documents textuels
AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
1949-1974
Published and unpublished papers (folder 3 of 4)
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AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
documents textuels
1949-1974
archives
Niveau de description archivistique:
Fonds
Fonds Max Wolfe Roth
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
1933-2000
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
archives
Niveau de description archivistique:
Fonds
1933-2000
Sous-série
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
circa 1998
Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi (1998)
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AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Subseries
circa 1998
documents textuels
Kenneth Frampton writings M
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
circa 1980-2016
Kenneth Frampton writings M
Actions:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
documents textuels
circa 1980-2016
articles
Mettre en doute la théorie
Boîte à outils pour aujourd'hui 2021, programme de doctorat, recherche, en suspicion de, théorie, linguistique, sémiotique, années 1970, Legalities for Living, doute, design généré par l'utilisateur, corps idéaux, ornement du début de l'ère moderne
12 juin 2023
Mettre en doute la théorie
Dijana O. Apostolski, Jana Berankova, Amir Taheri, Vitório Leite
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archives
Niveau de description archivistique:
Fonds
Fonds John Bird
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
1942 - 1992
Fonds John Bird
Actions:
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
archives
Niveau de description archivistique:
Fonds
1942 - 1992
documents textuels
AP197.S2.001
Description:
These research materials are organized alphabetically, by the authors last names, from A-R. The writings from the following authors are included in this box : Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari; Jürgen Habermas; and Mary McCleod. Subjects explored in these texts consist of the international style, meaning in architecture and the modern movement.
circa 1966-1994
Research files on various subjects that relate to 20th century criticism written by others (A-R)
Actions:
AP197.S2.001
Description:
These research materials are organized alphabetically, by the authors last names, from A-R. The writings from the following authors are included in this box : Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari; Jürgen Habermas; and Mary McCleod. Subjects explored in these texts consist of the international style, meaning in architecture and the modern movement.
documents textuels
circa 1966-1994
Sous-série
AP075.S4.SS3
Description:
This sub-series documents Cornelia Hahn Oberlander's research for projects of publications and research and preparation material for lectures. The sub-series comprise documents related to the book "Trees in the City", published in 1977 and written by Orberlander with Ira Bruce Nadel, and Lesley R. Bohm. A publication identifiying "the visual and spatial advantages trees offered to the city. [1]. The sub-series also contains documentation on landscape architecture education in British Columbia, which Oberlander possibly compiled for a lecture. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 120.
1960-1998
Research for publications and lectures
Actions:
AP075.S4.SS3
Description:
This sub-series documents Cornelia Hahn Oberlander's research for projects of publications and research and preparation material for lectures. The sub-series comprise documents related to the book "Trees in the City", published in 1977 and written by Orberlander with Ira Bruce Nadel, and Lesley R. Bohm. A publication identifiying "the visual and spatial advantages trees offered to the city. [1]. The sub-series also contains documentation on landscape architecture education in British Columbia, which Oberlander possibly compiled for a lecture. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 120.
Sub-series
1960-1998
Suite à l’ouverture de L’université à l’antenne : diffuser l’architecture moderne, Tim Benton présente une lecture différente de la nouvelle exposition au cours d’une contre-visite. Plutôt qu’une visite des galeries qui donne la parole aux idées du commissaire, les contre-visites présentent des versions critiques, subversives, correctives ou alternatives d’un projet(...)
16 novembre 2017
Contre-visite : la version de Tim Benton
Actions:
Description:
Suite à l’ouverture de L’université à l’antenne : diffuser l’architecture moderne, Tim Benton présente une lecture différente de la nouvelle exposition au cours d’une contre-visite. Plutôt qu’une visite des galeries qui donne la parole aux idées du commissaire, les contre-visites présentent des versions critiques, subversives, correctives ou alternatives d’un projet(...)