12553 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Carbon Tower (2001)
Carbon Tower (2001)
Numéro de référence:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Personnes et institutions:
Date:
2002-2014
2002-2014
Titre:
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Niveau de description archivistique:
Project
Project
Date:
2002-2014
2002-2014
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Objectile records
Objectile records
Numéro de référence:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Personnes et institutions:
Date:
1993-2011
1993-2011
Titre:
Objectile records
Actions:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Objectile records
Actions:
AP169.S1
Description:
Series 1, Objectile, 1993 - 2011, relates to the firm’s activities, from the production of decorative panels to the management of daily business. This series includes born-digital material and chiefly dates from 2004-2008. “Objectile” is a term first proposed by philosopher Gilles Deleuze in his book The Fold, published in 1988. It was used to name the research conducted by Bernard Cache and his associate Patrick Beaucé around the development of industrial means to produce “non-standard” objects. In his book Earth Moves (Terre Meuble), Bernard Cache describes non-standard objects as repeatable variations on a theme, such as a family of curves declining the same mathematical model. The randomness of their patterns recalls earth’s forms and curves, the way geography generates nature’s topography. Cache also wanted these folds and curves to express a relationship between the exterior (geography) and the interior (furniture) of architecture. From these ideas, the firm Objectile was founded created to industrially produce and market those non-standard objects mostly taking the form of decorative panels. Those panels and other furniture were among the first objects to be computationally designed with computer-aided design software (CAD) and then industrially built through computer numerical control (CNC). The patterns were designed through unique algorithms that could endlessly be modified and personalized. Materials in this series reflect the work of Objectile. This includes design and execution records for the different wooden panels and other furniture, which are primarily in still image and CAD formats (TopSolid, AutoCAD). There is also a significant body of material for the Objectile website (in HTML and XML formats). The series additionally includes textual documentation reflecting the administration of the firm, including accounting and legal documentation, as well as correspondence. These materials are in typical office formats and include email.
Niveau de description archivistique:
Series
Series
Date:
1993-2011
1993-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Classification:
événements
événements
Description:
None
None
Date:
1 février 2018
1 février 2018
Titre:
Matthieu Caron et Robert Burley : la découverte des villes du parc
Actions:
Description:
None
Matthieu Caron et Robert Burley : la découverte des villes du parc
Actions:
Description:
None
Classification:
événements
événements
Date:
1 février 2018
1 février 2018
Classification:
articles
articles
Actions:
Sofia Nannini
Publié:
15 juillet 2024
15 juillet 2024
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS2.150
Description:
This box contains professional correspondence, organized in chronological order, from 1994-2001. This correspondence contains chiefly letters related to participation to exhibitions and publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, requests to serve on juries, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or received job applications. This box also includes correspondence related to Oberlander's trip to Australia This correspondence also comprises a few letters related to Oberlander's projects, mainly letters of congratulations or comments for her design.
AP075.S3.SS2.150
Description:
This box contains professional correspondence, organized in chronological order, from 1994-2001. This correspondence contains chiefly letters related to participation to exhibitions and publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, requests to serve on juries, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or received job applications. This box also includes correspondence related to Oberlander's trip to Australia This correspondence also comprises a few letters related to Oberlander's projects, mainly letters of congratulations or comments for her design.
Personnes et institutions:
Date:
1994-2001
1994-2001
Titre:
Professional correspondence from 1994-2001
Actions:
AP075.S3.SS2.150
Description:
This box contains professional correspondence, organized in chronological order, from 1994-2001. This correspondence contains chiefly letters related to participation to exhibitions and publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, requests to serve on juries, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or received job applications. This box also includes correspondence related to Oberlander's trip to Australia This correspondence also comprises a few letters related to Oberlander's projects, mainly letters of congratulations or comments for her design.
Professional correspondence from 1994-2001
Actions:
AP075.S3.SS2.150
Description:
This box contains professional correspondence, organized in chronological order, from 1994-2001. This correspondence contains chiefly letters related to participation to exhibitions and publishing in landscape architecture publications, correspondence related to nominations and awards received by Oberlander, requests to serve on juries, correspondence with schools of architecture and landscape architects associations, about membership or attendance to events. It also comprises correspondence related to research and involvement in sustainable development. It also contains correspondence with city planning committees or other governmental institutions related to projects or consultation in landscape design, and letters of reference or received job applications. This box also includes correspondence related to Oberlander's trip to Australia This correspondence also comprises a few letters related to Oberlander's projects, mainly letters of congratulations or comments for her design.
Classification:
documents textuels
documents textuels
Date:
1994-2001
1994-2001
Personnes et institutions:
Classification:
recherche
recherche
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Margo Beggs (University of Toronto); Luc Lévesque (Université de Montréal); Jasmine Rault (McGill University); Alexis Desgagnés (Université de Montréal); Tsz Yan Ng (McGill University); Dominic Boulerice (McGill University); Rim Ben Fredj (Université de Montréal); Subventions de recherche dans la(...)
Subventions de recherche Groupe Banque TD dans la collection du CCA : Margo Beggs (University of Toronto); Luc Lévesque (Université de Montréal); Jasmine Rault (McGill University); Alexis Desgagnés (Université de Montréal); Tsz Yan Ng (McGill University); Dominic Boulerice (McGill University); Rim Ben Fredj (Université de Montréal); Subventions de recherche dans la(...)
Date:
avril 2006 au novembre 2006
avril 2006 au novembre 2006
Titre:
Programme pour les doctorants 2006
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Margo Beggs (University of Toronto); Luc Lévesque (Université de Montréal); Jasmine Rault (McGill University); Alexis Desgagnés (Université de Montréal); Tsz Yan Ng (McGill University); Dominic Boulerice (McGill University); Rim Ben Fredj (Université de Montréal); Subventions de recherche dans la(...)
Programme pour les doctorants 2006
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Margo Beggs (University of Toronto); Luc Lévesque (Université de Montréal); Jasmine Rault (McGill University); Alexis Desgagnés (Université de Montréal); Tsz Yan Ng (McGill University); Dominic Boulerice (McGill University); Rim Ben Fredj (Université de Montréal); Subventions de recherche dans la(...)
Classification:
recherche
recherche
Date:
avril 2006 au
novembre 2006
avril 2006 au
novembre 2006
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Professional papers
Professional papers
Numéro de référence:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Personnes et institutions:
Date:
circa 1950-2008
circa 1950-2008
Titre:
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1950-2008
circa 1950-2008
Personnes et institutions:
Classification:
pages web
pages web
Résumé:
Un projet de recherche concertée et multidisciplinaire du le Centre Canadien d’Architecture sur les évolutions complexes en architecture dans les pays d’Afrique subsaharienne après leur indépendance.
Titre:
Centrer l’Afrique : perspectives postcoloniales sur l’architecture
Actions:
Résumé:
Centrer l’Afrique : perspectives postcoloniales sur l’architecture
Actions:
Résumé:
Un projet de recherche concertée et multidisciplinaire du le Centre Canadien d’Architecture sur les évolutions complexes en architecture dans les pays d’Afrique subsaharienne après leur indépendance.
Classification:
pages web
pages web
Classification:
articles
articles
Actions:
Sylvia Lavin réfléchit aux arbres modélisés et aux historiographies architecturales du numérique
Mot(s)-clé(s):
apprentissage automatique, dessins d'architecture, arbres, IA, intelligence artificielle, histoire de l'architecture, protocoles, boîte à outils, méthodes de recherche
apprentissage automatique, dessins d'architecture, arbres, IA, intelligence artificielle, histoire de l'architecture, protocoles, boîte à outils, méthodes de recherche
Publié:
10 juillet 2023
10 juillet 2023
Titre:
Apprendre de l'apprentissage automatique
Sylvia Lavin réfléchit aux arbres modélisés et aux historiographies architecturales du numérique
Actions:
Apprendre de l'apprentissage automatique
Sylvia Lavin réfléchit aux arbres modélisés et aux historiographies architecturales du numérique
Actions:
