Série(s)
Dessins et tableaux
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
1917-1955
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Série 1
1917-1955
documents textuels
AP140.S2.SS6.D7.P2
Description:
Ephemera of the exhibition by the Architectural Association School.
1966
Presentation text of the AA School Exhibition on housing of July 1966
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AP140.S2.SS6.D7.P2
Description:
Ephemera of the exhibition by the Architectural Association School.
documents textuels
1966
dessins
Quantité:
10 drawing(s)
ARCH269782
Description:
This group consists of architectural working drawings.
Uchino for Seniors and Children 1994 1995 (drawings A1-A10)
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ARCH269782
Description:
This group consists of architectural working drawings.
dessins
Quantité:
10 drawing(s)
dessins
Quantité:
10 drawing(s)
ARCH269783
Description:
This group consists of architectural working drawings.
Uchino for Seniors and Children 1994 1995 (drawings A11-A19, A19N)
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ARCH269783
Description:
This group consists of architectural working drawings.
dessins
Quantité:
10 drawing(s)
dessins
Quantité:
13 drawing(s)
ARCH269784
Description:
This group consists of architectural working drawings.
Uchino for Seniors and Children 1994 1995 (drawings A20, A20N, A21, A21N, A22-A26, A27N and A28-A30)
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ARCH269784
Description:
This group consists of architectural working drawings.
dessins
Quantité:
13 drawing(s)
Conversation entre Jean-Philippe Vassal, de l’agence Lacaton Vassal, Paris, France, et Giancarlo Mazzanti, de Mazzanti Arquitectos, Bogotá, Colombie, animée par Mirko Zardini, directeur et conservateur en chef du CCA. L’édition 2011 aborde les interventions architecturales qui traitent de questions sociales au travers de projets de typologies et d’échelles(...)
17 novembre 2011
Urgence 2011 : Jean-Philippe Vassal et Giancarlo Mazzanti
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Description:
Conversation entre Jean-Philippe Vassal, de l’agence Lacaton Vassal, Paris, France, et Giancarlo Mazzanti, de Mazzanti Arquitectos, Bogotá, Colombie, animée par Mirko Zardini, directeur et conservateur en chef du CCA. L’édition 2011 aborde les interventions architecturales qui traitent de questions sociales au travers de projets de typologies et d’échelles(...)
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
Théâtre Paul-Desmarais
21 mai 2015 , 18h
L’enseignement de… Copenhague
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Description:
Deane Simpson présente l’Atlas of the Copenhagens, un projet de livre traitant d’un territoire urbain reconnu dans les médias et célébré par la municipalité même de Copenhague comme la ville la plus durable au monde et où la qualité de vie est la meilleure. De telles affirmations suggèrent que Copenhague est un site approprié pour une étude et un débat sur la durabilité(...)
Théâtre Paul-Desmarais
PH2000:0241
architecture, design d'intérieur, ingénierie
4 February 1938
architecture, design d'intérieur, ingénierie
L’édition 2024 d’Outils d’aujourd’hui explore les avenues créatives, matérielles et méthodologiques pour sonder collectivement comment la théorie queer et trans* peut proposer des critiques du pouvoir permettant de reconsidérer certains des concepts et ontologies de l’histoire architecturale.
22 juillet 2024 au 26 juillet 2024
Outils d'aujourd'hui : Mots et mondes croisés/Mots et mondes queers
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Description:
L’édition 2024 d’Outils d’aujourd’hui explore les avenues créatives, matérielles et méthodologiques pour sonder collectivement comment la théorie queer et trans* peut proposer des critiques du pouvoir permettant de reconsidérer certains des concepts et ontologies de l’histoire architecturale.
Empire
L’exposition présente Empire, un essai visuel de l’artiste américain John Gossage sur la relation entre l’architecture et le pouvoir. Les photographies des édifices gouvernementaux et des monuments à Washington prises par Gossage côtoient les images d’Égypte captées par le chimiste allemand Hermann Vogel en 1868, établissant un parallèle entre des décisions(...)
Salle octogonale
8 décembre 2005 au 12 mars 2006
Empire
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Description:
L’exposition présente Empire, un essai visuel de l’artiste américain John Gossage sur la relation entre l’architecture et le pouvoir. Les photographies des édifices gouvernementaux et des monuments à Washington prises par Gossage côtoient les images d’Égypte captées par le chimiste allemand Hermann Vogel en 1868, établissant un parallèle entre des décisions(...)
Salle octogonale