3068 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
CIAM IV, CIRPAC and London
CIAM IV, CIRPAC and London
Numéro de référence:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Personnes et institutions:
Date:
1933-1934
1933-1934
Titre:
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
CIAM IV, CIRPAC and London
Actions:
AP112.S1
Description:
The series contains seven bands of negatives, divided into groups of two and three negatives a band. The first five bands document the 4th Congrès International d'Architecture Moderne (CIAM) held on board the SS Patris II from 29 July to 13 August 1933, as it travelled between Marseilles, France, and Athens, Greece, and then returned. The conference, themed "The Functional City", presented and discussed the results of an analysis of more than thirty cities, and sought to establish new principles in urban planning. Sise participated at the conference as the Canadian delegate and presented the city of Los Angeles, California. The resolutions adopted at the conference were published for the first time in November under the title "Constatations du quatrième CIAM". These findings formed the base of the Charte d'Athenès written by Le Corbusier in 1941. The negatives show some of the participants of the conference including: Le Corbusier (1887-1965), from the French delegation; László Moholy-Nagy (1895-1946), from the German delegation, who was in charge of filming the presentations; Alvar Aalto (1898-1976), representing Finland; and the painter Fernand Léger (1881-1955), also from the French delegatation, who presented on the importance of colour in architecture. The two other bands of negatives provide evidence of Sise's attendance at Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC), held in May 1934 at the Royal Institute of British Architects in London, England, to establish the program for the next CIAM (1). They also show his meeting in London with Georges Braque during the summer of the same year. (1) Eric Mumford states in "The CIAM Discourse on Urbanism, 1928-1960" that Le Corbusier did not participate at this conference (p. 92). _____________________ La série contient des bandes de négatifs, qui contiennent soit deux, soit trois images, et sont au nombre de sept. Les cinq premières bandes documentent le IVe Congrès International d'Architecture Moderne (CIAM) tenu à bord du SS Patris II du 29 juillet au 13 août 1933, entre Marseilles, France et Athènes, Grèce, à Athènes même, et sur le même bateau de croisière durant le retour à Marseilles. Le Congrès, qui se déroulait autour du thème de "The functional city", consistait en la communication des résultats de l'analyse de plus de trente villes et l'objectif visait à établir de nouveaux principes d'urbanisme. Hazen Sise participait au Congrès à titre de délégué du Canada et présenta la ville de Los Angeles, Californie. Les résolutions prises lors du Congrès ont été publiées pour la première fois au mois de novembre suivant sous le titre de "Constatations du quatrième CIAM". Ces "Constatations" seront ensuite à la base de la Charte d'Athènes que Le Corbusier rédigea en 1941. Les clichés montrent quelques-uns des participants au Congrès, dont Le Corbusier (1887-1965), de la délégation française, alors qu'il faisait une communication; László Moholy-Nagy (1895-1946), de la délégation allemande, à qui on avait confié la tâche de filmer les exposés; Alvar Aalto (1898-1976), représentant la Finlande; et le peintre Fernand Léger (1881-1955), délégué de la France, qui présenta un discours à l'attention des architectes au sujet de l'importance de la couleur en architecture. Les deux autres bandes de négatifs témoignent de la présence de Sise au (Comité International pour la Résolution des Problèmes d'Architecture Contemporaine (CIRPAC) à Londres, Angleterre, tenu en mai 1934 au Royal Institute of British Architects pour établir le programme du prochain CIAM (1) et de sa rencontre à Londres avec Georges Braque durant l'été de la même année. (1) Eric Mumford affirme cependant dans "The CIAM Discourse on Urbanism, 1928-1960" que Le Corbusier n'a pas participé à ce congrès (p. 92).
Niveau de description archivistique:
Series
Series
Date:
1933-1934
1933-1934
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Tschumi fonds
Bernard Tschumi fonds
Numéro de référence:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Personnes et institutions:
Date:
circa 1964-2015
circa 1964-2015
Titre:
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1964-2015
circa 1964-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ross & Macdonald
Fonds Ross & Macdonald
Numéro de référence:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Personnes et institutions:
Date:
1902-1982
1902-1982
Titre:
Fonds Ross & Macdonald
Actions:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Fonds Ross & Macdonald
Actions:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1902-1982
1902-1982
Personnes et institutions:
Classification:
photographies
Quantité:
73 photograph(s)
photographies
Quantité:
73 photograph(s)
Actions:
Numéro de référence:
PH1989:0012:001-073
Description:
- This group of photographs shows 38 views of buildings, 31 photographs of drawings and two photographs of models for buildings in the Soviet Union by Konstantin Melnikov, Ivan Leonidov, the Vesnin family and 25 other architects (PH1989:0012:001-073). Also included are a booklet for an exhibition of works by Melnikov (PH1989:0012:024) and a photograph of an exhibition poster for the 1925 Paris Exhibition of the Decorative Arts (PH1989:0012:023). The buildings represented include government buildings, clubs, residential buildings, and various other types of buildings including an exhibition pavilion, a bus garage, mechanized canteens, a school, and a stadium. There are also photographs of three drawings related to town planning. Four of the government buildings by Leonidov are documented by photographs of competition drawings. - The work of Konstantin Melnikov is represented by seven projects which were all constructed. Photographs of three clubs in Moscow include three photographs and one photograph of a drawing for the Rusakov Club, two photographs of the Burevestnik Factory Club, and a photograph of the Kauchuk Club (club for rubber industry workers). There are eight photographs of the Melnikov residence in Moscow, two of which show the house under construction. Documents related to exhibitions include three photographs, two photographs of drawings and a photograph of a poster for the Soviet Pavilion at the 1925 Paris Exhibition of the Decorative Arts, and a booklet for Melnikov's 1965 exhibition of architectural works, drawings and paintings in Moscow. There are two photographs of the Bakhmet'evski Bus Garage in Moscow. - The work of Ivan Leonidov is represented by one project for stairs for a government building (executed) and photographs of drawings for four architectural competitions for government buildings (all unexecuted), and one unexecuted project for housing. Documents for the five projects for government buildings include four photographs of the stairs to the Ordzhonikidze Sanatorium for the People's Commissariat for Heavy Industry (Narkomtyazhprom) in Kislovodsk; three photographs of drawings for a government office building competition in Alma-Ata; three photographs of drawings for the Film Studio competition (Moscow); three photographs of drawings for the Tsentrosoyuz (Centrosoiuz) Building competition (Moscow); and a photograph of a drawing for the Narkomtiazhprom Building (Building of Heavy Industry) competition (Moscow). There is also a photograph of a drawing for Kliuchiki Housing in Nizhnii Tagil (unexecuted). - The work of Aleksandr, Viktor, and Leonid Vesnin is represented by three unexecuted projects for government buildings in Moscow and one project for a club in Moscow (executed). Documents for the three projects for government buildings in Moscow include: three photographs of drawings for the Central Telegraph Office; a photograph of a drawing for the Palace of Labor; and a photograph of a drawing for the Leningrad Pravda Building. There are five photographs of the ZIL Palace of Culture (club for the Likhachev Automobile Plant workers) in Moscow. - The work of the 25 other architects includes government buildings, clubs, residential buildings, mechanized canteens, an experimental design for a school, a stadium, and photographs of drawings for town planning. Documents for the two government buildings (executed) include: five photographs of the Department of Industry and Planning (Gosprom) buildings in Kharkov, Soviet Union (now Ukraine), and a photograph of a drawing for the First Building of Lensovet (Leningrad Union) in Leningrad (now Saint Petersburg). The two clubs in Moscow are documented by one photograph of the Kozhevnikov (Tanner's) Union Club (unexecuted) and one of the Zuev Club (executed). The two residential buildings are documented by one photograph of the Narkomfin (People's Commissariat for Finance) Apartment Building in Moscow (executed) and one photograph of a drawing for the Airman's Planit (unexecuted). Documents for various other projects include: five photographs of drawings for three mechanized canteens in Leningrad (now Saint Petersburg), including the Vasileostrovskaya Mechanized canteen, Vyborgskaya Mechanized Canteen, and Volodarskaya Mechanized Canteen (all executed); three photographs of drawings for an experimental design for a single-storey school (unexecuted); one photograph of a Dinamo Stadium [?] in Moscow; two photographs of models, one for an "architecton" (Moscow) and one for a housing project with integral collective services in Moscow (both unexecuted). There are also two photographs of site plans for industrial housing and related services for the coal mining town of Bogoslovsk (executed ?) and one for the same subject in Mashinostroiteli [?] (executed ?).
PH1989:0012:001-073
Description:
- This group of photographs shows 38 views of buildings, 31 photographs of drawings and two photographs of models for buildings in the Soviet Union by Konstantin Melnikov, Ivan Leonidov, the Vesnin family and 25 other architects (PH1989:0012:001-073). Also included are a booklet for an exhibition of works by Melnikov (PH1989:0012:024) and a photograph of an exhibition poster for the 1925 Paris Exhibition of the Decorative Arts (PH1989:0012:023). The buildings represented include government buildings, clubs, residential buildings, and various other types of buildings including an exhibition pavilion, a bus garage, mechanized canteens, a school, and a stadium. There are also photographs of three drawings related to town planning. Four of the government buildings by Leonidov are documented by photographs of competition drawings. - The work of Konstantin Melnikov is represented by seven projects which were all constructed. Photographs of three clubs in Moscow include three photographs and one photograph of a drawing for the Rusakov Club, two photographs of the Burevestnik Factory Club, and a photograph of the Kauchuk Club (club for rubber industry workers). There are eight photographs of the Melnikov residence in Moscow, two of which show the house under construction. Documents related to exhibitions include three photographs, two photographs of drawings and a photograph of a poster for the Soviet Pavilion at the 1925 Paris Exhibition of the Decorative Arts, and a booklet for Melnikov's 1965 exhibition of architectural works, drawings and paintings in Moscow. There are two photographs of the Bakhmet'evski Bus Garage in Moscow. - The work of Ivan Leonidov is represented by one project for stairs for a government building (executed) and photographs of drawings for four architectural competitions for government buildings (all unexecuted), and one unexecuted project for housing. Documents for the five projects for government buildings include four photographs of the stairs to the Ordzhonikidze Sanatorium for the People's Commissariat for Heavy Industry (Narkomtyazhprom) in Kislovodsk; three photographs of drawings for a government office building competition in Alma-Ata; three photographs of drawings for the Film Studio competition (Moscow); three photographs of drawings for the Tsentrosoyuz (Centrosoiuz) Building competition (Moscow); and a photograph of a drawing for the Narkomtiazhprom Building (Building of Heavy Industry) competition (Moscow). There is also a photograph of a drawing for Kliuchiki Housing in Nizhnii Tagil (unexecuted). - The work of Aleksandr, Viktor, and Leonid Vesnin is represented by three unexecuted projects for government buildings in Moscow and one project for a club in Moscow (executed). Documents for the three projects for government buildings in Moscow include: three photographs of drawings for the Central Telegraph Office; a photograph of a drawing for the Palace of Labor; and a photograph of a drawing for the Leningrad Pravda Building. There are five photographs of the ZIL Palace of Culture (club for the Likhachev Automobile Plant workers) in Moscow. - The work of the 25 other architects includes government buildings, clubs, residential buildings, mechanized canteens, an experimental design for a school, a stadium, and photographs of drawings for town planning. Documents for the two government buildings (executed) include: five photographs of the Department of Industry and Planning (Gosprom) buildings in Kharkov, Soviet Union (now Ukraine), and a photograph of a drawing for the First Building of Lensovet (Leningrad Union) in Leningrad (now Saint Petersburg). The two clubs in Moscow are documented by one photograph of the Kozhevnikov (Tanner's) Union Club (unexecuted) and one of the Zuev Club (executed). The two residential buildings are documented by one photograph of the Narkomfin (People's Commissariat for Finance) Apartment Building in Moscow (executed) and one photograph of a drawing for the Airman's Planit (unexecuted). Documents for various other projects include: five photographs of drawings for three mechanized canteens in Leningrad (now Saint Petersburg), including the Vasileostrovskaya Mechanized canteen, Vyborgskaya Mechanized Canteen, and Volodarskaya Mechanized Canteen (all executed); three photographs of drawings for an experimental design for a single-storey school (unexecuted); one photograph of a Dinamo Stadium [?] in Moscow; two photographs of models, one for an "architecton" (Moscow) and one for a housing project with integral collective services in Moscow (both unexecuted). There are also two photographs of site plans for industrial housing and related services for the coal mining town of Bogoslovsk (executed ?) and one for the same subject in Mashinostroiteli [?] (executed ?).
Personnes et institutions:
Sujet:
architecture, portrait
architecture, portrait
Date:
1920-1965 or later
1920-1965 or later
Titre:
Photographs of drawings, models and buildings designed by Melnikov, Leonidov, the Vesnin family and other architects, Paris, France and the Soviet Union (now in Kazakhstan, Russia, and Ukraine)
Actions:
PH1989:0012:001-073
Description:
- This group of photographs shows 38 views of buildings, 31 photographs of drawings and two photographs of models for buildings in the Soviet Union by Konstantin Melnikov, Ivan Leonidov, the Vesnin family and 25 other architects (PH1989:0012:001-073). Also included are a booklet for an exhibition of works by Melnikov (PH1989:0012:024) and a photograph of an exhibition poster for the 1925 Paris Exhibition of the Decorative Arts (PH1989:0012:023). The buildings represented include government buildings, clubs, residential buildings, and various other types of buildings including an exhibition pavilion, a bus garage, mechanized canteens, a school, and a stadium. There are also photographs of three drawings related to town planning. Four of the government buildings by Leonidov are documented by photographs of competition drawings. - The work of Konstantin Melnikov is represented by seven projects which were all constructed. Photographs of three clubs in Moscow include three photographs and one photograph of a drawing for the Rusakov Club, two photographs of the Burevestnik Factory Club, and a photograph of the Kauchuk Club (club for rubber industry workers). There are eight photographs of the Melnikov residence in Moscow, two of which show the house under construction. Documents related to exhibitions include three photographs, two photographs of drawings and a photograph of a poster for the Soviet Pavilion at the 1925 Paris Exhibition of the Decorative Arts, and a booklet for Melnikov's 1965 exhibition of architectural works, drawings and paintings in Moscow. There are two photographs of the Bakhmet'evski Bus Garage in Moscow. - The work of Ivan Leonidov is represented by one project for stairs for a government building (executed) and photographs of drawings for four architectural competitions for government buildings (all unexecuted), and one unexecuted project for housing. Documents for the five projects for government buildings include four photographs of the stairs to the Ordzhonikidze Sanatorium for the People's Commissariat for Heavy Industry (Narkomtyazhprom) in Kislovodsk; three photographs of drawings for a government office building competition in Alma-Ata; three photographs of drawings for the Film Studio competition (Moscow); three photographs of drawings for the Tsentrosoyuz (Centrosoiuz) Building competition (Moscow); and a photograph of a drawing for the Narkomtiazhprom Building (Building of Heavy Industry) competition (Moscow). There is also a photograph of a drawing for Kliuchiki Housing in Nizhnii Tagil (unexecuted). - The work of Aleksandr, Viktor, and Leonid Vesnin is represented by three unexecuted projects for government buildings in Moscow and one project for a club in Moscow (executed). Documents for the three projects for government buildings in Moscow include: three photographs of drawings for the Central Telegraph Office; a photograph of a drawing for the Palace of Labor; and a photograph of a drawing for the Leningrad Pravda Building. There are five photographs of the ZIL Palace of Culture (club for the Likhachev Automobile Plant workers) in Moscow. - The work of the 25 other architects includes government buildings, clubs, residential buildings, mechanized canteens, an experimental design for a school, a stadium, and photographs of drawings for town planning. Documents for the two government buildings (executed) include: five photographs of the Department of Industry and Planning (Gosprom) buildings in Kharkov, Soviet Union (now Ukraine), and a photograph of a drawing for the First Building of Lensovet (Leningrad Union) in Leningrad (now Saint Petersburg). The two clubs in Moscow are documented by one photograph of the Kozhevnikov (Tanner's) Union Club (unexecuted) and one of the Zuev Club (executed). The two residential buildings are documented by one photograph of the Narkomfin (People's Commissariat for Finance) Apartment Building in Moscow (executed) and one photograph of a drawing for the Airman's Planit (unexecuted). Documents for various other projects include: five photographs of drawings for three mechanized canteens in Leningrad (now Saint Petersburg), including the Vasileostrovskaya Mechanized canteen, Vyborgskaya Mechanized Canteen, and Volodarskaya Mechanized Canteen (all executed); three photographs of drawings for an experimental design for a single-storey school (unexecuted); one photograph of a Dinamo Stadium [?] in Moscow; two photographs of models, one for an "architecton" (Moscow) and one for a housing project with integral collective services in Moscow (both unexecuted). There are also two photographs of site plans for industrial housing and related services for the coal mining town of Bogoslovsk (executed ?) and one for the same subject in Mashinostroiteli [?] (executed ?).
Photographs of drawings, models and buildings designed by Melnikov, Leonidov, the Vesnin family and other architects, Paris, France and the Soviet Union (now in Kazakhstan, Russia, and Ukraine)
Actions:
PH1989:0012:001-073
Description:
- This group of photographs shows 38 views of buildings, 31 photographs of drawings and two photographs of models for buildings in the Soviet Union by Konstantin Melnikov, Ivan Leonidov, the Vesnin family and 25 other architects (PH1989:0012:001-073). Also included are a booklet for an exhibition of works by Melnikov (PH1989:0012:024) and a photograph of an exhibition poster for the 1925 Paris Exhibition of the Decorative Arts (PH1989:0012:023). The buildings represented include government buildings, clubs, residential buildings, and various other types of buildings including an exhibition pavilion, a bus garage, mechanized canteens, a school, and a stadium. There are also photographs of three drawings related to town planning. Four of the government buildings by Leonidov are documented by photographs of competition drawings. - The work of Konstantin Melnikov is represented by seven projects which were all constructed. Photographs of three clubs in Moscow include three photographs and one photograph of a drawing for the Rusakov Club, two photographs of the Burevestnik Factory Club, and a photograph of the Kauchuk Club (club for rubber industry workers). There are eight photographs of the Melnikov residence in Moscow, two of which show the house under construction. Documents related to exhibitions include three photographs, two photographs of drawings and a photograph of a poster for the Soviet Pavilion at the 1925 Paris Exhibition of the Decorative Arts, and a booklet for Melnikov's 1965 exhibition of architectural works, drawings and paintings in Moscow. There are two photographs of the Bakhmet'evski Bus Garage in Moscow. - The work of Ivan Leonidov is represented by one project for stairs for a government building (executed) and photographs of drawings for four architectural competitions for government buildings (all unexecuted), and one unexecuted project for housing. Documents for the five projects for government buildings include four photographs of the stairs to the Ordzhonikidze Sanatorium for the People's Commissariat for Heavy Industry (Narkomtyazhprom) in Kislovodsk; three photographs of drawings for a government office building competition in Alma-Ata; three photographs of drawings for the Film Studio competition (Moscow); three photographs of drawings for the Tsentrosoyuz (Centrosoiuz) Building competition (Moscow); and a photograph of a drawing for the Narkomtiazhprom Building (Building of Heavy Industry) competition (Moscow). There is also a photograph of a drawing for Kliuchiki Housing in Nizhnii Tagil (unexecuted). - The work of Aleksandr, Viktor, and Leonid Vesnin is represented by three unexecuted projects for government buildings in Moscow and one project for a club in Moscow (executed). Documents for the three projects for government buildings in Moscow include: three photographs of drawings for the Central Telegraph Office; a photograph of a drawing for the Palace of Labor; and a photograph of a drawing for the Leningrad Pravda Building. There are five photographs of the ZIL Palace of Culture (club for the Likhachev Automobile Plant workers) in Moscow. - The work of the 25 other architects includes government buildings, clubs, residential buildings, mechanized canteens, an experimental design for a school, a stadium, and photographs of drawings for town planning. Documents for the two government buildings (executed) include: five photographs of the Department of Industry and Planning (Gosprom) buildings in Kharkov, Soviet Union (now Ukraine), and a photograph of a drawing for the First Building of Lensovet (Leningrad Union) in Leningrad (now Saint Petersburg). The two clubs in Moscow are documented by one photograph of the Kozhevnikov (Tanner's) Union Club (unexecuted) and one of the Zuev Club (executed). The two residential buildings are documented by one photograph of the Narkomfin (People's Commissariat for Finance) Apartment Building in Moscow (executed) and one photograph of a drawing for the Airman's Planit (unexecuted). Documents for various other projects include: five photographs of drawings for three mechanized canteens in Leningrad (now Saint Petersburg), including the Vasileostrovskaya Mechanized canteen, Vyborgskaya Mechanized Canteen, and Volodarskaya Mechanized Canteen (all executed); three photographs of drawings for an experimental design for a single-storey school (unexecuted); one photograph of a Dinamo Stadium [?] in Moscow; two photographs of models, one for an "architecton" (Moscow) and one for a housing project with integral collective services in Moscow (both unexecuted). There are also two photographs of site plans for industrial housing and related services for the coal mining town of Bogoslovsk (executed ?) and one for the same subject in Mashinostroiteli [?] (executed ?).
Classification:
photographies
Quantité:
73 photograph(s)
photographies
Quantité:
73 photograph(s)
Date:
1920-1965 or later
1920-1965 or later
Personnes et institutions:
Sujet:
architecture, portrait
architecture, portrait
Classification:
vidéo
vidéo
Exemplaires:
Description:
1 videodisc (66 min.) : sound, black and white ; 4 3/4 in. + 1 booklet ([20] pages : illustrations ; 19 cm).
Description:
1 videodisc (66 min.) : sound, black and white ; 4 3/4 in. + 1 booklet ([20] pages : illustrations ; 19 cm).
Auteur:
Sujet:
Publication:
[München?] : Edition Filmmuseum, ©2010.
[München?] : Edition Filmmuseum, ©2010.
Titre:
Dokumentarische Filme, 1931-1933 / Ella Bergmann-Michel.
Actions:
Exemplaires:
Description:
1 videodisc (66 min.) : sound, black and white ; 4 3/4 in. + 1 booklet ([20] pages : illustrations ; 19 cm).
Dokumentarische Filme, 1931-1933 / Ella Bergmann-Michel.
Actions:
Exemplaires:
Description:
1 videodisc (66 min.) : sound, black and white ; 4 3/4 in. + 1 booklet ([20] pages : illustrations ; 19 cm).
Classification:
vidéo
vidéo
Publication:
[München?] : Edition Filmmuseum, ©2010.
[München?] : Edition Filmmuseum, ©2010.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
79 pages : illustrations (some color) ; 27 cm
Description:
79 pages : illustrations (some color) ; 27 cm
Auteur:
Sujet:
Publication:
Köln : König, ©2000.
Köln : König, ©2000.
Titre:
Bas Jan Ader : Filme, Fotografien, Projektionen, Videos und Zeichnungen aus den Jahren 1967-1975 / Christopher Müller (Hg.).
Actions:
Exemplaires:
Description:
79 pages : illustrations (some color) ; 27 cm
Bas Jan Ader : Filme, Fotografien, Projektionen, Videos und Zeichnungen aus den Jahren 1967-1975 / Christopher Müller (Hg.).
Actions:
Exemplaires:
Description:
79 pages : illustrations (some color) ; 27 cm
Classification:
livres
livres
Publication:
Köln : König, ©2000.
Köln : König, ©2000.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
32 pages : illustrations ; 29 cm
Description:
32 pages : illustrations ; 29 cm
Auteur:
Sujet:
Publication:
Köln : KölnMesse fur "photokina", ©1982.
Köln : KölnMesse fur "photokina", ©1982.
Titre:
Filmschauen 1982 = Filmshows 1982 ; Deutscher Kamerapreis Köln - Die Preisträger ; Lokalereignisse auf Super-8 ; Preisgekrönte Informationsfilme ; Unsichtbares wird sichtbar ; Filme über Photographie und Film.
Actions:
Exemplaires:
Description:
32 pages : illustrations ; 29 cm
Filmschauen 1982 = Filmshows 1982 ; Deutscher Kamerapreis Köln - Die Preisträger ; Lokalereignisse auf Super-8 ; Preisgekrönte Informationsfilme ; Unsichtbares wird sichtbar ; Filme über Photographie und Film.
Actions:
Exemplaires:
Description:
32 pages : illustrations ; 29 cm
Classification:
livres
livres
Publication:
Köln : KölnMesse fur "photokina", ©1982.
Köln : KölnMesse fur "photokina", ©1982.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
32 p. : ill. ; 29 cm. + in case.
Description:
32 p. : ill. ; 29 cm. + in case.
Auteur:
Sujet:
Publication:
Köln : Photokina, 1982.
Köln : Photokina, 1982.
Titre:
Filmschauen 1982 : deutscher Kamerapreis, Köln : die Preisträger, Lokalereignisse auf Super-8, preisgekrönte Informationsfilme, Unsichtbares wird sichtbar, Filme über Photographie und Film = Filmshows 1982 : German camera prize, Cologne : the prize winners, super 8 contest "Local event", prize-winning information films, making the invisible visible, films about photography and cinematography / [Herausgeber, Messe- und Ausstellungs-Ges.m.b.H.].
Actions:
Exemplaires:
Description:
32 p. : ill. ; 29 cm. + in case.
Filmschauen 1982 : deutscher Kamerapreis, Köln : die Preisträger, Lokalereignisse auf Super-8, preisgekrönte Informationsfilme, Unsichtbares wird sichtbar, Filme über Photographie und Film = Filmshows 1982 : German camera prize, Cologne : the prize winners, super 8 contest "Local event", prize-winning information films, making the invisible visible, films about photography and cinematography / [Herausgeber, Messe- und Ausstellungs-Ges.m.b.H.].
Actions:
Exemplaires:
Description:
32 p. : ill. ; 29 cm. + in case.
Classification:
livres
livres
Publication:
Köln : Photokina, 1982.
Köln : Photokina, 1982.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
163 pages : illustrations (some color), map ; 21 cm
Description:
163 pages : illustrations (some color), map ; 21 cm
Auteur:
Sujet:
Publication:
Porto Alegre, RS : Editora da Universidade, Universidade Federal do Rio Grande do Sul : Faculdades Integradas Ritter dos Reis, Arquitetura, 1999.
Porto Alegre, RS : Editora da Universidade, Universidade Federal do Rio Grande do Sul : Faculdades Integradas Ritter dos Reis, Arquitetura, 1999.
Titre:
Arquiteturas fantásticas / Fernando Freitas Fuão, coordenador ; Sergio Lima [and others].
Actions:
Exemplaires:
Description:
163 pages : illustrations (some color), map ; 21 cm
Arquiteturas fantásticas / Fernando Freitas Fuão, coordenador ; Sergio Lima [and others].
Actions:
Exemplaires:
Description:
163 pages : illustrations (some color), map ; 21 cm
Classification:
livres
livres
Publication:
Porto Alegre, RS : Editora da Universidade, Universidade Federal do Rio Grande do Sul : Faculdades Integradas Ritter dos Reis, Arquitetura, 1999.
Porto Alegre, RS : Editora da Universidade, Universidade Federal do Rio Grande do Sul : Faculdades Integradas Ritter dos Reis, Arquitetura, 1999.
Auteur:
Sujet:
