24946 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1979.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Discovery Parks' site on the Simon Fraser University campus, in Burnaby, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. Oberlander worked on this project from 1979-1984 with Russell Vandiver Architects. The project consisted in creating three research building north of University Drive, in the Naheeto Park, with landscaped recreational areas between each buildings. The project was later reduce to one research building located at the corner of Nelson Way and University Drive, on the far east end of the initial site. Oberlander's landscape design consisted in trees planting along the street, the parking lot and the driveway, and creating a recreational area for staff and students. The project series contains textual records, including research, Oberlander's concept notes, project proposals, correspondence with architect and clients, specifications, and financial documents. The project series also comprises photographs and working drawings, such as proposed sites plans, site plans, grading plans, planting plans and landscape plans.
AP075.S1.1979.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Discovery Parks' site on the Simon Fraser University campus, in Burnaby, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. Oberlander worked on this project from 1979-1984 with Russell Vandiver Architects. The project consisted in creating three research building north of University Drive, in the Naheeto Park, with landscaped recreational areas between each buildings. The project was later reduce to one research building located at the corner of Nelson Way and University Drive, on the far east end of the initial site. Oberlander's landscape design consisted in trees planting along the street, the parking lot and the driveway, and creating a recreational area for staff and students. The project series contains textual records, including research, Oberlander's concept notes, project proposals, correspondence with architect and clients, specifications, and financial documents. The project series also comprises photographs and working drawings, such as proposed sites plans, site plans, grading plans, planting plans and landscape plans.
Personnes et institutions:
Date:
1971-1989
1971-1989
Titre:
Discovery Parks, Simon Fraser University Site, Burnaby, British Columbia (1979-1984)
Actions:
AP075.S1.1979.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Discovery Parks' site on the Simon Fraser University campus, in Burnaby, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. Oberlander worked on this project from 1979-1984 with Russell Vandiver Architects. The project consisted in creating three research building north of University Drive, in the Naheeto Park, with landscaped recreational areas between each buildings. The project was later reduce to one research building located at the corner of Nelson Way and University Drive, on the far east end of the initial site. Oberlander's landscape design consisted in trees planting along the street, the parking lot and the driveway, and creating a recreational area for staff and students. The project series contains textual records, including research, Oberlander's concept notes, project proposals, correspondence with architect and clients, specifications, and financial documents. The project series also comprises photographs and working drawings, such as proposed sites plans, site plans, grading plans, planting plans and landscape plans.
Discovery Parks, Simon Fraser University Site, Burnaby, British Columbia (1979-1984)
Actions:
AP075.S1.1979.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Discovery Parks' site on the Simon Fraser University campus, in Burnaby, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. Oberlander worked on this project from 1979-1984 with Russell Vandiver Architects. The project consisted in creating three research building north of University Drive, in the Naheeto Park, with landscaped recreational areas between each buildings. The project was later reduce to one research building located at the corner of Nelson Way and University Drive, on the far east end of the initial site. Oberlander's landscape design consisted in trees planting along the street, the parking lot and the driveway, and creating a recreational area for staff and students. The project series contains textual records, including research, Oberlander's concept notes, project proposals, correspondence with architect and clients, specifications, and financial documents. The project series also comprises photographs and working drawings, such as proposed sites plans, site plans, grading plans, planting plans and landscape plans.
Niveau de description archivistique:
Project
Project
Date:
1971-1989
1971-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1995.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for landscape master plan of Smith College campus, Northampton, Massachusetts. Oberlander worked on this project from 1995-1997 in collaboration with Shavaun Towers from landscape architectural firm Rolland/Towers. The project required to preserve the historic landscaping, initially design by Frederick Law Olsmsted, while also taking into account future growth of the campus. In this idea Oberlander and Towers bases their landscape master plan on six key concepts: to preserve the sacred spaces of the campus, to restore Olmsted vision, to develope open spaces in an hierarchical fashion, to limite vehicular traffic and separate it from pedestrian circulation, to provide stronger pedestrian connexions and commun spaces for social interactions, and to expande and enhance the Botanic Garden on the campus. The project series contains concept notes by Oberlander, research and reference material, proposal, meetings notes, contract, correspondence, mostly with landscape architects, clients and consultants, and financial documents. The project is also documented through landscape master plans for Oberlander and Towers proposal and campus landscape plans and previous landscape working drawings used as reference.The project series also contains photographic materials, such as slides and photographs, of the college landscaping, and postcards of Smith College.
AP075.S1.1995.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for landscape master plan of Smith College campus, Northampton, Massachusetts. Oberlander worked on this project from 1995-1997 in collaboration with Shavaun Towers from landscape architectural firm Rolland/Towers. The project required to preserve the historic landscaping, initially design by Frederick Law Olsmsted, while also taking into account future growth of the campus. In this idea Oberlander and Towers bases their landscape master plan on six key concepts: to preserve the sacred spaces of the campus, to restore Olmsted vision, to develope open spaces in an hierarchical fashion, to limite vehicular traffic and separate it from pedestrian circulation, to provide stronger pedestrian connexions and commun spaces for social interactions, and to expande and enhance the Botanic Garden on the campus. The project series contains concept notes by Oberlander, research and reference material, proposal, meetings notes, contract, correspondence, mostly with landscape architects, clients and consultants, and financial documents. The project is also documented through landscape master plans for Oberlander and Towers proposal and campus landscape plans and previous landscape working drawings used as reference.The project series also contains photographic materials, such as slides and photographs, of the college landscaping, and postcards of Smith College.
Personnes et institutions:
Date:
1974-2012
1974-2012
Titre:
Smith College, Northampton, Massachusetts (1995-1997)
Actions:
AP075.S1.1995.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for landscape master plan of Smith College campus, Northampton, Massachusetts. Oberlander worked on this project from 1995-1997 in collaboration with Shavaun Towers from landscape architectural firm Rolland/Towers. The project required to preserve the historic landscaping, initially design by Frederick Law Olsmsted, while also taking into account future growth of the campus. In this idea Oberlander and Towers bases their landscape master plan on six key concepts: to preserve the sacred spaces of the campus, to restore Olmsted vision, to develope open spaces in an hierarchical fashion, to limite vehicular traffic and separate it from pedestrian circulation, to provide stronger pedestrian connexions and commun spaces for social interactions, and to expande and enhance the Botanic Garden on the campus. The project series contains concept notes by Oberlander, research and reference material, proposal, meetings notes, contract, correspondence, mostly with landscape architects, clients and consultants, and financial documents. The project is also documented through landscape master plans for Oberlander and Towers proposal and campus landscape plans and previous landscape working drawings used as reference.The project series also contains photographic materials, such as slides and photographs, of the college landscaping, and postcards of Smith College.
Smith College, Northampton, Massachusetts (1995-1997)
Actions:
AP075.S1.1995.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for landscape master plan of Smith College campus, Northampton, Massachusetts. Oberlander worked on this project from 1995-1997 in collaboration with Shavaun Towers from landscape architectural firm Rolland/Towers. The project required to preserve the historic landscaping, initially design by Frederick Law Olsmsted, while also taking into account future growth of the campus. In this idea Oberlander and Towers bases their landscape master plan on six key concepts: to preserve the sacred spaces of the campus, to restore Olmsted vision, to develope open spaces in an hierarchical fashion, to limite vehicular traffic and separate it from pedestrian circulation, to provide stronger pedestrian connexions and commun spaces for social interactions, and to expande and enhance the Botanic Garden on the campus. The project series contains concept notes by Oberlander, research and reference material, proposal, meetings notes, contract, correspondence, mostly with landscape architects, clients and consultants, and financial documents. The project is also documented through landscape master plans for Oberlander and Towers proposal and campus landscape plans and previous landscape working drawings used as reference.The project series also contains photographic materials, such as slides and photographs, of the college landscaping, and postcards of Smith College.
Niveau de description archivistique:
Project
Project
Date:
1974-2012
1974-2012
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2000.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for a therapeutic roof garden for the Vancouver General Hospital, Burns and Plastics Unit, in Vancouver. Oberlander worked on this project from 2000 to 2002. The project consisted in a participatory design of a concrete roof terrace with the use of aluminium planters and trellises fabricated by the German firm Benz & Fischer. Oberlander worked with students of the University of British Columbia who made the design studies and documented the site features, including sun and shadow patterns, noises and wind direction. Shelagh Smith, a horticultural therapist, organized the participatory design process with patients, staff, visitors and volunteers from the hospital. Oberlander developed a planting plan with low maintenant plants, plants with different flowering periods to provide interest througout the seasons, and vines and clematis for the trellis to provide shade for the users of the terrace. The project series contains eight design development drawings, including two landscape drawings and planting plans. The project is also documented through concept notes by Oberlander, correspondence, including correspondence with client, contractors, consultants and suppliers, documents related to the plants selection, specifications, research material, press clipping on the project, and photographs of the completed roof terrace.
AP075.S1.2000.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for a therapeutic roof garden for the Vancouver General Hospital, Burns and Plastics Unit, in Vancouver. Oberlander worked on this project from 2000 to 2002. The project consisted in a participatory design of a concrete roof terrace with the use of aluminium planters and trellises fabricated by the German firm Benz & Fischer. Oberlander worked with students of the University of British Columbia who made the design studies and documented the site features, including sun and shadow patterns, noises and wind direction. Shelagh Smith, a horticultural therapist, organized the participatory design process with patients, staff, visitors and volunteers from the hospital. Oberlander developed a planting plan with low maintenant plants, plants with different flowering periods to provide interest througout the seasons, and vines and clematis for the trellis to provide shade for the users of the terrace. The project series contains eight design development drawings, including two landscape drawings and planting plans. The project is also documented through concept notes by Oberlander, correspondence, including correspondence with client, contractors, consultants and suppliers, documents related to the plants selection, specifications, research material, press clipping on the project, and photographs of the completed roof terrace.
Personnes et institutions:
Date:
2000-2007
2000-2007
Titre:
Vancouver General Hospital, Burns and Plastics Unit Therapeutic Roof Garden, Vancouver, British Columbia (2000)
Actions:
AP075.S1.2000.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for a therapeutic roof garden for the Vancouver General Hospital, Burns and Plastics Unit, in Vancouver. Oberlander worked on this project from 2000 to 2002. The project consisted in a participatory design of a concrete roof terrace with the use of aluminium planters and trellises fabricated by the German firm Benz & Fischer. Oberlander worked with students of the University of British Columbia who made the design studies and documented the site features, including sun and shadow patterns, noises and wind direction. Shelagh Smith, a horticultural therapist, organized the participatory design process with patients, staff, visitors and volunteers from the hospital. Oberlander developed a planting plan with low maintenant plants, plants with different flowering periods to provide interest througout the seasons, and vines and clematis for the trellis to provide shade for the users of the terrace. The project series contains eight design development drawings, including two landscape drawings and planting plans. The project is also documented through concept notes by Oberlander, correspondence, including correspondence with client, contractors, consultants and suppliers, documents related to the plants selection, specifications, research material, press clipping on the project, and photographs of the completed roof terrace.
Vancouver General Hospital, Burns and Plastics Unit Therapeutic Roof Garden, Vancouver, British Columbia (2000)
Actions:
AP075.S1.2000.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for a therapeutic roof garden for the Vancouver General Hospital, Burns and Plastics Unit, in Vancouver. Oberlander worked on this project from 2000 to 2002. The project consisted in a participatory design of a concrete roof terrace with the use of aluminium planters and trellises fabricated by the German firm Benz & Fischer. Oberlander worked with students of the University of British Columbia who made the design studies and documented the site features, including sun and shadow patterns, noises and wind direction. Shelagh Smith, a horticultural therapist, organized the participatory design process with patients, staff, visitors and volunteers from the hospital. Oberlander developed a planting plan with low maintenant plants, plants with different flowering periods to provide interest througout the seasons, and vines and clematis for the trellis to provide shade for the users of the terrace. The project series contains eight design development drawings, including two landscape drawings and planting plans. The project is also documented through concept notes by Oberlander, correspondence, including correspondence with client, contractors, consultants and suppliers, documents related to the plants selection, specifications, research material, press clipping on the project, and photographs of the completed roof terrace.
Niveau de description archivistique:
Project
Project
Date:
2000-2007
2000-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2000.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Jim Everett Memorial Park, a neighbourhood park situated between Dalhousie Road, Allison Road and University Boulevard, in the University Endowment Lands (UEL) community land, in Vancouver. Oberlander worked on this project from 2000-2001. The UEL is a unincorporated community located between the City of Vancouver and the University of British Columbia. The park was planned as a recreation space for young families and children living in the University Village, a new village complex of UEL. The plants were also selected to provide interest through out the seasons with varying vegetation and flowers, and ensures low maintenance. The project series includes design development drawings and working drawings, including landscape and planting plans, presentation panels, and a presentation model. The series includes also photographs of the park during construction and once completed. The project is also documented through correspondence with clients and consultants, a project proposal by Oberlander, specifications and a contractor tender, concept notes, documentation for research, meetings notes, inspection reports and financial documents. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.2000.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Jim Everett Memorial Park, a neighbourhood park situated between Dalhousie Road, Allison Road and University Boulevard, in the University Endowment Lands (UEL) community land, in Vancouver. Oberlander worked on this project from 2000-2001. The UEL is a unincorporated community located between the City of Vancouver and the University of British Columbia. The park was planned as a recreation space for young families and children living in the University Village, a new village complex of UEL. The plants were also selected to provide interest through out the seasons with varying vegetation and flowers, and ensures low maintenance. The project series includes design development drawings and working drawings, including landscape and planting plans, presentation panels, and a presentation model. The series includes also photographs of the park during construction and once completed. The project is also documented through correspondence with clients and consultants, a project proposal by Oberlander, specifications and a contractor tender, concept notes, documentation for research, meetings notes, inspection reports and financial documents. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
2000-2013
2000-2013
Titre:
Jim Everett Memorial Park, Vancouver, British Columbia (2000-2001)
Actions:
AP075.S1.2000.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Jim Everett Memorial Park, a neighbourhood park situated between Dalhousie Road, Allison Road and University Boulevard, in the University Endowment Lands (UEL) community land, in Vancouver. Oberlander worked on this project from 2000-2001. The UEL is a unincorporated community located between the City of Vancouver and the University of British Columbia. The park was planned as a recreation space for young families and children living in the University Village, a new village complex of UEL. The plants were also selected to provide interest through out the seasons with varying vegetation and flowers, and ensures low maintenance. The project series includes design development drawings and working drawings, including landscape and planting plans, presentation panels, and a presentation model. The series includes also photographs of the park during construction and once completed. The project is also documented through correspondence with clients and consultants, a project proposal by Oberlander, specifications and a contractor tender, concept notes, documentation for research, meetings notes, inspection reports and financial documents. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Jim Everett Memorial Park, Vancouver, British Columbia (2000-2001)
Actions:
AP075.S1.2000.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Jim Everett Memorial Park, a neighbourhood park situated between Dalhousie Road, Allison Road and University Boulevard, in the University Endowment Lands (UEL) community land, in Vancouver. Oberlander worked on this project from 2000-2001. The UEL is a unincorporated community located between the City of Vancouver and the University of British Columbia. The park was planned as a recreation space for young families and children living in the University Village, a new village complex of UEL. The plants were also selected to provide interest through out the seasons with varying vegetation and flowers, and ensures low maintenance. The project series includes design development drawings and working drawings, including landscape and planting plans, presentation panels, and a presentation model. The series includes also photographs of the park during construction and once completed. The project is also documented through correspondence with clients and consultants, a project proposal by Oberlander, specifications and a contractor tender, concept notes, documentation for research, meetings notes, inspection reports and financial documents. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
2000-2013
2000-2013
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
Personnes et institutions:
Date:
1985-2000
1985-2000
Titre:
Music School and History Museum, Stuttgart, Germany
Actions:
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
Music School and History Museum, Stuttgart, Germany
Actions:
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
Niveau de description archivistique:
File 79
File 79
Date:
1985-2000
1985-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
Personnes et institutions:
Date:
1962-1974
1962-1974
Titre:
Largo da Lada [Urban development plan for Lada square and redevelopment of Barredo Quarter], Porto, Portugal (1976)
Actions:
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
Largo da Lada [Urban development plan for Lada square and redevelopment of Barredo Quarter], Porto, Portugal (1976)
Actions:
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
Niveau de description archivistique:
Project
Project
Date:
1962-1974
1962-1974
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
Personnes et institutions:
Date:
1991-1992
1991-1992
Titre:
Vancouver Public Library Competition, British Columbia (1991)
Actions:
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
Vancouver Public Library Competition, British Columbia (1991)
Actions:
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
Niveau de description archivistique:
Project
Project
Date:
1991-1992
1991-1992
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2016
2001-2016
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Classification:
documents textuels, graphique
Quantité:
11 textual record(s) and ephemera
documents textuels, graphique
Quantité:
11 textual record(s) and ephemera
Actions:
Numéro de référence:
DR1987:0866:001-011
Description:
- This group of correspondence, clippings and a copy of a resolution was compiled by the architect, Lloyd Wright, for his own record while he was persuing the commission for the Los Angeles Municipal Airport, Mines Field, California. While Wright received the approval of the Municipal Art Commission, his design was ultimately rejected by the Airport Committee in favour of a Spanish Colonial design. The correspondence is composed of carbon copies and mimeographs of a letter sent to the Municipal Art Commission requesting that the commission consider his design. There are several copies of this letter, probably because it was sent to individual committee members and a copy was made of each letter. Of the newspaper clippings, three relate to the Mines Field project; the most significant is a half-page spread with photographs of both Lloyd Wright's project and the successful Spanish Colonial design. Also on the same page are photographs of four of people involved in the commission, including Lloyd Wright, a councilman, a member of the art commission, and the airport manager. The two other Mines Field clippings announce the completion of an aircraft factory at Mines Field and the completion of the municipal airport within thirty days. The unrelated clipping announces a model airport to be built in Chicago. Also included with these documents are a copy of the resolution made by the Municipal Art Commission recommending Wright's design to the Airport Committee and an envelope addressed to Clifford Henderson, Director of Municipal Airports, City of Los Angeles.
DR1987:0866:001-011
Description:
- This group of correspondence, clippings and a copy of a resolution was compiled by the architect, Lloyd Wright, for his own record while he was persuing the commission for the Los Angeles Municipal Airport, Mines Field, California. While Wright received the approval of the Municipal Art Commission, his design was ultimately rejected by the Airport Committee in favour of a Spanish Colonial design. The correspondence is composed of carbon copies and mimeographs of a letter sent to the Municipal Art Commission requesting that the commission consider his design. There are several copies of this letter, probably because it was sent to individual committee members and a copy was made of each letter. Of the newspaper clippings, three relate to the Mines Field project; the most significant is a half-page spread with photographs of both Lloyd Wright's project and the successful Spanish Colonial design. Also on the same page are photographs of four of people involved in the commission, including Lloyd Wright, a councilman, a member of the art commission, and the airport manager. The two other Mines Field clippings announce the completion of an aircraft factory at Mines Field and the completion of the municipal airport within thirty days. The unrelated clipping announces a model airport to be built in Chicago. Also included with these documents are a copy of the resolution made by the Municipal Art Commission recommending Wright's design to the Airport Committee and an envelope addressed to Clifford Henderson, Director of Municipal Airports, City of Los Angeles.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed 1929
printed 1929
Titre:
Los Angeles Municipal Airport: Newspaper clippings, copies of a letter and a copy of a resolution relating to Lloyd Wright's design
Actions:
DR1987:0866:001-011
Description:
- This group of correspondence, clippings and a copy of a resolution was compiled by the architect, Lloyd Wright, for his own record while he was persuing the commission for the Los Angeles Municipal Airport, Mines Field, California. While Wright received the approval of the Municipal Art Commission, his design was ultimately rejected by the Airport Committee in favour of a Spanish Colonial design. The correspondence is composed of carbon copies and mimeographs of a letter sent to the Municipal Art Commission requesting that the commission consider his design. There are several copies of this letter, probably because it was sent to individual committee members and a copy was made of each letter. Of the newspaper clippings, three relate to the Mines Field project; the most significant is a half-page spread with photographs of both Lloyd Wright's project and the successful Spanish Colonial design. Also on the same page are photographs of four of people involved in the commission, including Lloyd Wright, a councilman, a member of the art commission, and the airport manager. The two other Mines Field clippings announce the completion of an aircraft factory at Mines Field and the completion of the municipal airport within thirty days. The unrelated clipping announces a model airport to be built in Chicago. Also included with these documents are a copy of the resolution made by the Municipal Art Commission recommending Wright's design to the Airport Committee and an envelope addressed to Clifford Henderson, Director of Municipal Airports, City of Los Angeles.
Los Angeles Municipal Airport: Newspaper clippings, copies of a letter and a copy of a resolution relating to Lloyd Wright's design
Actions:
DR1987:0866:001-011
Description:
- This group of correspondence, clippings and a copy of a resolution was compiled by the architect, Lloyd Wright, for his own record while he was persuing the commission for the Los Angeles Municipal Airport, Mines Field, California. While Wright received the approval of the Municipal Art Commission, his design was ultimately rejected by the Airport Committee in favour of a Spanish Colonial design. The correspondence is composed of carbon copies and mimeographs of a letter sent to the Municipal Art Commission requesting that the commission consider his design. There are several copies of this letter, probably because it was sent to individual committee members and a copy was made of each letter. Of the newspaper clippings, three relate to the Mines Field project; the most significant is a half-page spread with photographs of both Lloyd Wright's project and the successful Spanish Colonial design. Also on the same page are photographs of four of people involved in the commission, including Lloyd Wright, a councilman, a member of the art commission, and the airport manager. The two other Mines Field clippings announce the completion of an aircraft factory at Mines Field and the completion of the municipal airport within thirty days. The unrelated clipping announces a model airport to be built in Chicago. Also included with these documents are a copy of the resolution made by the Municipal Art Commission recommending Wright's design to the Airport Committee and an envelope addressed to Clifford Henderson, Director of Municipal Airports, City of Los Angeles.
Classification:
documents textuels, graphique
Quantité:
11 textual record(s) and ephemera
documents textuels, graphique
Quantité:
11 textual record(s) and ephemera
Date:
printed 1929
printed 1929
Personnes et institutions:
Sujet:
architecture
architecture
