8325 Résultats
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1987:0067
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
DR1987:0067
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
early 19th century
early 19th century
Titre:
Front elevation of a mausoleum in a wooded setting
Actions:
DR1987:0067
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
Front elevation of a mausoleum in a wooded setting
Actions:
DR1987:0067
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
Classification:
oeuvres d'art
oeuvres d'art
Date:
early 19th century
early 19th century
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1987:0068
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
DR1987:0068
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
early 19th century
early 19th century
Titre:
Plan of a mausoleum in a wooded setting
Actions:
DR1987:0068
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
Plan of a mausoleum in a wooded setting
Actions:
DR1987:0068
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
Classification:
oeuvres d'art
oeuvres d'art
Date:
early 19th century
early 19th century
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1987:0069
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
DR1987:0069
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
early 19th century
early 19th century
Titre:
Cross section of a mausoleum in a wooded setting
Actions:
DR1987:0069
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
Cross section of a mausoleum in a wooded setting
Actions:
DR1987:0069
Description:
- Prints DR1987:0064 - DR1987:0069 are probably for a mausoleum and include 3 elevations, 2 sections and 1 plan. The mausoleum is almost square in plan with a protruding semidomed apse and a portico "in antis" consisting of two Tuscan engaged pillars supporting a thick architrave which runs around the exterior of the mausoleum. The structure is raised on a podium and has a gabled roof perched high above the main structure, surmounted by a cupola crowned with an orb and cross. On the interior, the barrel vaulted nave is separated from the apse by a rood-like screen pierced by three doors and by a Corinthian colonnade. The chancel and apse areas are slightly raised and are accessed by a flight of stairs. A spiral staircase on the left side of the narthex provides access to the gallery, upper level, and cupola. A tomb monument or sarcophagus, composed of a rectangular masonry slab surmounted by a vertical slab decorated with a recumbent female figure, is located at the centre of the lateral wall of the nave under the fanlight.
Classification:
oeuvres d'art
oeuvres d'art
Date:
early 19th century
early 19th century
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
Quantité:
17 drawing(s)
dessins
Quantité:
17 drawing(s)
Actions:
Numéro de référence:
DR1993:0002:001-017
Description:
- These sketches show both real and imaginary views of Rome and its surrounding countryside. Among the ancient and modern monuments of Rome represented in these small vedute are the Basilica of St. Peter's (DR1993:0002:002), the Temple of Hercules at Cora (DR1993:0002:004), the Temple of Minerva Medica (DR1993:0002:005), and the Tomb of Cecilia Maetella (DR1993:0002:008). The remaining sketches are imaginary views.
DR1993:0002:001-017
Description:
- These sketches show both real and imaginary views of Rome and its surrounding countryside. Among the ancient and modern monuments of Rome represented in these small vedute are the Basilica of St. Peter's (DR1993:0002:002), the Temple of Hercules at Cora (DR1993:0002:004), the Temple of Minerva Medica (DR1993:0002:005), and the Tomb of Cecilia Maetella (DR1993:0002:008). The remaining sketches are imaginary views.
Personnes et institutions:
Date:
ca. 1785-1791
ca. 1785-1791
Titre:
Sixteen Sketches of Real and Imaginary Sites in Italy with One Frontispiece
Actions:
DR1993:0002:001-017
Description:
- These sketches show both real and imaginary views of Rome and its surrounding countryside. Among the ancient and modern monuments of Rome represented in these small vedute are the Basilica of St. Peter's (DR1993:0002:002), the Temple of Hercules at Cora (DR1993:0002:004), the Temple of Minerva Medica (DR1993:0002:005), and the Tomb of Cecilia Maetella (DR1993:0002:008). The remaining sketches are imaginary views.
Sixteen Sketches of Real and Imaginary Sites in Italy with One Frontispiece
Actions:
DR1993:0002:001-017
Description:
- These sketches show both real and imaginary views of Rome and its surrounding countryside. Among the ancient and modern monuments of Rome represented in these small vedute are the Basilica of St. Peter's (DR1993:0002:002), the Temple of Hercules at Cora (DR1993:0002:004), the Temple of Minerva Medica (DR1993:0002:005), and the Tomb of Cecilia Maetella (DR1993:0002:008). The remaining sketches are imaginary views.
Classification:
dessins
Quantité:
17 drawing(s)
dessins
Quantité:
17 drawing(s)
Date:
ca. 1785-1791
ca. 1785-1791
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Titre:
Design for an altar with an altarpiece showing the Annunciation
Actions:
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Design for an altar with an altarpiece showing the Annunciation
Actions:
DR1988:0323
Description:
- This print depicts an altarpiece with two columns supporting a broken pediment. In the centre is a painting depicting the Annunciation, with the angel Gabriel desending from the upper right. The painting is flanked by large sculpted angels and surmounted by three winged putti and a sculpted decorative head. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Titre:
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Actions:
Numéro de référence:
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
ca. 1864-1869
ca. 1864-1869
Titre:
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Actions:
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Actions:
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
Classification:
photographies
photographies
Date:
ca. 1864-1869
ca. 1864-1869
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Personnes et institutions:
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Titre:
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Personnes et institutions:
Actions:
Numéro de référence:
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1872
1872
Titre:
A Book about Bristol; Historical, ecclesiastical, and biographical, from original research
Actions:
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
A Book about Bristol; Historical, ecclesiastical, and biographical, from original research
Actions:
PH1979:0601
Description:
This 398 page album comprises a preface, index, 24 photographs and 1 lithographed map. It shows exterior and interior views of buildings and monuments of Bristol, England. Title page reads: A Book about Bristol; Historical, ecclesiastical, and biographical, from original research by John Taylor, Librarian of the Bristol Museum and Library. Author of "A Guide to Clifton," "Tintern Abbey and its Founders", etc. London : Houlston and Sons, Paternoster Row, Bristol: Thomas Kerslake & Co., Queen's Road; William George, 26 Park Street, 1872.
Date:
1872
1872
Personnes et institutions:
Sujet:
architecture
architecture
Titre:
Cambridge
Cambridge
Actions:
Numéro de référence:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
ca. 1880
ca. 1880
Titre:
Cambridge
Actions:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Cambridge
Actions:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Date:
ca. 1880
ca. 1880
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Titre:
Design for an altar with an altarpiece showing the Agony in the Garden
Actions:
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Design for an altar with an altarpiece showing the Agony in the Garden
Actions:
DR1988:0321
Description:
- This print depicts a design for an altarpiece, complete with statues and a painting. The painting showss the Agony in the Garden. Flanking this are two sculpted angels holding the instruments of the passion: the left angel holds a sudarium and a pike with a sponge, while the right angel holds a column and a bundle of sticks, signifying Christ's flagellation. At the top of the altar there are three sculpted ornamental half-figures. - The incomplete series of numbered prints, DR1988:0306 - DR1988:0331, shows Early Baroque church facades in Rome, altars, tombs, wall monuments, tabernacles and an antique temple.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed during the first half of the 17th century
printed during the first half of the 17th century
Personnes et institutions:
Sujet:
architecture
architecture
