1189 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP022.S1.1971.PR11
Description:
File documents proposals for a government office building complex (not built), Block 56, Vancouver, British Columbia. File contains design development drawings, photographs, presentation drawings, and textual documents.
AP022.S1.1971.PR11
Description:
File documents proposals for a government office building complex (not built), Block 56, Vancouver, British Columbia. File contains design development drawings, photographs, presentation drawings, and textual documents.
Personnes et institutions:
Date:
1971-1973
1971-1973
Titre:
Government of Canada Building, 1st proposal
Actions:
AP022.S1.1971.PR11
Description:
File documents proposals for a government office building complex (not built), Block 56, Vancouver, British Columbia. File contains design development drawings, photographs, presentation drawings, and textual documents.
Government of Canada Building, 1st proposal
Actions:
AP022.S1.1971.PR11
Description:
File documents proposals for a government office building complex (not built), Block 56, Vancouver, British Columbia. File contains design development drawings, photographs, presentation drawings, and textual documents.
Niveau de description archivistique:
Project
Project
Date:
1971-1973
1971-1973
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Personnes et institutions:
Date:
1971-1972
1971-1972
Titre:
Supersuperficie [Supersurface] (1972)
Actions:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Supersuperficie [Supersurface] (1972)
Actions:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Niveau de description archivistique:
Project
Project
Date:
1971-1972
1971-1972
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Personnes et institutions:
Date:
circa 1963
circa 1963
Titre:
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Niveau de description archivistique:
Project
Project
Date:
circa 1963
circa 1963
Personnes et institutions:
Classification:
documents textuels
Quantité:
13 file
documents textuels
Quantité:
13 file
Titre:
Article drafts
Article drafts
Numéro de référence:
ARCH241898
Description:
Hays Introduction - drafts by Michael Hays Deamer - drafts of article by Peggy Deamer Kwinter - article drafts by Sanford Kwinter Robbins, Ed - article drafts by Edward Robbins El-Dahdah love letter from Plano - drafts of play by Farès el-Dahdah El-Dahdah Images Rostislav Svácha - Letter from Prague Allen - drafts of article by Stan Allen Graf - drafts of article by Doug Graf Hildner - drafts of article by Jeffrey Hildner Greg Lynn - drafts of article by Greg Lynn Gwathmey Singapore / California House Gwathmey Interview - Charles Gwathmey interviewed by Cynthia Davidson (transcripts)
ARCH241898
Description:
Hays Introduction - drafts by Michael Hays Deamer - drafts of article by Peggy Deamer Kwinter - article drafts by Sanford Kwinter Robbins, Ed - article drafts by Edward Robbins El-Dahdah love letter from Plano - drafts of play by Farès el-Dahdah El-Dahdah Images Rostislav Svácha - Letter from Prague Allen - drafts of article by Stan Allen Graf - drafts of article by Doug Graf Hildner - drafts of article by Jeffrey Hildner Greg Lynn - drafts of article by Greg Lynn Gwathmey Singapore / California House Gwathmey Interview - Charles Gwathmey interviewed by Cynthia Davidson (transcripts)
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
Article drafts
Actions:
ARCH241898
Description:
Hays Introduction - drafts by Michael Hays Deamer - drafts of article by Peggy Deamer Kwinter - article drafts by Sanford Kwinter Robbins, Ed - article drafts by Edward Robbins El-Dahdah love letter from Plano - drafts of play by Farès el-Dahdah El-Dahdah Images Rostislav Svácha - Letter from Prague Allen - drafts of article by Stan Allen Graf - drafts of article by Doug Graf Hildner - drafts of article by Jeffrey Hildner Greg Lynn - drafts of article by Greg Lynn Gwathmey Singapore / California House Gwathmey Interview - Charles Gwathmey interviewed by Cynthia Davidson (transcripts)
Article drafts
Actions:
ARCH241898
Description:
Hays Introduction - drafts by Michael Hays Deamer - drafts of article by Peggy Deamer Kwinter - article drafts by Sanford Kwinter Robbins, Ed - article drafts by Edward Robbins El-Dahdah love letter from Plano - drafts of play by Farès el-Dahdah El-Dahdah Images Rostislav Svácha - Letter from Prague Allen - drafts of article by Stan Allen Graf - drafts of article by Doug Graf Hildner - drafts of article by Jeffrey Hildner Greg Lynn - drafts of article by Greg Lynn Gwathmey Singapore / California House Gwathmey Interview - Charles Gwathmey interviewed by Cynthia Davidson (transcripts)
Classification:
documents textuels
Quantité:
13 file
documents textuels
Quantité:
13 file
Date:
1994-1995
1994-1995
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Barbara Penner, historienne de l’architecture, retrace l’évolution des Chutes du Niagara, de leur statut de destination phare pour jeunes mariés au XIXe siècle à celui d’icône postindustrielle kitsch, avant de redevenir la destination par excellence des jeunes mariés. Le photographe Alec Soth, dont les travaux constituent l’amorce de cette causerie présentée par Barbara(...)
Barbara Penner, historienne de l’architecture, retrace l’évolution des Chutes du Niagara, de leur statut de destination phare pour jeunes mariés au XIXe siècle à celui d’icône postindustrielle kitsch, avant de redevenir la destination par excellence des jeunes mariés. Le photographe Alec Soth, dont les travaux constituent l’amorce de cette causerie présentée par Barbara(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
23 avril 2009
23 avril 2009
Titre:
L'enseignement de... Niagara Falls
Actions:
Description:
Barbara Penner, historienne de l’architecture, retrace l’évolution des Chutes du Niagara, de leur statut de destination phare pour jeunes mariés au XIXe siècle à celui d’icône postindustrielle kitsch, avant de redevenir la destination par excellence des jeunes mariés. Le photographe Alec Soth, dont les travaux constituent l’amorce de cette causerie présentée par Barbara(...)
L'enseignement de... Niagara Falls
Actions:
Description:
Barbara Penner, historienne de l’architecture, retrace l’évolution des Chutes du Niagara, de leur statut de destination phare pour jeunes mariés au XIXe siècle à celui d’icône postindustrielle kitsch, avant de redevenir la destination par excellence des jeunes mariés. Le photographe Alec Soth, dont les travaux constituent l’amorce de cette causerie présentée par Barbara(...)
Classification:
événements
événements
Date:
23 avril 2009
23 avril 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
articles
articles
Giovanna Borasi sur les nouveaux besoins en architecture
Dossier:
Réinitialiser le social
Réinitialiser le social
Publié:
1 mars 2021
1 mars 2021
Titre:
Salles à câlins, biobanques et maisons de collaboration
Giovanna Borasi sur les nouveaux besoins en architecture
Actions:
Salles à câlins, biobanques et maisons de collaboration
Giovanna Borasi sur les nouveaux besoins en architecture
Actions:
Classification:
articles
articles
Publié:
1 mars 2021
1 mars 2021
Dossier:
Réinitialiser le social
Réinitialiser le social
Classification:
événements
événements
Actions:
Description:
Richard Schave, un historien et guide de Los Angeles, analyse le développement de la ville depuis le tournage du documentaire urbain Reyner Banham Loves Los Angeles (R.-U.,1972), il y a 35 ans. Schave, un ancien étudiant de Banham, présente les recherches de son professeur en confrontant ses propres photographies documentaires à des extraits du film. Il analyse plus(...)
Richard Schave, un historien et guide de Los Angeles, analyse le développement de la ville depuis le tournage du documentaire urbain Reyner Banham Loves Los Angeles (R.-U.,1972), il y a 35 ans. Schave, un ancien étudiant de Banham, présente les recherches de son professeur en confrontant ses propres photographies documentaires à des extraits du film. Il analyse plus(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
28 mai 2009
28 mai 2009
Titre:
L'enseignement de... Los Angeles
Actions:
Description:
Richard Schave, un historien et guide de Los Angeles, analyse le développement de la ville depuis le tournage du documentaire urbain Reyner Banham Loves Los Angeles (R.-U.,1972), il y a 35 ans. Schave, un ancien étudiant de Banham, présente les recherches de son professeur en confrontant ses propres photographies documentaires à des extraits du film. Il analyse plus(...)
L'enseignement de... Los Angeles
Actions:
Description:
Richard Schave, un historien et guide de Los Angeles, analyse le développement de la ville depuis le tournage du documentaire urbain Reyner Banham Loves Los Angeles (R.-U.,1972), il y a 35 ans. Schave, un ancien étudiant de Banham, présente les recherches de son professeur en confrontant ses propres photographies documentaires à des extraits du film. Il analyse plus(...)
Classification:
événements
événements
Date:
28 mai 2009
28 mai 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
articles
articles
Actions:
Les clichés Polaroids d’Aldo Rossi, présentés par Diogo Seixas Lopes
Titre:
Puzzles résolus avec le coeur
Les clichés Polaroids d’Aldo Rossi, présentés par Diogo Seixas Lopes
Actions:
Puzzles résolus avec le coeur
Les clichés Polaroids d’Aldo Rossi, présentés par Diogo Seixas Lopes
Actions:
Dossier:
Une histoire de références
Une histoire de références
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Myron Goldsmith
Fonds Myron Goldsmith
Numéro de référence:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Personnes et institutions:
Date:
1933-1996
1933-1996
Titre:
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-1996
1933-1996
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
10 mai 2012 , 19h
10 mai 2012 , 19h
Titre:
L'enseignement de... Mexico : Arturo Ortiz Struck
Actions:
Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
L'enseignement de... Mexico : Arturo Ortiz Struck
Actions:
Description:
Arturo Ortiz Struck décrit les frontières de la construction légale et autorisée dans le contexte de Mexico :« Afin de nous forger une opinion critique sur la production d’espace et d’architecture dans cet environnement, nous devrions commencer par deux principes fondamentaux. Le premier établit que les espaces reflètent qui nous sommes, et ils traduisent nos habitudes(...)
Classification:
événements
événements
Date:
10 mai 2012
19h
10 mai 2012
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
