1116 Résultats
Classification:
événements
événements
Actions:
Description:
Making Mamak est une boîte à outils destinée à tous les travailleurs culturels, organisateurs sociaux et membres de la communauté. Cette boîte à outils est conçue pour aider à sengager dans des formes locales et communautaires de création et de rassemblement. En sinspirant des collectifs artistiques des centres urbains de Malaisie, il est possible de développer des liens(...)
Making Mamak est une boîte à outils destinée à tous les travailleurs culturels, organisateurs sociaux et membres de la communauté. Cette boîte à outils est conçue pour aider à sengager dans des formes locales et communautaires de création et de rassemblement. En sinspirant des collectifs artistiques des centres urbains de Malaisie, il est possible de développer des liens(...)
Mot(s)-clé(s):
Making Mamak, commissaires émergents 2022-2023, collectifs d’art malaisiens, asie du sud-est.
Making Mamak, commissaires émergents 2022-2023, collectifs d’art malaisiens, asie du sud-est.
Date:
2024
2024
Titre:
« Making Mamak » : Écologies collectives de l'espace urbain
Actions:
Description:
Making Mamak est une boîte à outils destinée à tous les travailleurs culturels, organisateurs sociaux et membres de la communauté. Cette boîte à outils est conçue pour aider à sengager dans des formes locales et communautaires de création et de rassemblement. En sinspirant des collectifs artistiques des centres urbains de Malaisie, il est possible de développer des liens(...)
« Making Mamak » : Écologies collectives de l'espace urbain
Actions:
Description:
Making Mamak est une boîte à outils destinée à tous les travailleurs culturels, organisateurs sociaux et membres de la communauté. Cette boîte à outils est conçue pour aider à sengager dans des formes locales et communautaires de création et de rassemblement. En sinspirant des collectifs artistiques des centres urbains de Malaisie, il est possible de développer des liens(...)
Classification:
événements
événements
Date:
2024 au
2024
2024 au
2024
Classification:
pages web
pages web
Résumé:
Making Mamak est une boîte à outils destinée à tous les travailleurs culturels, organisateurs sociaux et membres de la communauté. Cette boîte à outils est conçue pour aider à s’engager dans des formes locales et communautaires de création et de rassemblement. En s’inspirant des collectifs artistiques des centres urbains de Malaisie, il est possible de développer des liens de parenté avec sa propre communauté, de formuler des aides mutuelles, de s’approprier des espaces collectifs et de lancer des mouvements sociaux de fond.
Titre:
« Making Mamak » : Écologies collectives de l’espace urbain
Actions:
Résumé:
« Making Mamak » : Écologies collectives de l’espace urbain
Actions:
Résumé:
Making Mamak est une boîte à outils destinée à tous les travailleurs culturels, organisateurs sociaux et membres de la communauté. Cette boîte à outils est conçue pour aider à s’engager dans des formes locales et communautaires de création et de rassemblement. En s’inspirant des collectifs artistiques des centres urbains de Malaisie, il est possible de développer des liens de parenté avec sa propre communauté, de formuler des aides mutuelles, de s’approprier des espaces collectifs et de lancer des mouvements sociaux de fond.
Classification:
pages web
pages web
Classification:
pages web
pages web
Résumé:
Ce projet dirigé par la commissaire émergente 2022-2023 du CCA Clarissa Lim Kye Lee s’engage auprès des collectifs artistiques et culturels de l’archipel malais dans le but de s’inspirer des écologies collectives malaisiennes et de leur relation à l’environnement urbain afin d’organiser des activités et des rencontres et de développer de nouvelles pratiques communautaires.
Titre:
« Making Mamak » : Écologies collectives de l’espace urbain
Actions:
Résumé:
« Making Mamak » : Écologies collectives de l’espace urbain
Actions:
Résumé:
Ce projet dirigé par la commissaire émergente 2022-2023 du CCA Clarissa Lim Kye Lee s’engage auprès des collectifs artistiques et culturels de l’archipel malais dans le but de s’inspirer des écologies collectives malaisiennes et de leur relation à l’environnement urbain afin d’organiser des activités et des rencontres et de développer de nouvelles pratiques communautaires.
Classification:
pages web
pages web
Classification:
documents textuels
documents textuels
![Fear- realization of a new unknown / Edgyness fear & disconfort emotional space; [verso]: Anarchitecture is about making space without building it / A nice place to fuck](/img-collection/GFbhc7zWuX-91z5UbIh97jOgaZI=/500x316/368904.jpg)
Numéro de référence:
PHCON2002:0016:001:042.4
PHCON2002:0016:001:042.4
Personnes et institutions:
Date:
1970-1978
1970-1978
Classification:
documents textuels
documents textuels
Date:
1970-1978
1970-1978
Personnes et institutions:
Classification:
expositions
expositions
Titre:
LES LOIS
LES LOIS
Actions:
Description:
Conçue comme une exposition-recherche, LOIS est une exploration non linéaire d’études de cas historiques et contemporains, issus de la collection du CCA, ainsi que de nouvelles commandes centrées sur des contextes canadiens. Documents d’archives, manuels, dessins et photographies témoigneront de la nature évolutive de l’aménagement de l’espace et de l’élaboration des(...)
Conçue comme une exposition-recherche, LOIS est une exploration non linéaire d’études de cas historiques et contemporains, issus de la collection du CCA, ainsi que de nouvelles commandes centrées sur des contextes canadiens. Documents d’archives, manuels, dessins et photographies témoigneront de la nature évolutive de l’aménagement de l’espace et de l’élaboration des(...)
Localisation:
Salles principales Mot(s)-clé(s):
droit, lois, environnement, militantisme, études de cas, création d'espaces, élaboration des politiques, négociation, capacité d'action spatiale, logement, justice sociale, Canada
Salles principales Mot(s)-clé(s):
droit, lois, environnement, militantisme, études de cas, création d'espaces, élaboration des politiques, négociation, capacité d'action spatiale, logement, justice sociale, Canada
Date:
18 mars 2027 au 17 octobre 2027
18 mars 2027 au 17 octobre 2027
Titre:
LES LOIS
Actions:
Description:
Conçue comme une exposition-recherche, LOIS est une exploration non linéaire d’études de cas historiques et contemporains, issus de la collection du CCA, ainsi que de nouvelles commandes centrées sur des contextes canadiens. Documents d’archives, manuels, dessins et photographies témoigneront de la nature évolutive de l’aménagement de l’espace et de l’élaboration des(...)
LES LOIS
Actions:
Description:
Conçue comme une exposition-recherche, LOIS est une exploration non linéaire d’études de cas historiques et contemporains, issus de la collection du CCA, ainsi que de nouvelles commandes centrées sur des contextes canadiens. Documents d’archives, manuels, dessins et photographies témoigneront de la nature évolutive de l’aménagement de l’espace et de l’élaboration des(...)
Classification:
expositions
expositions
Date:
18 mars 2027 au
17 octobre 2027
18 mars 2027 au
17 octobre 2027
Localisation:
Salles principales Mot(s)-clé(s):
droit, lois, environnement, militantisme, études de cas, création d'espaces, élaboration des politiques, négociation, capacité d'action spatiale, logement, justice sociale, Canada
Salles principales Mot(s)-clé(s):
droit, lois, environnement, militantisme, études de cas, création d'espaces, élaboration des politiques, négociation, capacité d'action spatiale, logement, justice sociale, Canada
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1981.PR03
Description:
This project series documents a residence for Mrs. Shakuntla Khosla in New Delhi around 1981. Located on plot no. 902 in the neighbourhood of New Friends Colony, the project consisted of a three-storey, four bedroom home. The interior area of the floors got consecutively smaller at each higher level, with terraces making up the rest of the space. The top floor was comprised of a barsati. The project is recorded through original drawings of plans, elevations, sections and details, likely dating from around 1981.
AP206.S1.1981.PR03
Description:
This project series documents a residence for Mrs. Shakuntla Khosla in New Delhi around 1981. Located on plot no. 902 in the neighbourhood of New Friends Colony, the project consisted of a three-storey, four bedroom home. The interior area of the floors got consecutively smaller at each higher level, with terraces making up the rest of the space. The top floor was comprised of a barsati. The project is recorded through original drawings of plans, elevations, sections and details, likely dating from around 1981.
Personnes et institutions:
Date:
circa 1981
circa 1981
Titre:
Residence for Mrs. Shakuntla Khosla, New Delhi, India (circa 1981)
Actions:
AP206.S1.1981.PR03
Description:
This project series documents a residence for Mrs. Shakuntla Khosla in New Delhi around 1981. Located on plot no. 902 in the neighbourhood of New Friends Colony, the project consisted of a three-storey, four bedroom home. The interior area of the floors got consecutively smaller at each higher level, with terraces making up the rest of the space. The top floor was comprised of a barsati. The project is recorded through original drawings of plans, elevations, sections and details, likely dating from around 1981.
Residence for Mrs. Shakuntla Khosla, New Delhi, India (circa 1981)
Actions:
AP206.S1.1981.PR03
Description:
This project series documents a residence for Mrs. Shakuntla Khosla in New Delhi around 1981. Located on plot no. 902 in the neighbourhood of New Friends Colony, the project consisted of a three-storey, four bedroom home. The interior area of the floors got consecutively smaller at each higher level, with terraces making up the rest of the space. The top floor was comprised of a barsati. The project is recorded through original drawings of plans, elevations, sections and details, likely dating from around 1981.
Niveau de description archivistique:
Project
Project
Date:
circa 1981
circa 1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1952-1953
1952-1953
Titre:
Mills Creek Public Housing, Philadelphia, Pennsylvania (1952-1953)
Actions:
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Mills Creek Public Housing, Philadelphia, Pennsylvania (1952-1953)
Actions:
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1952-1953
1952-1953
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1993.D5
Description:
This project series documents the planning or reorganisation of the central sector of Abandoibarra, in Bilbao. The firm identified this project as number 83. At the time, the development of this area was essential for the development of the city. The firm described their project as: “[...] The centre of attention would be transferred from the material to the space between the things, working with the void: making a project of air, converting the dimensional [sic], the distance between the things, the public space (ARCH270975)." The project was developed by the Abalos & Herreros with César Azcárate and Patxi Mangado. They also worked with Eva Gómez, Juan Lahuerta, David Torres and Carlos Urtailquil. In 1993, the project won first prize at the competition Ordenación Abando-Ibarra, an open national competition organised by the Ayuntamiento de Bilbao (Bilbao City Council) and Colegio de Arquitectos del País Vasco y Navarra. This qualified the project for the international level of the competetion. However the project was not selected for the final round. Documenting the project are conceptual and design development drawings, and photographic materials.
AP164.S1.1993.D5
Description:
This project series documents the planning or reorganisation of the central sector of Abandoibarra, in Bilbao. The firm identified this project as number 83. At the time, the development of this area was essential for the development of the city. The firm described their project as: “[...] The centre of attention would be transferred from the material to the space between the things, working with the void: making a project of air, converting the dimensional [sic], the distance between the things, the public space (ARCH270975)." The project was developed by the Abalos & Herreros with César Azcárate and Patxi Mangado. They also worked with Eva Gómez, Juan Lahuerta, David Torres and Carlos Urtailquil. In 1993, the project won first prize at the competition Ordenación Abando-Ibarra, an open national competition organised by the Ayuntamiento de Bilbao (Bilbao City Council) and Colegio de Arquitectos del País Vasco y Navarra. This qualified the project for the international level of the competetion. However the project was not selected for the final round. Documenting the project are conceptual and design development drawings, and photographic materials.
Personnes et institutions:
Date:
1993-1997
1993-1997
Titre:
Ordenación del área de Abandoibarra, Bilbao, Spain (1993)
Actions:
AP164.S1.1993.D5
Description:
This project series documents the planning or reorganisation of the central sector of Abandoibarra, in Bilbao. The firm identified this project as number 83. At the time, the development of this area was essential for the development of the city. The firm described their project as: “[...] The centre of attention would be transferred from the material to the space between the things, working with the void: making a project of air, converting the dimensional [sic], the distance between the things, the public space (ARCH270975)." The project was developed by the Abalos & Herreros with César Azcárate and Patxi Mangado. They also worked with Eva Gómez, Juan Lahuerta, David Torres and Carlos Urtailquil. In 1993, the project won first prize at the competition Ordenación Abando-Ibarra, an open national competition organised by the Ayuntamiento de Bilbao (Bilbao City Council) and Colegio de Arquitectos del País Vasco y Navarra. This qualified the project for the international level of the competetion. However the project was not selected for the final round. Documenting the project are conceptual and design development drawings, and photographic materials.
Ordenación del área de Abandoibarra, Bilbao, Spain (1993)
Actions:
AP164.S1.1993.D5
Description:
This project series documents the planning or reorganisation of the central sector of Abandoibarra, in Bilbao. The firm identified this project as number 83. At the time, the development of this area was essential for the development of the city. The firm described their project as: “[...] The centre of attention would be transferred from the material to the space between the things, working with the void: making a project of air, converting the dimensional [sic], the distance between the things, the public space (ARCH270975)." The project was developed by the Abalos & Herreros with César Azcárate and Patxi Mangado. They also worked with Eva Gómez, Juan Lahuerta, David Torres and Carlos Urtailquil. In 1993, the project won first prize at the competition Ordenación Abando-Ibarra, an open national competition organised by the Ayuntamiento de Bilbao (Bilbao City Council) and Colegio de Arquitectos del País Vasco y Navarra. This qualified the project for the international level of the competetion. However the project was not selected for the final round. Documenting the project are conceptual and design development drawings, and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1993-1997
1993-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
Personnes et institutions:
Date:
2000-2005
2000-2005
Titre:
Hotel Toyo, Almería, Spain (2002)
Actions:
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
Hotel Toyo, Almería, Spain (2002)
Actions:
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
Niveau de description archivistique:
Project
Project
Date:
2000-2005
2000-2005
Personnes et institutions:
