archives
Niveau de description archivistique:
Collection
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
1717-[1884]
Collection Rohault de Fleury
CI001
Résumé:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
archives
Niveau de description archivistique:
Collection 1
1717-[1884]
archives
Niveau de description archivistique:
Fonds
Fonds Robert Duchesnay
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
1985-1992
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
archives
Niveau de description archivistique:
Fonds
1985-1992
dessins
ARCH276795
Description:
Dessin d'une planche du Architectural Review par Cormier, photographies de motifs décoratifs diverses et une reproduction photographique du Palais du Luxembourg.
1900 - 1920
Études de motifs historiques, de colonnes et d'étages
Actions:
ARCH276795
Description:
Dessin d'une planche du Architectural Review par Cormier, photographies de motifs décoratifs diverses et une reproduction photographique du Palais du Luxembourg.
dessins
1900 - 1920
Projet
AP140.S2.SS1.D91
Description:
File documents an executed project for a bookshop for the Biennale di Venezia, in Venice, Italy. The scheme, located in the Giardini di Castello, was designed by the office of James Stirling, Michael Wilford Associates in association with the architect Thomas Muirhead, and the firm Building Project. Material in this file was produced between 1989 and 1993. File contains some early conceptual drawings, and several design development and presentation drawings. Photographic materials include views of Italian vernacular architecture by architect Norbert Heyers, views of the completed building by photographer Dida Biggi and of the presentation model by John Donat Photography. Textual documents include correspondence with Francesco Dal Co, director of La Biennale di Venezia, Settore Architettura in 1991, and reprographic copies of working drawings. File also contains a presentation model.
1989-1993
Biennale Bookshop, Venice, Italy
Actions:
AP140.S2.SS1.D91
Description:
File documents an executed project for a bookshop for the Biennale di Venezia, in Venice, Italy. The scheme, located in the Giardini di Castello, was designed by the office of James Stirling, Michael Wilford Associates in association with the architect Thomas Muirhead, and the firm Building Project. Material in this file was produced between 1989 and 1993. File contains some early conceptual drawings, and several design development and presentation drawings. Photographic materials include views of Italian vernacular architecture by architect Norbert Heyers, views of the completed building by photographer Dida Biggi and of the presentation model by John Donat Photography. Textual documents include correspondence with Francesco Dal Co, director of La Biennale di Venezia, Settore Architettura in 1991, and reprographic copies of working drawings. File also contains a presentation model.
File 91
1989-1993
archives
Niveau de description archivistique:
Fonds
Fonds Pierre Jeanneret
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
1870s-2011
Fonds Pierre Jeanneret
Actions:
AP156
Résumé:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
archives
Niveau de description archivistique:
Fonds
1870s-2011
Espaces oscillants
Salle octogonale
25 avril 2025 au 26 octobre 2025
Salle octogonale
Images parlantes
Sophie Dars et Carlo Menon, Stefano Graziani et Yasufumi Nakamori présentent des stratégies pour réinventer et employer des formats visuels tels le reportage photo, le roman photo et l’exposition de photos. L’événement s’inscrit dans le cadre d’un projet de recherche en cours au CCA portant sur la relation entre architecture et photographie, soutenu par la fondation(...)
13 octobre 2016, 18h
Images parlantes
Actions:
Description:
Sophie Dars et Carlo Menon, Stefano Graziani et Yasufumi Nakamori présentent des stratégies pour réinventer et employer des formats visuels tels le reportage photo, le roman photo et l’exposition de photos. L’événement s’inscrit dans le cadre d’un projet de recherche en cours au CCA portant sur la relation entre architecture et photographie, soutenu par la fondation(...)
Sous-série
AP197.S1.SS9
Description:
This subseries is comprised of notes, drafts, research, and photographic materials that were organized by topic. Unlike Kenneth Frampton’s research files which are arranged in Series AP197.S2, these files were compiled for book projects, articles, book reviews, lectures, interviews, conference addresses, and keynote speeches, and document over 300 of Frampton's published or unpublished texts. The materials include notes, contracts, drafts, correspondence, final copies of texts, photographic materials, and research materials. This subseries also includes Frampton’s curriculum vitaes, notebooks, and covers he designed for the journal Architectural Design (1962-1964). The files are organized alphabetically by the topic explored, namely architects. Some of these architects include: Alvar Aalto; Tadao Ando; Georges Baines; Luis Barragan; H.P. Berlage; Mario Botta; Alberto Campo Baeza; David Chipperfield; Alvaro Siza; Michael Kagan; Louis Kahn; Rem Koolhaas; Kengo Kuma; Kisho Kurakawa; Adolf Loos; Le Corbusier; Raphael Moneo; Carlo Scarpa; O.M. Ungers; Raj Rewal; Rogelio Salmona; Frank Lloyd Wright; and Monica Pidgeon. Subjects explored in these texts include: photography; the predicament of environmental design; reciprocal regionalism; the British Library; China's sacred sites; reflections on the oppositions of architecture and building; reflections on Perspecta; and the role of education. Large portions of these boxes document the publications "World Architecture 1900-2000: a Critical Mosaic" (1999), "Le Corbusier" (1997 and 2002), "American Masterworks: the Twentieth Century House" (1995), and "American Masterworks" (2008). Some folders may include coloured tabs with the note "copied." These tabs were used to identify whether the particular writing/project in question had been added to Frampton's curriculum vitae.
circa 1952 -2016
Books, articles, reviews, lectures, and juries
Actions:
AP197.S1.SS9
Description:
This subseries is comprised of notes, drafts, research, and photographic materials that were organized by topic. Unlike Kenneth Frampton’s research files which are arranged in Series AP197.S2, these files were compiled for book projects, articles, book reviews, lectures, interviews, conference addresses, and keynote speeches, and document over 300 of Frampton's published or unpublished texts. The materials include notes, contracts, drafts, correspondence, final copies of texts, photographic materials, and research materials. This subseries also includes Frampton’s curriculum vitaes, notebooks, and covers he designed for the journal Architectural Design (1962-1964). The files are organized alphabetically by the topic explored, namely architects. Some of these architects include: Alvar Aalto; Tadao Ando; Georges Baines; Luis Barragan; H.P. Berlage; Mario Botta; Alberto Campo Baeza; David Chipperfield; Alvaro Siza; Michael Kagan; Louis Kahn; Rem Koolhaas; Kengo Kuma; Kisho Kurakawa; Adolf Loos; Le Corbusier; Raphael Moneo; Carlo Scarpa; O.M. Ungers; Raj Rewal; Rogelio Salmona; Frank Lloyd Wright; and Monica Pidgeon. Subjects explored in these texts include: photography; the predicament of environmental design; reciprocal regionalism; the British Library; China's sacred sites; reflections on the oppositions of architecture and building; reflections on Perspecta; and the role of education. Large portions of these boxes document the publications "World Architecture 1900-2000: a Critical Mosaic" (1999), "Le Corbusier" (1997 and 2002), "American Masterworks: the Twentieth Century House" (1995), and "American Masterworks" (2008). Some folders may include coloured tabs with the note "copied." These tabs were used to identify whether the particular writing/project in question had been added to Frampton's curriculum vitae.
Subseries
circa 1952 -2016
recherche
Chercheurs en résidence 2010
Nicholas Adams, Collège Vassar, Poughkeepsie, États-Unis Sujet : Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, États-Unis Sujet : Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Sujet : Le paysage(...)
9 mars 2010 au 15 août 2010
Chercheurs en résidence 2010
Actions:
Description:
Nicholas Adams, Collège Vassar, Poughkeepsie, États-Unis Sujet : Being Modern, Being Swedish: Gunnar Asplund’s Law Court Extension, Göteborg (1934-1938) Frederick Bohrer, Hood College, Frederick, États-Unis Sujet : Photography, Architecture, Archaeology: The Image as Object Enrico Chapel, École nationale supérieure d’architecture de Toulouse, France Sujet : Le paysage(...)
recherche
9 mars 2010 au
15 août 2010
archives
Niveau de description archivistique:
Fonds
Fonds Hal Ingberg
AP120
Résumé:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
1991-2002
Fonds Hal Ingberg
Actions:
AP120
Résumé:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
archives
Niveau de description archivistique:
Fonds
1991-2002