1032 Résultats
Classification:
dessins
Quantité:
24 reprographic copy(ies)
dessins
Quantité:
24 reprographic copy(ies)
Numéro de référence:
ARCH195368
Description:
Sections, plans, elevations and details for lobby furnishings (?) by Don Roser Inc. West Coast Refrigeration & Store Fixtures.
ARCH195368
Description:
Sections, plans, elevations and details for lobby furnishings (?) by Don Roser Inc. West Coast Refrigeration & Store Fixtures.
Personnes et institutions:
Date:
24 August 1976
24 August 1976
Titre:
Sections, plans, elevations and details for lobby furnishings (?) by Don Roser Inc
Actions:
ARCH195368
Description:
Sections, plans, elevations and details for lobby furnishings (?) by Don Roser Inc. West Coast Refrigeration & Store Fixtures.
Sections, plans, elevations and details for lobby furnishings (?) by Don Roser Inc
Actions:
ARCH195368
Description:
Sections, plans, elevations and details for lobby furnishings (?) by Don Roser Inc. West Coast Refrigeration & Store Fixtures.
Classification:
dessins
Quantité:
24 reprographic copy(ies)
dessins
Quantité:
24 reprographic copy(ies)
Date:
24 August 1976
24 August 1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
World Trade Center
World Trade Center
Numéro de référence:
CP138.S5.D23
Description:
File consists of one undated graphite drawing, likely from early in Matta-Clark's career, with an outline drawing of one of the World Trade Center towers pasted on to a drawing combining an outline of the U.S. east coast and an aerial view of the building's site. File contains one collage.
CP138.S5.D23
Description:
File consists of one undated graphite drawing, likely from early in Matta-Clark's career, with an outline drawing of one of the World Trade Center towers pasted on to a drawing combining an outline of the U.S. east coast and an aerial view of the building's site. File contains one collage.
Personnes et institutions:
Date:
[1970]
[1970]
Titre:
World Trade Center
Actions:
CP138.S5.D23
Description:
File consists of one undated graphite drawing, likely from early in Matta-Clark's career, with an outline drawing of one of the World Trade Center towers pasted on to a drawing combining an outline of the U.S. east coast and an aerial view of the building's site. File contains one collage.
World Trade Center
Actions:
CP138.S5.D23
Description:
File consists of one undated graphite drawing, likely from early in Matta-Clark's career, with an outline drawing of one of the World Trade Center towers pasted on to a drawing combining an outline of the U.S. east coast and an aerial view of the building's site. File contains one collage.
Niveau de description archivistique:
File 23
File 23
Date:
[1970]
[1970]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
Personnes et institutions:
Date:
circa 1996-2012
circa 1996-2012
Titre:
Cais de embarque para european architects [Docking pier for European Architects] Salonica, Greece (1996)
Actions:
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
Cais de embarque para european architects [Docking pier for European Architects] Salonica, Greece (1996)
Actions:
AP178.S1.1996.PR03
Description:
This project series documents the Cais de embarque para european architects in Salonica, Greece. While the records were held in the office’s archives this project was assigned the number 75/90. The office assigned the date 1996 for this project In 1997, Thessaloniki was the host city for the event "Cultural Capital of Europe." An architectural initiative named "Provoking spatial episodes - On the coast" was created to celebrate the relationship between the sea and the city. Several architects were invited to design small piers on the coast. For Siza, the program criteria included the construction of a pier able to receive 250 people, debaring area for catamarans, house ticket dispensers, waiting room, press room and food stall. Documenting this project are sketches, studies, presentation drawings, and project documentation. Slides document the project model.
Niveau de description archivistique:
Project
Project
Date:
circa 1996-2012
circa 1996-2012
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
CD037.S5.006
Description:
Box of slides organized in alphabetical order of countries' name. Contains slides of reference of architecture in Israel, Ivory Coast (Elfenbeinküste), Japan, and Kenya (Kenia).
CD037.S5.006
Description:
Box of slides organized in alphabetical order of countries' name. Contains slides of reference of architecture in Israel, Ivory Coast (Elfenbeinküste), Japan, and Kenya (Kenia).
Personnes et institutions:
Date:
1970-1987
1970-1987
Titre:
Reference slides on architecture in Tropical climates
Actions:
CD037.S5.006
Description:
Box of slides organized in alphabetical order of countries' name. Contains slides of reference of architecture in Israel, Ivory Coast (Elfenbeinküste), Japan, and Kenya (Kenia).
Reference slides on architecture in Tropical climates
Actions:
CD037.S5.006
Description:
Box of slides organized in alphabetical order of countries' name. Contains slides of reference of architecture in Israel, Ivory Coast (Elfenbeinküste), Japan, and Kenya (Kenia).
Classification:
photographies
photographies
Date:
1970-1987
1970-1987
Personnes et institutions:
Classification:
articles
articles
Actions:
Valeria Guzmán Verri au sujet du surf, du yoga et de la suffocation sur la côte Pacifique Nord du Costa Rica
Dossier:
Figurer un territoire
Figurer un territoire
Publié:
11 juillet 2022
11 juillet 2022
Titre:
Territorialisations de la poussière
Valeria Guzmán Verri au sujet du surf, du yoga et de la suffocation sur la côte Pacifique Nord du Costa Rica
Actions:
Territorialisations de la poussière
Valeria Guzmán Verri au sujet du surf, du yoga et de la suffocation sur la côte Pacifique Nord du Costa Rica
Actions:
Dossier:
Figurer un territoire
Figurer un territoire
Classification:
articles
articles
Titre:
Rivages en mutation
Rivages en mutation
Actions:
Kirsten Keller et Feifei Zhou sur les matérialités dynamiques de l’acquisition immobilière à Jakarta
Dossier:
Forces de friction
Forces de friction
Publié:
30 septembre 2024
30 septembre 2024
Titre:
Rivages en mutation
Kirsten Keller et Feifei Zhou sur les matérialités dynamiques de l’acquisition immobilière à Jakarta
Actions:
Rivages en mutation
Kirsten Keller et Feifei Zhou sur les matérialités dynamiques de l’acquisition immobilière à Jakarta
Actions:
Dossier:
Forces de friction
Forces de friction
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Personnes et institutions:
Date:
1974-1976
1974-1976
Titre:
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Niveau de description archivistique:
Project
Project
Date:
1974-1976
1974-1976
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Dans cette première exposition de la série Sortis du cadre : Amancio Williams, Gilles Delalex et Yves Moreau, de Studio Muoto, explorent les dimensions infrastructurelles du travail de Williams, avec un accent particulier sur ses projets non réalisés pour un aéroport sur le littoral de Buenos Aires (1945) et l’église Cruz en el Río de la Plata (1978‒1980), qui tous deux(...)
Dans cette première exposition de la série Sortis du cadre : Amancio Williams, Gilles Delalex et Yves Moreau, de Studio Muoto, explorent les dimensions infrastructurelles du travail de Williams, avec un accent particulier sur ses projets non réalisés pour un aéroport sur le littoral de Buenos Aires (1945) et l’église Cruz en el Río de la Plata (1978‒1980), qui tous deux(...)
Localisation:
Salle octogonale Mot(s)-clé(s):
Amancio Williams, Studio Muoto, Gilles Delalex, Yves Moreau, Buenos Aires, sortis du cadre, infrastructure, Argentine, horizon
Salle octogonale Mot(s)-clé(s):
Amancio Williams, Studio Muoto, Gilles Delalex, Yves Moreau, Buenos Aires, sortis du cadre, infrastructure, Argentine, horizon
Date:
23 juin 2023 au 17 septembre 2023
23 juin 2023 au 17 septembre 2023
Titre:
À l’horizon : Amancio Williams revu par Studio Muoto
Actions:
Description:
Dans cette première exposition de la série Sortis du cadre : Amancio Williams, Gilles Delalex et Yves Moreau, de Studio Muoto, explorent les dimensions infrastructurelles du travail de Williams, avec un accent particulier sur ses projets non réalisés pour un aéroport sur le littoral de Buenos Aires (1945) et l’église Cruz en el Río de la Plata (1978‒1980), qui tous deux(...)
À l’horizon : Amancio Williams revu par Studio Muoto
Actions:
Description:
Dans cette première exposition de la série Sortis du cadre : Amancio Williams, Gilles Delalex et Yves Moreau, de Studio Muoto, explorent les dimensions infrastructurelles du travail de Williams, avec un accent particulier sur ses projets non réalisés pour un aéroport sur le littoral de Buenos Aires (1945) et l’église Cruz en el Río de la Plata (1978‒1980), qui tous deux(...)
Classification:
expositions
expositions
Date:
23 juin 2023 au
17 septembre 2023
23 juin 2023 au
17 septembre 2023
Localisation:
Salle octogonale Mot(s)-clé(s):
Amancio Williams, Studio Muoto, Gilles Delalex, Yves Moreau, Buenos Aires, sortis du cadre, infrastructure, Argentine, horizon
Salle octogonale Mot(s)-clé(s):
Amancio Williams, Studio Muoto, Gilles Delalex, Yves Moreau, Buenos Aires, sortis du cadre, infrastructure, Argentine, horizon
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
Personnes et institutions:
Date:
1964, 1971
1964, 1971
Titre:
Conference of Architects for the Study of the Environment (CASE)
Actions:
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
Conference of Architects for the Study of the Environment (CASE)
Actions:
AP197.S5
Description:
This series contains materials related to Conference of Architects for the Study of the Environment (CASE) meetings. Founded in the early 1960s, CASE was an organization of American East Coast architecture schools that sought to create a dialogue on the state of architecture with a focus on architectural practice and teaching. In 1964, Frampton participated in the first Princeton University CASE meeting, which is documented by the three tape reels in this series. Also included in this series are a program and invitations from Peter Eisenman for the CASE 8 meeting (1971) that was held at MoMA, New York. The invitations include a note with the names of who each invitation was sent to.
Niveau de description archivistique:
Series
Series
Date:
1964, 1971
1964, 1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1983.PR08
Description:
This project series documents the Plano de Expansão da Cidade de Macau (Areia P. e Porto E.) in Macau, China. While the records were held in the office’s archives this project was assigned the number 16/80. The office assigned the date 1982 to this project. Macau is a Chinese-Portuguese peninsula near the Pear River Delta on the south coast of China. After 1950, the speedy industrial growth caused massive waves of immigration and created housing problems. Macau's governement wanted to reorganize the urban landscape in order to readapt the territory to the economic and political realities. Siza was hired by the P&T Group as part of a team of specialist-consultants to rethink the districts of Areia Preta and Porto Exterior. A first proposal was submitted in 1984. The proposed plans were accepted by the authorities years later, but never realized due to the construction of hotels and casinos instead of housing. Documenting this project are studies, plans and project site plans. Textual materials include project documentation and correspondence. Photographic materials document the models and project site. These materials date from 1981-2012.
AP178.S1.1983.PR08
Description:
This project series documents the Plano de Expansão da Cidade de Macau (Areia P. e Porto E.) in Macau, China. While the records were held in the office’s archives this project was assigned the number 16/80. The office assigned the date 1982 to this project. Macau is a Chinese-Portuguese peninsula near the Pear River Delta on the south coast of China. After 1950, the speedy industrial growth caused massive waves of immigration and created housing problems. Macau's governement wanted to reorganize the urban landscape in order to readapt the territory to the economic and political realities. Siza was hired by the P&T Group as part of a team of specialist-consultants to rethink the districts of Areia Preta and Porto Exterior. A first proposal was submitted in 1984. The proposed plans were accepted by the authorities years later, but never realized due to the construction of hotels and casinos instead of housing. Documenting this project are studies, plans and project site plans. Textual materials include project documentation and correspondence. Photographic materials document the models and project site. These materials date from 1981-2012.
Personnes et institutions:
Date:
1981-2012
1981-2012
Titre:
Plano de Expansão da Cidade de Macau (Areia P. e Porto E.) [Macau City expansion plan], Macau, China (1982)
Actions:
AP178.S1.1983.PR08
Description:
This project series documents the Plano de Expansão da Cidade de Macau (Areia P. e Porto E.) in Macau, China. While the records were held in the office’s archives this project was assigned the number 16/80. The office assigned the date 1982 to this project. Macau is a Chinese-Portuguese peninsula near the Pear River Delta on the south coast of China. After 1950, the speedy industrial growth caused massive waves of immigration and created housing problems. Macau's governement wanted to reorganize the urban landscape in order to readapt the territory to the economic and political realities. Siza was hired by the P&T Group as part of a team of specialist-consultants to rethink the districts of Areia Preta and Porto Exterior. A first proposal was submitted in 1984. The proposed plans were accepted by the authorities years later, but never realized due to the construction of hotels and casinos instead of housing. Documenting this project are studies, plans and project site plans. Textual materials include project documentation and correspondence. Photographic materials document the models and project site. These materials date from 1981-2012.
Plano de Expansão da Cidade de Macau (Areia P. e Porto E.) [Macau City expansion plan], Macau, China (1982)
Actions:
AP178.S1.1983.PR08
Description:
This project series documents the Plano de Expansão da Cidade de Macau (Areia P. e Porto E.) in Macau, China. While the records were held in the office’s archives this project was assigned the number 16/80. The office assigned the date 1982 to this project. Macau is a Chinese-Portuguese peninsula near the Pear River Delta on the south coast of China. After 1950, the speedy industrial growth caused massive waves of immigration and created housing problems. Macau's governement wanted to reorganize the urban landscape in order to readapt the territory to the economic and political realities. Siza was hired by the P&T Group as part of a team of specialist-consultants to rethink the districts of Areia Preta and Porto Exterior. A first proposal was submitted in 1984. The proposed plans were accepted by the authorities years later, but never realized due to the construction of hotels and casinos instead of housing. Documenting this project are studies, plans and project site plans. Textual materials include project documentation and correspondence. Photographic materials document the models and project site. These materials date from 1981-2012.
Niveau de description archivistique:
Project
Project
Date:
1981-2012
1981-2012
Personnes et institutions:
