Projet
AP178.S1.1989.PR03
Description:
This project series documents the plano de Doedijnstraat, the residential settlement in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 63/80. The office assigned the date 1989 for this project. In 1993 Siza was awarded the Berlage Prize for this residential project of 238 flats. The project was part of an urban renewal program in The Hague for which Siza had already worked on other projects: the urban plan for Deelgebied Zone 5, Schilderswijk-West and Punt en Komma social housing; the housing and shopping complex in Schilderswijk; and the Van der Vennepark. Documenting this project are sketches, studies, elevations, plans and details. Textual documentation includes correspondence, such as letters to and from Siza, letters to Jeoron Geurst (from the associated architectural firm Geurst & Schulze architekten), and letters to and from project architect Carlos Castenheira. Furthermore, there is correspondence to and from members of the Woningbouwvereniging and several letters from Ing. J. van Gulik (project leader). Other documentation includes cost estimates and meeting minutes. Also included in this project series are negatives, photographs and slides documenting the model, site and various dwellings.
1983-1994
Plano de Doedijnstraat [Residential settlement, Schilderswijk], The Hague, The Netherlands (1988-1994)
Actions:
AP178.S1.1989.PR03
Description:
This project series documents the plano de Doedijnstraat, the residential settlement in Schilderswijk, The Hague, The Netherlands. While the records were held in the office’s archives this project was assigned the number 63/80. The office assigned the date 1989 for this project. In 1993 Siza was awarded the Berlage Prize for this residential project of 238 flats. The project was part of an urban renewal program in The Hague for which Siza had already worked on other projects: the urban plan for Deelgebied Zone 5, Schilderswijk-West and Punt en Komma social housing; the housing and shopping complex in Schilderswijk; and the Van der Vennepark. Documenting this project are sketches, studies, elevations, plans and details. Textual documentation includes correspondence, such as letters to and from Siza, letters to Jeoron Geurst (from the associated architectural firm Geurst & Schulze architekten), and letters to and from project architect Carlos Castenheira. Furthermore, there is correspondence to and from members of the Woningbouwvereniging and several letters from Ing. J. van Gulik (project leader). Other documentation includes cost estimates and meeting minutes. Also included in this project series are negatives, photographs and slides documenting the model, site and various dwellings.
Project
1983-1994
Sous-série
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
[between 1947? and 1975?], predominant 1947-1952
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Sub-series 1
[between 1947? and 1975?], predominant 1947-1952
Projet
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
1988
Ideas competition, Riqualificazione cava di San Carlo [Redevelopment San Carlo quarry], San Vincenzo, Livorno, Italy (1988)
Actions:
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
Project
1988
Projet
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
1961-1995
Piscina de Marés [Ocean swimming pool], Leça da Palmeira, Matosinhos, Portugal (1961-1966)
Actions:
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
Project
1961-1995
photographies
Quantité:
10 photograph(s)
Photographs of Chandigarh
ARCH269671
Description:
Group consists of photographs of Chandigarh, India, including: - Model makers at work (2 photographs) - Portrait of Pierre Jeanneret - Pierre Jeanneret and Jawaharlal Nehru at Gandhi Bhawan inauguration - Le Corbusier, Pierre Jeanneret and Parmeshwari Lal Varma discussing in front of the Chandigarh general layout model - Pierre Jeanneret sitting on the branch of a tree with three unidentified men - Sketches by Le Corbusier - Woman standing near a rural home - Two women walking away with baskets in their hands - A man and a child plowing the ground with two oxen
between 1951 and 1965
Photographs of Chandigarh
Actions:
ARCH269671
Description:
Group consists of photographs of Chandigarh, India, including: - Model makers at work (2 photographs) - Portrait of Pierre Jeanneret - Pierre Jeanneret and Jawaharlal Nehru at Gandhi Bhawan inauguration - Le Corbusier, Pierre Jeanneret and Parmeshwari Lal Varma discussing in front of the Chandigarh general layout model - Pierre Jeanneret sitting on the branch of a tree with three unidentified men - Sketches by Le Corbusier - Woman standing near a rural home - Two women walking away with baskets in their hands - A man and a child plowing the ground with two oxen
photographies
Quantité:
10 photograph(s)
between 1951 and 1965
PH2007:0013:001-012
Description:
Series shows a scale model of the the streets and skyscrapers of New York City, New York, at Tobu World Square in Kinugawa, Tochigi, Japan. Series is one of an edition of ten. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2002-2006.
2003-2004
New York / Tobu World Square, 2003-2004, from the series "Scales"
Actions:
PH2007:0013:001-012
Description:
Series shows a scale model of the the streets and skyscrapers of New York City, New York, at Tobu World Square in Kinugawa, Tochigi, Japan. Series is one of an edition of ten. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2002-2006.
2003-2004
photographies
Quantité:
2 photograph(s)
ARCH269089
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
between 1950 and 1966
Photographs of Pierre Jeanneret at Chandigarh, India
Actions:
ARCH269089
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
photographies
Quantité:
2 photograph(s)
between 1950 and 1966
Projet
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
1989-2002
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Project
1989-2002
photographies
ARCH271078
Description:
Contains materials from the following projects: - Edificio de oficinas de RENFE, Madrid, AP164.S1.1989.D3 (169 photographs, 2 negatives: model, interior/exterior, area and construction); - Vivienda y Ciudad, avenida Diagonal, Barcelona, AP164.S1.1989.D4 (3 photographs: model); - Polideportivo los Zumacales, Simancas, AP164.S1.1990.D1 (51 photographs: exterior and construction); - Polideportivo Parquesol, Valladolid, AP164.S1.1990.D2 (43 photographs: interior/exterior, construction); - Edificio administrativo por el Ministerio del Interior, Madrid, AP164.S1.1990.D3 (56 photographs, 4 negatives: interior/exterior, construction).
1989-1990
Ring binder containing photographic materials from five projects by Abalos & Herreros
Actions:
ARCH271078
Description:
Contains materials from the following projects: - Edificio de oficinas de RENFE, Madrid, AP164.S1.1989.D3 (169 photographs, 2 negatives: model, interior/exterior, area and construction); - Vivienda y Ciudad, avenida Diagonal, Barcelona, AP164.S1.1989.D4 (3 photographs: model); - Polideportivo los Zumacales, Simancas, AP164.S1.1990.D1 (51 photographs: exterior and construction); - Polideportivo Parquesol, Valladolid, AP164.S1.1990.D2 (43 photographs: interior/exterior, construction); - Edificio administrativo por el Ministerio del Interior, Madrid, AP164.S1.1990.D3 (56 photographs, 4 negatives: interior/exterior, construction).
photographies
1989-1990
Projet
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
1991-1992
Vancouver Public Library Competition, British Columbia (1991)
Actions:
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
Project
1991-1992