29044 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Personnes et institutions:
Date:
1991
1991
Titre:
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Niveau de description archivistique:
Project
Project
Date:
1991
1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
House 11a
House 11a
Numéro de référence:
AP143.S4.D23
Description:
File documents an unexecuted project for House 11a, designed for Mr. and Mrs. Kurt Forster, Palo Alto, California, United States. File also includes one drawing for the International Seminary of Design in the Area of Cannaregio-West in Venice, Italy. Material in this file was produced in 1978. File does not contain any conceptual drawings by Eisenman. Freehand diagrams explain the series of "topological" operations at the origin of the design (DR1994:0139:001-008). The original presentation drawings are published in 'Progressive Architecture' (DR1994:0139:283-301). File contains conceptual drawings, design development drawings, and presentation drawings. - Conceptual drawings include elevations, sections, and axonometrics - mostly black and coloured felt-tip pen on tracing vellum. Design development drawings include plans and axonometrics - some black felt-tip pen and some graphite on yellow tracing paper; and reprographic copies include - one photocopy on wove paper. Presentation drawings include plans, elevations, and axonometrics - mostly pen and black ink on tracing vellum. Copies include a stat of an axonometric of House 11a and a photocopy of part of the Cannaregio site plan.
AP143.S4.D23
Description:
File documents an unexecuted project for House 11a, designed for Mr. and Mrs. Kurt Forster, Palo Alto, California, United States. File also includes one drawing for the International Seminary of Design in the Area of Cannaregio-West in Venice, Italy. Material in this file was produced in 1978. File does not contain any conceptual drawings by Eisenman. Freehand diagrams explain the series of "topological" operations at the origin of the design (DR1994:0139:001-008). The original presentation drawings are published in 'Progressive Architecture' (DR1994:0139:283-301). File contains conceptual drawings, design development drawings, and presentation drawings. - Conceptual drawings include elevations, sections, and axonometrics - mostly black and coloured felt-tip pen on tracing vellum. Design development drawings include plans and axonometrics - some black felt-tip pen and some graphite on yellow tracing paper; and reprographic copies include - one photocopy on wove paper. Presentation drawings include plans, elevations, and axonometrics - mostly pen and black ink on tracing vellum. Copies include a stat of an axonometric of House 11a and a photocopy of part of the Cannaregio site plan.
Personnes et institutions:
Date:
1978
1978
Titre:
House 11a
Actions:
AP143.S4.D23
Description:
File documents an unexecuted project for House 11a, designed for Mr. and Mrs. Kurt Forster, Palo Alto, California, United States. File also includes one drawing for the International Seminary of Design in the Area of Cannaregio-West in Venice, Italy. Material in this file was produced in 1978. File does not contain any conceptual drawings by Eisenman. Freehand diagrams explain the series of "topological" operations at the origin of the design (DR1994:0139:001-008). The original presentation drawings are published in 'Progressive Architecture' (DR1994:0139:283-301). File contains conceptual drawings, design development drawings, and presentation drawings. - Conceptual drawings include elevations, sections, and axonometrics - mostly black and coloured felt-tip pen on tracing vellum. Design development drawings include plans and axonometrics - some black felt-tip pen and some graphite on yellow tracing paper; and reprographic copies include - one photocopy on wove paper. Presentation drawings include plans, elevations, and axonometrics - mostly pen and black ink on tracing vellum. Copies include a stat of an axonometric of House 11a and a photocopy of part of the Cannaregio site plan.
House 11a
Actions:
AP143.S4.D23
Description:
File documents an unexecuted project for House 11a, designed for Mr. and Mrs. Kurt Forster, Palo Alto, California, United States. File also includes one drawing for the International Seminary of Design in the Area of Cannaregio-West in Venice, Italy. Material in this file was produced in 1978. File does not contain any conceptual drawings by Eisenman. Freehand diagrams explain the series of "topological" operations at the origin of the design (DR1994:0139:001-008). The original presentation drawings are published in 'Progressive Architecture' (DR1994:0139:283-301). File contains conceptual drawings, design development drawings, and presentation drawings. - Conceptual drawings include elevations, sections, and axonometrics - mostly black and coloured felt-tip pen on tracing vellum. Design development drawings include plans and axonometrics - some black felt-tip pen and some graphite on yellow tracing paper; and reprographic copies include - one photocopy on wove paper. Presentation drawings include plans, elevations, and axonometrics - mostly pen and black ink on tracing vellum. Copies include a stat of an axonometric of House 11a and a photocopy of part of the Cannaregio site plan.
Niveau de description archivistique:
File 23
File 23
Date:
1978
1978
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1999.PR01
Description:
The project series documents Parete "Branchia", an installation designed by Pettena in 1999. The installation was presented at the exhibition "Archipelago", at the 16th century Palazzo Fabroni in Pistoia, in 1999. The installation consisted of "lifting off the plaster in each room, as if to create 'gills' that would allow the building to breathe the contemporary air of the present time". The project series contains photographs of the installation and a project description in Italian.
AP207.S1.1999.PR01
Description:
The project series documents Parete "Branchia", an installation designed by Pettena in 1999. The installation was presented at the exhibition "Archipelago", at the 16th century Palazzo Fabroni in Pistoia, in 1999. The installation consisted of "lifting off the plaster in each room, as if to create 'gills' that would allow the building to breathe the contemporary air of the present time". The project series contains photographs of the installation and a project description in Italian.
Personnes et institutions:
Date:
circa 1999-2015
circa 1999-2015
Titre:
Parete "Branchia" (1999)
Actions:
AP207.S1.1999.PR01
Description:
The project series documents Parete "Branchia", an installation designed by Pettena in 1999. The installation was presented at the exhibition "Archipelago", at the 16th century Palazzo Fabroni in Pistoia, in 1999. The installation consisted of "lifting off the plaster in each room, as if to create 'gills' that would allow the building to breathe the contemporary air of the present time". The project series contains photographs of the installation and a project description in Italian.
Parete "Branchia" (1999)
Actions:
AP207.S1.1999.PR01
Description:
The project series documents Parete "Branchia", an installation designed by Pettena in 1999. The installation was presented at the exhibition "Archipelago", at the 16th century Palazzo Fabroni in Pistoia, in 1999. The installation consisted of "lifting off the plaster in each room, as if to create 'gills' that would allow the building to breathe the contemporary air of the present time". The project series contains photographs of the installation and a project description in Italian.
Niveau de description archivistique:
Project
Project
Date:
circa 1999-2015
circa 1999-2015
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2011
Chercheurs en résidence 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chili Sujet : The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italie Sujet: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, États-Unis Sujet : Choice by Design,(...)
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chili Sujet : The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italie Sujet: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, États-Unis Sujet : Choice by Design,(...)
Date:
avril 2011 au octobre 2011
avril 2011 au octobre 2011
Titre:
Chercheurs en résidence 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chili Sujet : The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italie Sujet: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, États-Unis Sujet : Choice by Design,(...)
Chercheurs en résidence 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chili Sujet : The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italie Sujet: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, États-Unis Sujet : Choice by Design,(...)
Classification:
recherche
recherche
Date:
avril 2011 au
octobre 2011
avril 2011 au
octobre 2011
Classification:
événements
événements
Actions:
Description:
Le chercheur en résidence Gregorio Carboni Maestri présente sa recherche. Des années 1930 à la fin des années 1980, l’architecture portugaise s’est construite sur une relation frustrante avec la modernité, et sur un dialogue crucial avec l’Italie. Ce séminaire portera sur la façon dont l’architecture portugaise a observé les modèles italiens et y a réagi, notamment le(...)
Le chercheur en résidence Gregorio Carboni Maestri présente sa recherche. Des années 1930 à la fin des années 1980, l’architecture portugaise s’est construite sur une relation frustrante avec la modernité, et sur un dialogue crucial avec l’Italie. Ce séminaire portera sur la façon dont l’architecture portugaise a observé les modèles italiens et y a réagi, notamment le(...)
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
Gregorio Carboni Maestri, chercheur en résidence, Portugal, Tendenza
Maison Shaughnessy Mot(s)-clé(s):
Gregorio Carboni Maestri, chercheur en résidence, Portugal, Tendenza
Date:
3 août 2017, 18h
3 août 2017, 18h
Titre:
Séminaire de chercheur en résidence : Gregorio Carboni Maestri
Actions:
Description:
Le chercheur en résidence Gregorio Carboni Maestri présente sa recherche. Des années 1930 à la fin des années 1980, l’architecture portugaise s’est construite sur une relation frustrante avec la modernité, et sur un dialogue crucial avec l’Italie. Ce séminaire portera sur la façon dont l’architecture portugaise a observé les modèles italiens et y a réagi, notamment le(...)
Séminaire de chercheur en résidence : Gregorio Carboni Maestri
Actions:
Description:
Le chercheur en résidence Gregorio Carboni Maestri présente sa recherche. Des années 1930 à la fin des années 1980, l’architecture portugaise s’est construite sur une relation frustrante avec la modernité, et sur un dialogue crucial avec l’Italie. Ce séminaire portera sur la façon dont l’architecture portugaise a observé les modèles italiens et y a réagi, notamment le(...)
Classification:
événements
événements
Date:
3 août 2017
18h
3 août 2017
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
Gregorio Carboni Maestri, chercheur en résidence, Portugal, Tendenza
Maison Shaughnessy Mot(s)-clé(s):
Gregorio Carboni Maestri, chercheur en résidence, Portugal, Tendenza
Classification:
articles
articles
Actions:
Les clichés Polaroids d’Aldo Rossi, présentés par Diogo Seixas Lopes
Titre:
Puzzles résolus avec le coeur
Les clichés Polaroids d’Aldo Rossi, présentés par Diogo Seixas Lopes
Actions:
Puzzles résolus avec le coeur
Les clichés Polaroids d’Aldo Rossi, présentés par Diogo Seixas Lopes
Actions:
Dossier:
Une histoire de références
Une histoire de références
Classification:
photographies
Quantité:
16 album(s)
photographies
Quantité:
16 album(s)
Numéro de référence:
PH1986:0900.01-16
Description:
The 16 albums PH1986:0900.01-.16 comprises 849 photographs and 34 prints of works by Michel Roux-Spitz. The majority of the photographs show projects in Paris and Lyon, France, although Versailles and Fontainebleau, France, Brussels, Belgium, and Rome, Italy also feature. Amongst others, the photographs include views of La Croix-Rousse train station, Villa Weitz, Église Saint-François d'Assise, Salle des Fêtes De La Croix-Rousse, Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project in Lyon; Les Galeries Lafayette, Boutique Roger Bal, the atelier de Monsieur Roger Bal, Bijouterie Kepta, a post-office, the Ford Building, Bibliothèque Nationale, Hôtel Roland Bonaparte, and various other buildings in Paris; The Bibliothèque Nationale in Versailles; and other furniture, interiors, fountains, monuments, tombs, vases, models and studies.
PH1986:0900.01-16
Description:
The 16 albums PH1986:0900.01-.16 comprises 849 photographs and 34 prints of works by Michel Roux-Spitz. The majority of the photographs show projects in Paris and Lyon, France, although Versailles and Fontainebleau, France, Brussels, Belgium, and Rome, Italy also feature. Amongst others, the photographs include views of La Croix-Rousse train station, Villa Weitz, Église Saint-François d'Assise, Salle des Fêtes De La Croix-Rousse, Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project in Lyon; Les Galeries Lafayette, Boutique Roger Bal, the atelier de Monsieur Roger Bal, Bijouterie Kepta, a post-office, the Ford Building, Bibliothèque Nationale, Hôtel Roland Bonaparte, and various other buildings in Paris; The Bibliothèque Nationale in Versailles; and other furniture, interiors, fountains, monuments, tombs, vases, models and studies.
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ornement, sculpture
architecture, design d'intérieur, ornement, sculpture
Date:
1920-1936
1920-1936
Titre:
Albums of photographs of projects by Michel Roux-Spitz
Actions:
PH1986:0900.01-16
Description:
The 16 albums PH1986:0900.01-.16 comprises 849 photographs and 34 prints of works by Michel Roux-Spitz. The majority of the photographs show projects in Paris and Lyon, France, although Versailles and Fontainebleau, France, Brussels, Belgium, and Rome, Italy also feature. Amongst others, the photographs include views of La Croix-Rousse train station, Villa Weitz, Église Saint-François d'Assise, Salle des Fêtes De La Croix-Rousse, Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project in Lyon; Les Galeries Lafayette, Boutique Roger Bal, the atelier de Monsieur Roger Bal, Bijouterie Kepta, a post-office, the Ford Building, Bibliothèque Nationale, Hôtel Roland Bonaparte, and various other buildings in Paris; The Bibliothèque Nationale in Versailles; and other furniture, interiors, fountains, monuments, tombs, vases, models and studies.
Albums of photographs of projects by Michel Roux-Spitz
Actions:
PH1986:0900.01-16
Description:
The 16 albums PH1986:0900.01-.16 comprises 849 photographs and 34 prints of works by Michel Roux-Spitz. The majority of the photographs show projects in Paris and Lyon, France, although Versailles and Fontainebleau, France, Brussels, Belgium, and Rome, Italy also feature. Amongst others, the photographs include views of La Croix-Rousse train station, Villa Weitz, Église Saint-François d'Assise, Salle des Fêtes De La Croix-Rousse, Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project in Lyon; Les Galeries Lafayette, Boutique Roger Bal, the atelier de Monsieur Roger Bal, Bijouterie Kepta, a post-office, the Ford Building, Bibliothèque Nationale, Hôtel Roland Bonaparte, and various other buildings in Paris; The Bibliothèque Nationale in Versailles; and other furniture, interiors, fountains, monuments, tombs, vases, models and studies.
Classification:
photographies
Quantité:
16 album(s)
photographies
Quantité:
16 album(s)
Date:
1920-1936
1920-1936
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ornement, sculpture
architecture, design d'intérieur, ornement, sculpture
Classification:
recherche
recherche
Actions:
Description:
Chiara Baglione, IUAV-Istituto Universitario di Archittetura di Venezia, Venise, Italie Sujet : Becoming an Architect in the Rome of Urban VIII: Architectural Training and Early Works of Pietro da Cortona Laurent Baridon, Université Marc Bloch, Strasbourg, France Sujet : Dinocrate ou l’architecte en représentation Martin Bressani, Université McGill, Montréal,(...)
Chiara Baglione, IUAV-Istituto Universitario di Archittetura di Venezia, Venise, Italie Sujet : Becoming an Architect in the Rome of Urban VIII: Architectural Training and Early Works of Pietro da Cortona Laurent Baridon, Université Marc Bloch, Strasbourg, France Sujet : Dinocrate ou l’architecte en représentation Martin Bressani, Université McGill, Montréal,(...)
Date:
5 janvier 2003 au 31 août 2003
5 janvier 2003 au 31 août 2003
Titre:
Chercheurs en résidence 2002-2003
Actions:
Description:
Chiara Baglione, IUAV-Istituto Universitario di Archittetura di Venezia, Venise, Italie Sujet : Becoming an Architect in the Rome of Urban VIII: Architectural Training and Early Works of Pietro da Cortona Laurent Baridon, Université Marc Bloch, Strasbourg, France Sujet : Dinocrate ou l’architecte en représentation Martin Bressani, Université McGill, Montréal,(...)
Chercheurs en résidence 2002-2003
Actions:
Description:
Chiara Baglione, IUAV-Istituto Universitario di Archittetura di Venezia, Venise, Italie Sujet : Becoming an Architect in the Rome of Urban VIII: Architectural Training and Early Works of Pietro da Cortona Laurent Baridon, Université Marc Bloch, Strasbourg, France Sujet : Dinocrate ou l’architecte en représentation Martin Bressani, Université McGill, Montréal,(...)
Classification:
recherche
recherche
Date:
5 janvier 2003 au
31 août 2003
5 janvier 2003 au
31 août 2003
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Personnes et institutions:
Date:
1955-2007
1955-2007
Titre:
Collection Pasanella + Klein Stolzman + Berg
Actions:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Collection Pasanella + Klein Stolzman + Berg
Actions:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1955-2007
1955-2007
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Personnes et institutions:
Date:
circa 1980--2019
circa 1980--2019
Titre:
Exhibitions
Actions:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Exhibitions
Actions:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Niveau de description archivistique:
Series
Series
Date:
circa 1980--2019
circa 1980--2019
Personnes et institutions:
