes et institutions:
Date:
1993-1994
1993-1994
Titre:
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Niveau de description archivistique:
File 106
File 106
Date:
1993-1994
1993-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Niveau de description archivistique:
File 108
File 108
Date:
1994-1995
1994-1995
Personnes et institutions:
Classification:
dessins
Quantité:
38 working drawing(s)
dessins
Quantité:
38 working drawing(s)
Numéro de référence:
AP140.S2.SS1.D40.P22
Description:
two numbered drawings dated July 1972 and January 1973 showing a site plan, and elevations and axonometrics for the concourse glazing, incomplete set of numbered working drawings for the first phase of the office block and warehouse and the concourse, dated between June 1973 and September 1973, showing site plans, floor plans, elevations, sections, partial floor plans and sections, and details for the staircases
AP140.S2.SS1.D40.P22
Description:
two numbered drawings dated July 1972 and January 1973 showing a site plan, and elevations and axonometrics for the concourse glazing, incomplete set of numbered working drawings for the first phase of the office block and warehouse and the concourse, dated between June 1973 and September 1973, showing site plans, floor plans, elevations, sections, partial floor plans and sections, and details for the staircases
Personnes et institutions:
Date:
1972 -1973
1972 -1973
Titre:
Site plans, floor plans, elevations, sections, partial floor plans and sections, and details
Actions:
AP140.S2.SS1.D40.P22
Description:
two numbered drawings dated July 1972 and January 1973 showing a site plan, and elevations and axonometrics for the concourse glazing, incomplete set of numbered working drawings for the first phase of the office block and warehouse and the concourse, dated between June 1973 and September 1973, showing site plans, floor plans, elevations, sections, partial floor plans and sections, and details for the staircases
Site plans, floor plans, elevations, sections, partial floor plans and sections, and details
Actions:
AP140.S2.SS1.D40.P22
Description:
two numbered drawings dated July 1972 and January 1973 showing a site plan, and elevations and axonometrics for the concourse glazing, incomplete set of numbered working drawings for the first phase of the office block and warehouse and the concourse, dated between June 1973 and September 1973, showing site plans, floor plans, elevations, sections, partial floor plans and sections, and details for the staircases
Classification:
dessins
Quantité:
38 working drawing(s)
dessins
Quantité:
38 working drawing(s)
Date:
1972 -1973
1972 -1973
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Personnes et institutions:
Date:
circa 1981 - 1990
circa 1981 - 1990
Titre:
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Niveau de description archivistique:
Project
Project
Date:
circa 1981 - 1990
circa 1981 - 1990
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Actions:
Numéro de référence:
DR1974:0002:025:001-059
Description:
- This album contains drawings of the Domaine de La Vallée and for extensive renovations proposed by Hubert Rohault de Fleury to the house and its outbuildings, including the demolition of some portions the existing structures. The drawings vary from rough sketches to line drawings, some coloured with wash. Nine site plans for the estate depict the proposed placement of buildings, the layout of roads, and the landscaping. The original house and outbuildings are documented in five rough sketches with dimensioning, possibly measured drawings executed on site, (DR1974:0002:025:039 - DR1974:0002:025:043) and several more finished plans and elevations (DR1974:0002:025:021 R/V, DR1974:0002:025:025, and DR1974:0002:025:031). These five rough sketches include a number of thumbnail sketches, possibly preliminary ideas for the renovation. The renovation proposals for the house and outbuildings include plans, exterior and interior elevations, an axonometric sketch as well as more complete designs for a portico and a porch. Also included are Rohault de Fleury's designs for new outbuildings and other structures: a bridge, possibly with several alternate designs, a levee planted with trees, a granary, a stable, a combined stable and cowshed, a sheepfold, two schemes for a garden temple and two gates. Many of the inscriptions and written documents are illegible, but they apparently relate to construction methods, building materials, proposed alterations to existing structures, and cost calculations. There are several drawings for unidentified buildings in the album having no apparent link to the Domaine de La Vallée structures.
DR1974:0002:025:001-059
Description:
- This album contains drawings of the Domaine de La Vallée and for extensive renovations proposed by Hubert Rohault de Fleury to the house and its outbuildings, including the demolition of some portions the existing structures. The drawings vary from rough sketches to line drawings, some coloured with wash. Nine site plans for the estate depict the proposed placement of buildings, the layout of roads, and the landscaping. The original house and outbuildings are documented in five rough sketches with dimensioning, possibly measured drawings executed on site, (DR1974:0002:025:039 - DR1974:0002:025:043) and several more finished plans and elevations (DR1974:0002:025:021 R/V, DR1974:0002:025:025, and DR1974:0002:025:031). These five rough sketches include a number of thumbnail sketches, possibly preliminary ideas for the renovation. The renovation proposals for the house and outbuildings include plans, exterior and interior elevations, an axonometric sketch as well as more complete designs for a portico and a porch. Also included are Rohault de Fleury's designs for new outbuildings and other structures: a bridge, possibly with several alternate designs, a levee planted with trees, a granary, a stable, a combined stable and cowshed, a sheepfold, two schemes for a garden temple and two gates. Many of the inscriptions and written documents are illegible, but they apparently relate to construction methods, building materials, proposed alterations to existing structures, and cost calculations. There are several drawings for unidentified buildings in the album having no apparent link to the Domaine de La Vallée structures.
Personnes et institutions:
Sujet:
architecture, architecture de paysage, design d'intérieur, ingénierie
architecture, architecture de paysage, design d'intérieur, ingénierie
Date:
ca. 1815
ca. 1815
Titre:
Album of drawings for proposed renovations to the house and outbuildings, Domaine de La Vallée, Loir-et-Cher, France
Actions:
DR1974:0002:025:001-059
Description:
- This album contains drawings of the Domaine de La Vallée and for extensive renovations proposed by Hubert Rohault de Fleury to the house and its outbuildings, including the demolition of some portions the existing structures. The drawings vary from rough sketches to line drawings, some coloured with wash. Nine site plans for the estate depict the proposed placement of buildings, the layout of roads, and the landscaping. The original house and outbuildings are documented in five rough sketches with dimensioning, possibly measured drawings executed on site, (DR1974:0002:025:039 - DR1974:0002:025:043) and several more finished plans and elevations (DR1974:0002:025:021 R/V, DR1974:0002:025:025, and DR1974:0002:025:031). These five rough sketches include a number of thumbnail sketches, possibly preliminary ideas for the renovation. The renovation proposals for the house and outbuildings include plans, exterior and interior elevations, an axonometric sketch as well as more complete designs for a portico and a porch. Also included are Rohault de Fleury's designs for new outbuildings and other structures: a bridge, possibly with several alternate designs, a levee planted with trees, a granary, a stable, a combined stable and cowshed, a sheepfold, two schemes for a garden temple and two gates. Many of the inscriptions and written documents are illegible, but they apparently relate to construction methods, building materials, proposed alterations to existing structures, and cost calculations. There are several drawings for unidentified buildings in the album having no apparent link to the Domaine de La Vallée structures.
Album of drawings for proposed renovations to the house and outbuildings, Domaine de La Vallée, Loir-et-Cher, France
Actions:
DR1974:0002:025:001-059
Description:
- This album contains drawings of the Domaine de La Vallée and for extensive renovations proposed by Hubert Rohault de Fleury to the house and its outbuildings, including the demolition of some portions the existing structures. The drawings vary from rough sketches to line drawings, some coloured with wash. Nine site plans for the estate depict the proposed placement of buildings, the layout of roads, and the landscaping. The original house and outbuildings are documented in five rough sketches with dimensioning, possibly measured drawings executed on site, (DR1974:0002:025:039 - DR1974:0002:025:043) and several more finished plans and elevations (DR1974:0002:025:021 R/V, DR1974:0002:025:025, and DR1974:0002:025:031). These five rough sketches include a number of thumbnail sketches, possibly preliminary ideas for the renovation. The renovation proposals for the house and outbuildings include plans, exterior and interior elevations, an axonometric sketch as well as more complete designs for a portico and a porch. Also included are Rohault de Fleury's designs for new outbuildings and other structures: a bridge, possibly with several alternate designs, a levee planted with trees, a granary, a stable, a combined stable and cowshed, a sheepfold, two schemes for a garden temple and two gates. Many of the inscriptions and written documents are illegible, but they apparently relate to construction methods, building materials, proposed alterations to existing structures, and cost calculations. There are several drawings for unidentified buildings in the album having no apparent link to the Domaine de La Vallée structures.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
ca. 1815
ca. 1815
Personnes et institutions:
Sujet:
architecture, architecture de paysage, design d'intérieur, ingénierie
architecture, architecture de paysage, design d'intérieur, ingénierie
Classification:
documents textuels
documents textuels
Numéro de référence:
AP140.S2.SS4.D1.P4
Description:
mostly sketches for book layout and some correspondence from publisher Gerd Hatje, dated between 1972 and 1974, including: folder 1 - letter from Gerd Hatje to James Stilring, dated 18 February 1972, passing on reader's comments ("I have the feeling these comments are made by Robert (sic) Middleton, but I'm not sure."), annotated in red ink by James Stirling with preliminary responses - letter from James Stirling to gerd Hatje, dated 29 Feb 1972, responding to comments - mock-up of cover and inside page, "Presentation by Leon Krier," "Buildings & Projects / 1950 - 1973" - photocopy of illustrations and labels to accompany John Jacobus introduction - stapled and bound set of photocopies of Leon krier drawings for Derby - alternate versions for cover of book, photocopies, some annotated in green ink, inscribed: "Presentation by Leon Krier" and then annotated "layout by Leon Krier or design by Leon Krier" folder 2 - page layouts, mostly photocopies with at least one original layout (black ink), some pages annotated or check-marked in red marker - page layouts for book, chronology of projects, captions, numbers of words for each project, mostly photocopy, some ink, some annotated folder 3 (labelled "Book Preparation" - three alternate designs for cover, originals, black and red ink on tracing paper - complete original book layout, mostly black ink, some red ink and brown marker on tracing paper folder 4 - "Chronological List of Works by James Stirling 1950 - 1972," photocopy from A+U Feb 1975, annotated - book layout, annotated with letters keyed to captions in red marker, annotated in red ink throughout - letter from James Stirling to gerd Hatje, 24 Jan 1975, doesn't like typeface chosen by Gerd Hatje ("returned marked 'nein'"), notes other specific preferences regarding dust jacket (Bembo 270 typeface, red "JS" as previously decided, axonometric will be half-size, cover should be glossy black) - letter from Ruth Wurster (Verlag Gerd Hatje) to James Stirling, 4 Feb 1975, enclosing proofs of title pages - letter from James Stirling to Gerd Hatje, responding to letter from Ruth Wurster folder 5 - book layout, photocopy, a few corrections in red marker
AP140.S2.SS4.D1.P4
Description:
mostly sketches for book layout and some correspondence from publisher Gerd Hatje, dated between 1972 and 1974, including: folder 1 - letter from Gerd Hatje to James Stilring, dated 18 February 1972, passing on reader's comments ("I have the feeling these comments are made by Robert (sic) Middleton, but I'm not sure."), annotated in red ink by James Stirling with preliminary responses - letter from James Stirling to gerd Hatje, dated 29 Feb 1972, responding to comments - mock-up of cover and inside page, "Presentation by Leon Krier," "Buildings & Projects / 1950 - 1973" - photocopy of illustrations and labels to accompany John Jacobus introduction - stapled and bound set of photocopies of Leon krier drawings for Derby - alternate versions for cover of book, photocopies, some annotated in green ink, inscribed: "Presentation by Leon Krier" and then annotated "layout by Leon Krier or design by Leon Krier" folder 2 - page layouts, mostly photocopies with at least one original layout (black ink), some pages annotated or check-marked in red marker - page layouts for book, chronology of projects, captions, numbers of words for each project, mostly photocopy, some ink, some annotated folder 3 (labelled "Book Preparation" - three alternate designs for cover, originals, black and red ink on tracing paper - complete original book layout, mostly black ink, some red ink and brown marker on tracing paper folder 4 - "Chronological List of Works by James Stirling 1950 - 1972," photocopy from A+U Feb 1975, annotated - book layout, annotated with letters keyed to captions in red marker, annotated in red ink throughout - letter from James Stirling to gerd Hatje, 24 Jan 1975, doesn't like typeface chosen by Gerd Hatje ("returned marked 'nein'"), notes other specific preferences regarding dust jacket (Bembo 270 typeface, red "JS" as previously decided, axonometric will be half-size, cover should be glossy black) - letter from Ruth Wurster (Verlag Gerd Hatje) to James Stirling, 4 Feb 1975, enclosing proofs of title pages - letter from James Stirling to Gerd Hatje, responding to letter from Ruth Wurster folder 5 - book layout, photocopy, a few corrections in red marker
Personnes et institutions:
Date:
1972 -1974
1972 -1974
Titre:
Mostly sketches for book layout and some correspondence
Actions:
AP140.S2.SS4.D1.P4
Description:
mostly sketches for book layout and some correspondence from publisher Gerd Hatje, dated between 1972 and 1974, including: folder 1 - letter from Gerd Hatje to James Stilring, dated 18 February 1972, passing on reader's comments ("I have the feeling these comments are made by Robert (sic) Middleton, but I'm not sure."), annotated in red ink by James Stirling with preliminary responses - letter from James Stirling to gerd Hatje, dated 29 Feb 1972, responding to comments - mock-up of cover and inside page, "Presentation by Leon Krier," "Buildings & Projects / 1950 - 1973" - photocopy of illustrations and labels to accompany John Jacobus introduction - stapled and bound set of photocopies of Leon krier drawings for Derby - alternate versions for cover of book, photocopies, some annotated in green ink, inscribed: "Presentation by Leon Krier" and then annotated "layout by Leon Krier or design by Leon Krier" folder 2 - page layouts, mostly photocopies with at least one original layout (black ink), some pages annotated or check-marked in red marker - page layouts for book, chronology of projects, captions, numbers of words for each project, mostly photocopy, some ink, some annotated folder 3 (labelled "Book Preparation" - three alternate designs for cover, originals, black and red ink on tracing paper - complete original book layout, mostly black ink, some red ink and brown marker on tracing paper folder 4 - "Chronological List of Works by James Stirling 1950 - 1972," photocopy from A+U Feb 1975, annotated - book layout, annotated with letters keyed to captions in red marker, annotated in red ink throughout - letter from James Stirling to gerd Hatje, 24 Jan 1975, doesn't like typeface chosen by Gerd Hatje ("returned marked 'nein'"), notes other specific preferences regarding dust jacket (Bembo 270 typeface, red "JS" as previously decided, axonometric will be half-size, cover should be glossy black) - letter from Ruth Wurster (Verlag Gerd Hatje) to James Stirling, 4 Feb 1975, enclosing proofs of title pages - letter from James Stirling to Gerd Hatje, responding to letter from Ruth Wurster folder 5 - book layout, photocopy, a few corrections in red marker
Mostly sketches for book layout and some correspondence
Actions:
AP140.S2.SS4.D1.P4
Description:
mostly sketches for book layout and some correspondence from publisher Gerd Hatje, dated between 1972 and 1974, including: folder 1 - letter from Gerd Hatje to James Stilring, dated 18 February 1972, passing on reader's comments ("I have the feeling these comments are made by Robert (sic) Middleton, but I'm not sure."), annotated in red ink by James Stirling with preliminary responses - letter from James Stirling to gerd Hatje, dated 29 Feb 1972, responding to comments - mock-up of cover and inside page, "Presentation by Leon Krier," "Buildings & Projects / 1950 - 1973" - photocopy of illustrations and labels to accompany John Jacobus introduction - stapled and bound set of photocopies of Leon krier drawings for Derby - alternate versions for cover of book, photocopies, some annotated in green ink, inscribed: "Presentation by Leon Krier" and then annotated "layout by Leon Krier or design by Leon Krier" folder 2 - page layouts, mostly photocopies with at least one original layout (black ink), some pages annotated or check-marked in red marker - page layouts for book, chronology of projects, captions, numbers of words for each project, mostly photocopy, some ink, some annotated folder 3 (labelled "Book Preparation" - three alternate designs for cover, originals, black and red ink on tracing paper - complete original book layout, mostly black ink, some red ink and brown marker on tracing paper folder 4 - "Chronological List of Works by James Stirling 1950 - 1972," photocopy from A+U Feb 1975, annotated - book layout, annotated with letters keyed to captions in red marker, annotated in red ink throughout - letter from James Stirling to gerd Hatje, 24 Jan 1975, doesn't like typeface chosen by Gerd Hatje ("returned marked 'nein'"), notes other specific preferences regarding dust jacket (Bembo 270 typeface, red "JS" as previously decided, axonometric will be half-size, cover should be glossy black) - letter from Ruth Wurster (Verlag Gerd Hatje) to James Stirling, 4 Feb 1975, enclosing proofs of title pages - letter from James Stirling to Gerd Hatje, responding to letter from Ruth Wurster folder 5 - book layout, photocopy, a few corrections in red marker
Classification:
documents textuels
documents textuels
Date:
1972 -1974
1972 -1974
Personnes et institutions:
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR1999:0622
Description:
31 projects are included in the box. 1992 Florida Expo Documents include: news releases, zoning, -bridges, waterfront construction, statistics - population, land, 1967 expo regulation,-transmittals. B. Scott House, 1987 Document included: letter. Berlin Housing, 1982 Documents include: program, specifications, transmittals. Cincinnaty Performing Arts Document included: expenses. Charleston Naval Yard, 1990 Document included: invoice. Cooper Union, 1989 Documents include: agreement, program, detail reports. Cummins Engine Drawings ? Documents include compressor, machine axonometric, heat shield, -bearing housing, diffuser, wheel, shaft, turbine, drawings, 15 photographs. Frank House, 1986 Documents include: transmittals. Jubilee Point, Australia Documents include: planning, architectural services, letters, 2 photographs. Kilpatrikc Residence, 1986 Documents include: agreement, footage, cost, transmittal, memo. KINHILL JOINT VENTURE, RABY BAY, 1986 Documents include -correspondence, newsletter, Australia guidebook, site map and plan, statistics and information, reproduced photographs, deed, KNOLL TEXTILES Documents include: agreement, correspondence, accounting records. LAVILLETTE PARK, 1986 Document included: invoice. MCNEIL RESIDENCE, 1987 Documents include: invoice, letters. NORTH CENTRAL TECHNICAL COLLEGE, MANSFIELD, OHIO, 1987 Document included: project manual. PACIFIC DESIGN CENTER PHASE II/EXPANSION WEST HOLLYWOOD, CALIFORNIA, 1995 Document included: design criteria. PENNSYLVANIA AVENUE TRIANGLE, WASHINGTON, DC, 1981 Documents include: budget analysis, maps, management. PLAZA PARK DESIGN, CHARLOTTE, NORTH CAROLINA, 1986 Documents include: directory, prospectus, program, correspondence, memos, newspaper clippings. PROGRESSIVE / NORTH MALL PLANNING DISTRICT CLEVELAND OHIO, 1986 Documents include -state & city maps, historical photographs (reproductions), articles, sketches, specifications, photograph, site plans/maps, contract, schedules, memos, contract, schedule, memo, site plan, specifications. PROGRESSIVE O. PARK Document included: filing index. RIVERPLACE, 1989 Documents include filing index, directory, memo, meeting minutes, transmittals, sketches, expenses. Documents include: filing index & directory, meeting minutes, transmittals & sketches. ROME TRIENNALE, 1985 Documents include: press communiqué, program, correspondence, sketches, drawings, 4 slides. ROSE RESIDENCE, 1987 Documents include: job list, transmittal, memo, newspaper clipping. SAINT PAUL MINNESOTA CAPITOL GROUNDS, 1986 Documents include: jury, program, correspondence, memos, newspaper clipping. SHARP II Documents include: schedule, calculations, correspondence, memos. SKID POWELL CANDELABRA, 1990 Document included: letter. TOBACCO ROW, RICHMOND VIRGINIA, 1986 Documents include: proposals, budget, agreement, cost estimates, permits, schedule. UNIVERSITY OF SOUTH SEWANEE, TENNESSEE, 1986 Document included: letter. WEXNER HOUSE, 1986 Documents include: area calculations, correspondence, memos, transmittal & drawing. YALE UNIVERSITY SCHOOL OF NURSING, 1989 Document included: letter. ZURICH REBSTOCK Documents include: filing index, other European project with numbers and summaries programs, sketches.
DR1999:0622
Description:
31 projects are included in the box. 1992 Florida Expo Documents include: news releases, zoning, -bridges, waterfront construction, statistics - population, land, 1967 expo regulation,-transmittals. B. Scott House, 1987 Document included: letter. Berlin Housing, 1982 Documents include: program, specifications, transmittals. Cincinnaty Performing Arts Document included: expenses. Charleston Naval Yard, 1990 Document included: invoice. Cooper Union, 1989 Documents include: agreement, program, detail reports. Cummins Engine Drawings ? Documents include compressor, machine axonometric, heat shield, -bearing housing, diffuser, wheel, shaft, turbine, drawings, 15 photographs. Frank House, 1986 Documents include: transmittals. Jubilee Point, Australia Documents include: planning, architectural services, letters, 2 photographs. Kilpatrikc Residence, 1986 Documents include: agreement, footage, cost, transmittal, memo. KINHILL JOINT VENTURE, RABY BAY, 1986 Documents include -correspondence, newsletter, Australia guidebook, site map and plan, statistics and information, reproduced photographs, deed, KNOLL TEXTILES Documents include: agreement, correspondence, accounting records. LAVILLETTE PARK, 1986 Document included: invoice. MCNEIL RESIDENCE, 1987 Documents include: invoice, letters. NORTH CENTRAL TECHNICAL COLLEGE, MANSFIELD, OHIO, 1987 Document included: project manual. PACIFIC DESIGN CENTER PHASE II/EXPANSION WEST HOLLYWOOD, CALIFORNIA, 1995 Document included: design criteria. PENNSYLVANIA AVENUE TRIANGLE, WASHINGTON, DC, 1981 Documents include: budget analysis, maps, management. PLAZA PARK DESIGN, CHARLOTTE, NORTH CAROLINA, 1986 Documents include: directory, prospectus, program, correspondence, memos, newspaper clippings. PROGRESSIVE / NORTH MALL PLANNING DISTRICT CLEVELAND OHIO, 1986 Documents include -state & city maps, historical photographs (reproductions), articles, sketches, specifications, photograph, site plans/maps, contract, schedules, memos, contract, schedule, memo, site plan, specifications. PROGRESSIVE O. PARK Document included: filing index. RIVERPLACE, 1989 Documents include filing index, directory, memo, meeting minutes, transmittals, sketches, expenses. Documents include: filing index & directory, meeting minutes, transmittals & sketches. ROME TRIENNALE, 1985 Documents include: press communiqué, program, correspondence, sketches, drawings, 4 slides. ROSE RESIDENCE, 1987 Documents include: job list, transmittal, memo, newspaper clipping. SAINT PAUL MINNESOTA CAPITOL GROUNDS, 1986 Documents include: jury, program, correspondence, memos, newspaper clipping. SHARP II Documents include: schedule, calculations, correspondence, memos. SKID POWELL CANDELABRA, 1990 Document included: letter. TOBACCO ROW, RICHMOND VIRGINIA, 1986 Documents include: proposals, budget, agreement, cost estimates, permits, schedule. UNIVERSITY OF SOUTH SEWANEE, TENNESSEE, 1986 Document included: letter. WEXNER HOUSE, 1986 Documents include: area calculations, correspondence, memos, transmittal & drawing. YALE UNIVERSITY SCHOOL OF NURSING, 1989 Document included: letter. ZURICH REBSTOCK Documents include: filing index, other European project with numbers and summaries programs, sketches.
Personnes et institutions:
Titre:
News releases, zoning, bridges, waterfront construction, statistics population, land, 1967 expo regulation
Actions:
DR1999:0622
Description:
31 projects are included in the box. 1992 Florida Expo Documents include: news releases, zoning, -bridges, waterfront construction, statistics - population, land, 1967 expo regulation,-transmittals. B. Scott House, 1987 Document included: letter. Berlin Housing, 1982 Documents include: program, specifications, transmittals. Cincinnaty Performing Arts Document included: expenses. Charleston Naval Yard, 1990 Document included: invoice. Cooper Union, 1989 Documents include: agreement, program, detail reports. Cummins Engine Drawings ? Documents include compressor, machine axonometric, heat shield, -bearing housing, diffuser, wheel, shaft, turbine, drawings, 15 photographs. Frank House, 1986 Documents include: transmittals. Jubilee Point, Australia Documents include: planning, architectural services, letters, 2 photographs. Kilpatrikc Residence, 1986 Documents include: agreement, footage, cost, transmittal, memo. KINHILL JOINT VENTURE, RABY BAY, 1986 Documents include -correspondence, newsletter, Australia guidebook, site map and plan, statistics and information, reproduced photographs, deed, KNOLL TEXTILES Documents include: agreement, correspondence, accounting records. LAVILLETTE PARK, 1986 Document included: invoice. MCNEIL RESIDENCE, 1987 Documents include: invoice, letters. NORTH CENTRAL TECHNICAL COLLEGE, MANSFIELD, OHIO, 1987 Document included: project manual. PACIFIC DESIGN CENTER PHASE II/EXPANSION WEST HOLLYWOOD, CALIFORNIA, 1995 Document included: design criteria. PENNSYLVANIA AVENUE TRIANGLE, WASHINGTON, DC, 1981 Documents include: budget analysis, maps, management. PLAZA PARK DESIGN, CHARLOTTE, NORTH CAROLINA, 1986 Documents include: directory, prospectus, program, correspondence, memos, newspaper clippings. PROGRESSIVE / NORTH MALL PLANNING DISTRICT CLEVELAND OHIO, 1986 Documents include -state & city maps, historical photographs (reproductions), articles, sketches, specifications, photograph, site plans/maps, contract, schedules, memos, contract, schedule, memo, site plan, specifications. PROGRESSIVE O. PARK Document included: filing index. RIVERPLACE, 1989 Documents include filing index, directory, memo, meeting minutes, transmittals, sketches, expenses. Documents include: filing index & directory, meeting minutes, transmittals & sketches. ROME TRIENNALE, 1985 Documents include: press communiqué, program, correspondence, sketches, drawings, 4 slides. ROSE RESIDENCE, 1987 Documents include: job list, transmittal, memo, newspaper clipping. SAINT PAUL MINNESOTA CAPITOL GROUNDS, 1986 Documents include: jury, program, correspondence, memos, newspaper clipping. SHARP II Documents include: schedule, calculations, correspondence, memos. SKID POWELL CANDELABRA, 1990 Document included: letter. TOBACCO ROW, RICHMOND VIRGINIA, 1986 Documents include: proposals, budget, agreement, cost estimates, permits, schedule. UNIVERSITY OF SOUTH SEWANEE, TENNESSEE, 1986 Document included: letter. WEXNER HOUSE, 1986 Documents include: area calculations, correspondence, memos, transmittal & drawing. YALE UNIVERSITY SCHOOL OF NURSING, 1989 Document included: letter. ZURICH REBSTOCK Documents include: filing index, other European project with numbers and summaries programs, sketches.
News releases, zoning, bridges, waterfront construction, statistics population, land, 1967 expo regulation
Actions:
DR1999:0622
Description:
31 projects are included in the box. 1992 Florida Expo Documents include: news releases, zoning, -bridges, waterfront construction, statistics - population, land, 1967 expo regulation,-transmittals. B. Scott House, 1987 Document included: letter. Berlin Housing, 1982 Documents include: program, specifications, transmittals. Cincinnaty Performing Arts Document included: expenses. Charleston Naval Yard, 1990 Document included: invoice. Cooper Union, 1989 Documents include: agreement, program, detail reports. Cummins Engine Drawings ? Documents include compressor, machine axonometric, heat shield, -bearing housing, diffuser, wheel, shaft, turbine, drawings, 15 photographs. Frank House, 1986 Documents include: transmittals. Jubilee Point, Australia Documents include: planning, architectural services, letters, 2 photographs. Kilpatrikc Residence, 1986 Documents include: agreement, footage, cost, transmittal, memo. KINHILL JOINT VENTURE, RABY BAY, 1986 Documents include -correspondence, newsletter, Australia guidebook, site map and plan, statistics and information, reproduced photographs, deed, KNOLL TEXTILES Documents include: agreement, correspondence, accounting records. LAVILLETTE PARK, 1986 Document included: invoice. MCNEIL RESIDENCE, 1987 Documents include: invoice, letters. NORTH CENTRAL TECHNICAL COLLEGE, MANSFIELD, OHIO, 1987 Document included: project manual. PACIFIC DESIGN CENTER PHASE II/EXPANSION WEST HOLLYWOOD, CALIFORNIA, 1995 Document included: design criteria. PENNSYLVANIA AVENUE TRIANGLE, WASHINGTON, DC, 1981 Documents include: budget analysis, maps, management. PLAZA PARK DESIGN, CHARLOTTE, NORTH CAROLINA, 1986 Documents include: directory, prospectus, program, correspondence, memos, newspaper clippings. PROGRESSIVE / NORTH MALL PLANNING DISTRICT CLEVELAND OHIO, 1986 Documents include -state & city maps, historical photographs (reproductions), articles, sketches, specifications, photograph, site plans/maps, contract, schedules, memos, contract, schedule, memo, site plan, specifications. PROGRESSIVE O. PARK Document included: filing index. RIVERPLACE, 1989 Documents include filing index, directory, memo, meeting minutes, transmittals, sketches, expenses. Documents include: filing index & directory, meeting minutes, transmittals & sketches. ROME TRIENNALE, 1985 Documents include: press communiqué, program, correspondence, sketches, drawings, 4 slides. ROSE RESIDENCE, 1987 Documents include: job list, transmittal, memo, newspaper clipping. SAINT PAUL MINNESOTA CAPITOL GROUNDS, 1986 Documents include: jury, program, correspondence, memos, newspaper clipping. SHARP II Documents include: schedule, calculations, correspondence, memos. SKID POWELL CANDELABRA, 1990 Document included: letter. TOBACCO ROW, RICHMOND VIRGINIA, 1986 Documents include: proposals, budget, agreement, cost estimates, permits, schedule. UNIVERSITY OF SOUTH SEWANEE, TENNESSEE, 1986 Document included: letter. WEXNER HOUSE, 1986 Documents include: area calculations, correspondence, memos, transmittal & drawing. YALE UNIVERSITY SCHOOL OF NURSING, 1989 Document included: letter. ZURICH REBSTOCK Documents include: filing index, other European project with numbers and summaries programs, sketches.
Classification:
documents textuels
documents textuels
Personnes et institutions:
