40677 Résultats
Classification:
événements
événements
Description:
Le CCA organise un après-midi de discussion à Lisbonne autour de l’œuvre de Cedric Price, à l’occasion de l’exposition Obra / Building Site, qui présente le projet McAppy de Price dans le cadre de la 4e Triennale de Lisbonne, intitulée The Form of Form, et de la publication de Cedric Price Works 1952–2003: A Forward-Minded Retrospective. Un lancement du livre suivra à(...)
Le CCA organise un après-midi de discussion à Lisbonne autour de l’œuvre de Cedric Price, à l’occasion de l’exposition Obra / Building Site, qui présente le projet McAppy de Price dans le cadre de la 4e Triennale de Lisbonne, intitulée The Form of Form, et de la publication de Cedric Price Works 1952–2003: A Forward-Minded Retrospective. Un lancement du livre suivra à(...)
Localisation:
Travessa do Cabo, 10-12. Lisbonne
Travessa do Cabo, 10-12. Lisbonne
Date:
22 octobre 2016
22 octobre 2016
Titre:
Un après-midi avec Cedric Price no 1
Actions:
Description:
Le CCA organise un après-midi de discussion à Lisbonne autour de l’œuvre de Cedric Price, à l’occasion de l’exposition Obra / Building Site, qui présente le projet McAppy de Price dans le cadre de la 4e Triennale de Lisbonne, intitulée The Form of Form, et de la publication de Cedric Price Works 1952–2003: A Forward-Minded Retrospective. Un lancement du livre suivra à(...)
Un après-midi avec Cedric Price no 1
Actions:
Description:
Le CCA organise un après-midi de discussion à Lisbonne autour de l’œuvre de Cedric Price, à l’occasion de l’exposition Obra / Building Site, qui présente le projet McAppy de Price dans le cadre de la 4e Triennale de Lisbonne, intitulée The Form of Form, et de la publication de Cedric Price Works 1952–2003: A Forward-Minded Retrospective. Un lancement du livre suivra à(...)
Classification:
événements
événements
Date:
22 octobre 2016
22 octobre 2016
Localisation:
Travessa do Cabo, 10-12. Lisbonne
Travessa do Cabo, 10-12. Lisbonne
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed in the 1920s ?
printed in the 1920s ?
Titre:
Layout for the head titles "Music in stone..." and "The treatment of corners"
Actions:
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Layout for the head titles "Music in stone..." and "The treatment of corners"
Actions:
DR1988:0357
Description:
- These reprographic copies show two headings, possibly chapters of a book or article. Both headings were written inside scrolled borders which also incorporate small drawings of buildings. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Classification:
dessins
dessins
Date:
printed in the 1920s ?
printed in the 1920s ?
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
Personnes et institutions:
Titre:
Miscellaneous personal papers
Actions:
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
Miscellaneous personal papers
Actions:
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Personnes et institutions:
Date:
1972-1980
1972-1980
Titre:
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Niveau de description archivistique:
Project
Project
Date:
1972-1980
1972-1980
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Joseph Rykwert fonds
Joseph Rykwert fonds
Numéro de référence:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Personnes et institutions:
Date:
1928-2022
1928-2022
Titre:
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1928-2022
1928-2022
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Localisation:
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
Date:
23 février 2017, 18h
23 février 2017, 18h
Titre:
Faire du Canada une halte-routière
Actions:
Description:
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Faire du Canada une halte-routière
Actions:
Description:
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Classification:
événements
événements
Date:
23 février 2017
18h
23 février 2017
18h
Localisation:
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
Classification:
événements
événements
Actions:
Description:
Lance Blomgren se sert de son court roman intitulé Walkups – paru en 2009, le récit se passe entièrement à Montréal, dans des habitations en rangée – comme tremplin pour analyser le plan discursif de l’architecture de fiction. Examinant divers travaux dont ceux de John Hejduk, d’Ilya Kabakov et d’Alice Aycock, Blomgren affirme que les modes contemporains d’architecture(...)
Lance Blomgren se sert de son court roman intitulé Walkups – paru en 2009, le récit se passe entièrement à Montréal, dans des habitations en rangée – comme tremplin pour analyser le plan discursif de l’architecture de fiction. Examinant divers travaux dont ceux de John Hejduk, d’Ilya Kabakov et d’Alice Aycock, Blomgren affirme que les modes contemporains d’architecture(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
2 mai 2013 , 19h
2 mai 2013 , 19h
Titre:
L'enseignement de... Montréal
Actions:
Description:
Lance Blomgren se sert de son court roman intitulé Walkups – paru en 2009, le récit se passe entièrement à Montréal, dans des habitations en rangée – comme tremplin pour analyser le plan discursif de l’architecture de fiction. Examinant divers travaux dont ceux de John Hejduk, d’Ilya Kabakov et d’Alice Aycock, Blomgren affirme que les modes contemporains d’architecture(...)
L'enseignement de... Montréal
Actions:
Description:
Lance Blomgren se sert de son court roman intitulé Walkups – paru en 2009, le récit se passe entièrement à Montréal, dans des habitations en rangée – comme tremplin pour analyser le plan discursif de l’architecture de fiction. Examinant divers travaux dont ceux de John Hejduk, d’Ilya Kabakov et d’Alice Aycock, Blomgren affirme que les modes contemporains d’architecture(...)
Classification:
événements
événements
Date:
2 mai 2013
19h
2 mai 2013
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
documents textuels
documents textuels
Numéro de référence:
DR1995:0188:936-1056
Description:
correspondence, and four folders that include, building programme, poster, land use application, site plans, 1966 flyer of Glasgow Fun Palace, report on Pilot Project, trust deed, report on proposed arts centre in Manchester, notes and sketches on architectural sketches, report on Fun Palace Project, drawings, minutes of meeting, cost estimate for Pilot Project, photographs, draft notes on Children's Learning Garden, financial record of Summer Fair 1974, planning application forms, sketches of temporary project at Salway and Great Eastern Roads, grant application, questionnaire, report on land redevelopment, 'Bubble City' publication by Joan Littlewood, renovation proposal for Theatre Royal, poster, kids village colouring book, and application for children's playground
DR1995:0188:936-1056
Description:
correspondence, and four folders that include, building programme, poster, land use application, site plans, 1966 flyer of Glasgow Fun Palace, report on Pilot Project, trust deed, report on proposed arts centre in Manchester, notes and sketches on architectural sketches, report on Fun Palace Project, drawings, minutes of meeting, cost estimate for Pilot Project, photographs, draft notes on Children's Learning Garden, financial record of Summer Fair 1974, planning application forms, sketches of temporary project at Salway and Great Eastern Roads, grant application, questionnaire, report on land redevelopment, 'Bubble City' publication by Joan Littlewood, renovation proposal for Theatre Royal, poster, kids village colouring book, and application for children's playground
Personnes et institutions:
Titre:
Correspondence, and four folders that include, building programme
Actions:
DR1995:0188:936-1056
Description:
correspondence, and four folders that include, building programme, poster, land use application, site plans, 1966 flyer of Glasgow Fun Palace, report on Pilot Project, trust deed, report on proposed arts centre in Manchester, notes and sketches on architectural sketches, report on Fun Palace Project, drawings, minutes of meeting, cost estimate for Pilot Project, photographs, draft notes on Children's Learning Garden, financial record of Summer Fair 1974, planning application forms, sketches of temporary project at Salway and Great Eastern Roads, grant application, questionnaire, report on land redevelopment, 'Bubble City' publication by Joan Littlewood, renovation proposal for Theatre Royal, poster, kids village colouring book, and application for children's playground
Correspondence, and four folders that include, building programme
Actions:
DR1995:0188:936-1056
Description:
correspondence, and four folders that include, building programme, poster, land use application, site plans, 1966 flyer of Glasgow Fun Palace, report on Pilot Project, trust deed, report on proposed arts centre in Manchester, notes and sketches on architectural sketches, report on Fun Palace Project, drawings, minutes of meeting, cost estimate for Pilot Project, photographs, draft notes on Children's Learning Garden, financial record of Summer Fair 1974, planning application forms, sketches of temporary project at Salway and Great Eastern Roads, grant application, questionnaire, report on land redevelopment, 'Bubble City' publication by Joan Littlewood, renovation proposal for Theatre Royal, poster, kids village colouring book, and application for children's playground
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
dessins
Quantité:
132 drawing(s)
dessins
Quantité:
132 drawing(s)
Numéro de référence:
DR1994:0165:001-132
Description:
- This group of visual and textual documents from the office of Peter Eisenman includes miscellaneous unidentified drawings, mostly conceptual sketches, all by Eisenman except for eleven drawings for an unidentified project (DR1994:0165:077-087). The drawings by Eisenman include: drawings for unidentified houses, possibly House III and House VI (DR1994:0165:030-076); conceptual sketches, possibly for House IV (DR1994:0165:126-128); drawings for an unidentified house, possibly House X and diagrams prepared for an unidentified publication, possibly concerning House X (DR1994:0165:088-103); drawings for an unidentified row house (DR1994:0165:100-102); and doodles and layouts for an unidentified book (DR1994:0165:104-125).
DR1994:0165:001-132
Description:
- This group of visual and textual documents from the office of Peter Eisenman includes miscellaneous unidentified drawings, mostly conceptual sketches, all by Eisenman except for eleven drawings for an unidentified project (DR1994:0165:077-087). The drawings by Eisenman include: drawings for unidentified houses, possibly House III and House VI (DR1994:0165:030-076); conceptual sketches, possibly for House IV (DR1994:0165:126-128); drawings for an unidentified house, possibly House X and diagrams prepared for an unidentified publication, possibly concerning House X (DR1994:0165:088-103); drawings for an unidentified row house (DR1994:0165:100-102); and doodles and layouts for an unidentified book (DR1994:0165:104-125).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1951-1978
1951-1978
Titre:
Visual and textual documents from the Office of Peter Eisenman
Actions:
DR1994:0165:001-132
Description:
- This group of visual and textual documents from the office of Peter Eisenman includes miscellaneous unidentified drawings, mostly conceptual sketches, all by Eisenman except for eleven drawings for an unidentified project (DR1994:0165:077-087). The drawings by Eisenman include: drawings for unidentified houses, possibly House III and House VI (DR1994:0165:030-076); conceptual sketches, possibly for House IV (DR1994:0165:126-128); drawings for an unidentified house, possibly House X and diagrams prepared for an unidentified publication, possibly concerning House X (DR1994:0165:088-103); drawings for an unidentified row house (DR1994:0165:100-102); and doodles and layouts for an unidentified book (DR1994:0165:104-125).
Visual and textual documents from the Office of Peter Eisenman
Actions:
DR1994:0165:001-132
Description:
- This group of visual and textual documents from the office of Peter Eisenman includes miscellaneous unidentified drawings, mostly conceptual sketches, all by Eisenman except for eleven drawings for an unidentified project (DR1994:0165:077-087). The drawings by Eisenman include: drawings for unidentified houses, possibly House III and House VI (DR1994:0165:030-076); conceptual sketches, possibly for House IV (DR1994:0165:126-128); drawings for an unidentified house, possibly House X and diagrams prepared for an unidentified publication, possibly concerning House X (DR1994:0165:088-103); drawings for an unidentified row house (DR1994:0165:100-102); and doodles and layouts for an unidentified book (DR1994:0165:104-125).
Classification:
dessins
Quantité:
132 drawing(s)
dessins
Quantité:
132 drawing(s)
Date:
1951-1978
1951-1978
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
expositions
expositions
Actions:
Description:
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Localisation:
Vitrines
Vitrines
Date:
26 février 1992 au 24 mai 1992
26 février 1992 au 24 mai 1992
Titre:
Actualité du carnet d'architecte
Actions:
Description:
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Actualité du carnet d'architecte
Actions:
Description:
Dans leurs carnets, les architectes notent leurs premières réactions devant un site et leurs impressions de voyage. Ils esquissent des croquis, organisent leur travail, ébauchent de nouvelles conceptions, proposent des solutions, rédigent des brouillons d’essais, de conférences et de lettres; ils prennent des notes de recherche ou recopient des passages d’ouvrages qui les(...)
Classification:
expositions
expositions
Date:
26 février 1992 au
24 mai 1992
26 février 1992 au
24 mai 1992
Localisation:
Vitrines
Vitrines
