né numérique
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
16 July 2003 - 2 June 2004
A2 Cockpit and Soundbarrier 3D printer files of the NSA Muscle
Actions:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
né numérique
16 July 2003 - 2 June 2004
Projet
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
1989-2002
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Project
1989-2002
documents textuels
ARCH276933
Description:
Group contains McGill University's publication, Arthur Erickson: The Middle East Projects Guide to the Archive, Canadian Wood Design Awards 1965 publication, Architecture and the College, University of Illinois (17-21 April 1966) conference program, Canadian Housing Design Council Awards for Residential Design '81 publication, event programs and invitations and certificate conferred upon Arthur Erickon in recognition of significant contribution to compatriots, community and to Canada, the commemorative medal for the 125th anniversary of the Confederation of Canada (1992).
1965-1999
Conferences and event programs, invitations to events, various awards and publications on Erickson
Actions:
ARCH276933
Description:
Group contains McGill University's publication, Arthur Erickson: The Middle East Projects Guide to the Archive, Canadian Wood Design Awards 1965 publication, Architecture and the College, University of Illinois (17-21 April 1966) conference program, Canadian Housing Design Council Awards for Residential Design '81 publication, event programs and invitations and certificate conferred upon Arthur Erickon in recognition of significant contribution to compatriots, community and to Canada, the commemorative medal for the 125th anniversary of the Confederation of Canada (1992).
documents textuels
1965-1999
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
11 mai 2016 au 16 octobre 2016
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
archives
Niveau de description archivistique:
Fonds
Fonds Wells Coates
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
1909-1986
Fonds Wells Coates
Actions:
AP030
Résumé:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
archives
Niveau de description archivistique:
Fonds
1909-1986
Projet
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
1968-1981
Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte [Office building, Av. D. Afonso Henriques], Porto, Portugal (1968-1981)
Actions:
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
Project
1968-1981
archives
Niveau de description archivistique:
Fonds
Fonds Barry Downs
AP077
Résumé:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
[1956-1968]
Fonds Barry Downs
Actions:
AP077
Résumé:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
archives
Niveau de description archivistique:
Fonds
[1956-1968]
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Maison Shaughnessy
7 juillet 2016, 18h
Séminaire de chercheur en résidence : Farhan Karim
Actions:
Description:
Farhan Karim, chercheur en résidence 2016, présente ses recherches : Dans l’évolution récente de l’histoire de l’architecture, l’engagement d’architectes occidentaux auprès des nations postcoloniales émergentes a fait l’objet d’une relecture dans une perspective géopolitique plus vaste de décolonisation et de guerre froide planétaire. Une telle analyse n’est certes pas(...)
Maison Shaughnessy
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Théâtre Paul-Desmarais
22 septembre 2016, 18h
Nicholas de Monchaux : Local Code
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Théâtre Paul-Desmarais
archives
Niveau de description archivistique:
Fonds
Pierlucio Pellissier fonds
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
1946-2020
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
archives
Niveau de description archivistique:
Fonds
1946-2020