1091 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH174251
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la firme d'ingénierie Soprin concernant la structure du pavillon. Sujets : changement à la structure d'acier, renseignements concernant la polisseuse à glace, soumission de Gidev & Métal Charland, contrôle de la qualité du béton, plan d'agrandissement du Pavillon, plan du toit et détail de mur.
ARCH174251
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la firme d'ingénierie Soprin concernant la structure du pavillon. Sujets : changement à la structure d'acier, renseignements concernant la polisseuse à glace, soumission de Gidev & Métal Charland, contrôle de la qualité du béton, plan d'agrandissement du Pavillon, plan du toit et détail de mur.
Personnes et institutions:
Date:
1992
1992
Titre:
Correspondance de chantier avec la firme d'ingénierie, Pavillon du Bassin Bonsecours, Montréal, Québec
Actions:
ARCH174251
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la firme d'ingénierie Soprin concernant la structure du pavillon. Sujets : changement à la structure d'acier, renseignements concernant la polisseuse à glace, soumission de Gidev & Métal Charland, contrôle de la qualité du béton, plan d'agrandissement du Pavillon, plan du toit et détail de mur.
Correspondance de chantier avec la firme d'ingénierie, Pavillon du Bassin Bonsecours, Montréal, Québec
Actions:
ARCH174251
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la firme d'ingénierie Soprin concernant la structure du pavillon. Sujets : changement à la structure d'acier, renseignements concernant la polisseuse à glace, soumission de Gidev & Métal Charland, contrôle de la qualité du béton, plan d'agrandissement du Pavillon, plan du toit et détail de mur.
Classification:
documents textuels
documents textuels
Date:
1992
1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
circa 2014
circa 2014
Titre:
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
circa 2014
circa 2014
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Personnes et institutions:
Date:
1991-1996
1991-1996
Titre:
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Niveau de description archivistique:
Subseries
Subseries
Date:
1991-1996
1991-1996
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
Personnes et institutions:
Date:
1983-2002
1983-2002
Titre:
The Villas of Pliny : from antiquity to posterity, 1988-1994
Actions:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
The Villas of Pliny : from antiquity to posterity, 1988-1994
Actions:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
Niveau de description archivistique:
Series
Series
Date:
1983-2002
1983-2002
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS1.D21.P4.16
Description:
Photographer and subjects identified by Stirling expert Marc Crinson 2012/07
AP140.S2.SS1.D21.P4.16
Description:
Photographer and subjects identified by Stirling expert Marc Crinson 2012/07
Personnes et institutions:
Date:
5 October 1962
5 October 1962
Titre:
View of the Assembly Hall, Brunswick Park Primary School, London, England with James Gowan's daughters
Actions:
AP140.S2.SS1.D21.P4.16
Description:
Photographer and subjects identified by Stirling expert Marc Crinson 2012/07
View of the Assembly Hall, Brunswick Park Primary School, London, England with James Gowan's daughters
Actions:
AP140.S2.SS1.D21.P4.16
Description:
Photographer and subjects identified by Stirling expert Marc Crinson 2012/07
Classification:
photographies
photographies
Date:
5 October 1962
5 October 1962
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
Personnes et institutions:
Date:
1996
1996
Titre:
Ideas competition, Riqualificazione centro Storico di Pontassieve [Redevelopment of the historical center of Pontassieve], Florence, Italy (1996)
Actions:
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
Ideas competition, Riqualificazione centro Storico di Pontassieve [Redevelopment of the historical center of Pontassieve], Florence, Italy (1996)
Actions:
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
Niveau de description archivistique:
Project
Project
Date:
1996
1996
Personnes et institutions:
Classification:
articles
articles
Actions:
Texte de Tom Avermaete
Dossier:
Trajets et transferts
Trajets et transferts
Mot(s)-clé(s):
Fondation Ford, Douglas Ensminger, Casablanca Chandigarh : Bilans d'une modernisation, Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient l'urbanisme moderne : Casablanca Chandigarh
Fondation Ford, Douglas Ensminger, Casablanca Chandigarh : Bilans d'une modernisation, Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient l'urbanisme moderne : Casablanca Chandigarh
Publié:
20 février 2016
20 février 2016
Dossier:
Trajets et transferts
Trajets et transferts
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Personnes et institutions:
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Titre:
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
À loccasion de louverture de l’exposition Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient lurbanisme moderne : Casablanca Chandigarh les photographes Yto Barrada et Takashi Homma discutent avec les commissaires Tom Avermaete et Maristella Casciato de l’appropriation de la ville par les habitants et de la vie(...)
À loccasion de louverture de l’exposition Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient lurbanisme moderne : Casablanca Chandigarh les photographes Yto Barrada et Takashi Homma discutent avec les commissaires Tom Avermaete et Maristella Casciato de l’appropriation de la ville par les habitants et de la vie(...)
Date:
27 novembre 2013
27 novembre 2013
Titre:
En conversation : Yto Barrada & Takashi Homma
Actions:
Description:
À loccasion de louverture de l’exposition Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient lurbanisme moderne : Casablanca Chandigarh les photographes Yto Barrada et Takashi Homma discutent avec les commissaires Tom Avermaete et Maristella Casciato de l’appropriation de la ville par les habitants et de la vie(...)
En conversation : Yto Barrada & Takashi Homma
Actions:
Description:
À loccasion de louverture de l’exposition Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient lurbanisme moderne : Casablanca Chandigarh les photographes Yto Barrada et Takashi Homma discutent avec les commissaires Tom Avermaete et Maristella Casciato de l’appropriation de la ville par les habitants et de la vie(...)
Classification:
événements
événements
Date:
27 novembre 2013
27 novembre 2013
Classification:
événements
événements
Titre:
L'enseignement de... Nairobi
L'enseignement de... Nairobi
Actions:
Description:
Le photographe documentaire et d’architecture Filippo Romano présente son étude en cours de l’explosion actuelle des bidonvilles de Nairobi. La ville est représentée par les nombreux portraits de résidents, d’ouvriers ou de communautés qu’il a capturés, démontrant comment l’environnement bâti façonne les cultures urbaines locales. La série L’enseignement de… s’inspire(...)
Le photographe documentaire et d’architecture Filippo Romano présente son étude en cours de l’explosion actuelle des bidonvilles de Nairobi. La ville est représentée par les nombreux portraits de résidents, d’ouvriers ou de communautés qu’il a capturés, démontrant comment l’environnement bâti façonne les cultures urbaines locales. La série L’enseignement de… s’inspire(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
9 octobre 2014 , 18h
9 octobre 2014 , 18h
Titre:
L'enseignement de... Nairobi
Actions:
Description:
Le photographe documentaire et d’architecture Filippo Romano présente son étude en cours de l’explosion actuelle des bidonvilles de Nairobi. La ville est représentée par les nombreux portraits de résidents, d’ouvriers ou de communautés qu’il a capturés, démontrant comment l’environnement bâti façonne les cultures urbaines locales. La série L’enseignement de… s’inspire(...)
L'enseignement de... Nairobi
Actions:
Description:
Le photographe documentaire et d’architecture Filippo Romano présente son étude en cours de l’explosion actuelle des bidonvilles de Nairobi. La ville est représentée par les nombreux portraits de résidents, d’ouvriers ou de communautés qu’il a capturés, démontrant comment l’environnement bâti façonne les cultures urbaines locales. La série L’enseignement de… s’inspire(...)
Classification:
événements
événements
Date:
9 octobre 2014
18h
9 octobre 2014
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
