4782 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Pierre du Prey
Fonds Pierre du Prey
Numéro de référence:
AP133
Résumé:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
AP133
Résumé:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
Personnes et institutions:
Date:
1967-2019
1967-2019
Titre:
Fonds Pierre du Prey
Actions:
AP133
Résumé:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
Fonds Pierre du Prey
Actions:
AP133
Résumé:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1967-2019
1967-2019
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Personnes et institutions:
Date:
1955-2007
1955-2007
Titre:
Collection Pasanella + Klein Stolzman + Berg
Actions:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Collection Pasanella + Klein Stolzman + Berg
Actions:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1955-2007
1955-2007
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
DR2012:0012:083:001
Description:
Ring binder containing slides, including those related to the following projects: - Modern art (9 slides); - Fuller dome at McGill University 1956 (4 slides); - Le rapport Charney 1972 (8 slides); - Architectural models, drawings and photographs, including works by John M. Johansen (26 slides); - Architectural models, drawings and photographs of école Notre-Dame des Laurentides, by Melvin Charney 1965-1966 (34 slides); - Une histoire 1973-1975 (134 slides, 10 appear to be duplicates); - Maisons de la rue Sherbrooke 1976 (40 slides, 13 appear to be duplicates); - Fragments series (35 slides including: Wall facade (18 slides), Maison de Rivière-des-Prairies (9 slides) and Garage Lennoxville (8 slides); - Painted photographs series: The house in St. Bonaventure 1978 (10 slides).
DR2012:0012:083:001
Description:
Ring binder containing slides, including those related to the following projects: - Modern art (9 slides); - Fuller dome at McGill University 1956 (4 slides); - Le rapport Charney 1972 (8 slides); - Architectural models, drawings and photographs, including works by John M. Johansen (26 slides); - Architectural models, drawings and photographs of école Notre-Dame des Laurentides, by Melvin Charney 1965-1966 (34 slides); - Une histoire 1973-1975 (134 slides, 10 appear to be duplicates); - Maisons de la rue Sherbrooke 1976 (40 slides, 13 appear to be duplicates); - Fragments series (35 slides including: Wall facade (18 slides), Maison de Rivière-des-Prairies (9 slides) and Garage Lennoxville (8 slides); - Painted photographs series: The house in St. Bonaventure 1978 (10 slides).
Personnes et institutions:
Date:
1956-1980, predominant 1965-1979
1956-1980, predominant 1965-1979
Titre:
Slides of Melvin Charney's artworks
Actions:
DR2012:0012:083:001
Description:
Ring binder containing slides, including those related to the following projects: - Modern art (9 slides); - Fuller dome at McGill University 1956 (4 slides); - Le rapport Charney 1972 (8 slides); - Architectural models, drawings and photographs, including works by John M. Johansen (26 slides); - Architectural models, drawings and photographs of école Notre-Dame des Laurentides, by Melvin Charney 1965-1966 (34 slides); - Une histoire 1973-1975 (134 slides, 10 appear to be duplicates); - Maisons de la rue Sherbrooke 1976 (40 slides, 13 appear to be duplicates); - Fragments series (35 slides including: Wall facade (18 slides), Maison de Rivière-des-Prairies (9 slides) and Garage Lennoxville (8 slides); - Painted photographs series: The house in St. Bonaventure 1978 (10 slides).
Slides of Melvin Charney's artworks
Actions:
DR2012:0012:083:001
Description:
Ring binder containing slides, including those related to the following projects: - Modern art (9 slides); - Fuller dome at McGill University 1956 (4 slides); - Le rapport Charney 1972 (8 slides); - Architectural models, drawings and photographs, including works by John M. Johansen (26 slides); - Architectural models, drawings and photographs of école Notre-Dame des Laurentides, by Melvin Charney 1965-1966 (34 slides); - Une histoire 1973-1975 (134 slides, 10 appear to be duplicates); - Maisons de la rue Sherbrooke 1976 (40 slides, 13 appear to be duplicates); - Fragments series (35 slides including: Wall facade (18 slides), Maison de Rivière-des-Prairies (9 slides) and Garage Lennoxville (8 slides); - Painted photographs series: The house in St. Bonaventure 1978 (10 slides).
Classification:
photographies
photographies
Date:
1956-1980, predominant 1965-1979
1956-1980, predominant 1965-1979
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1972.PR02
Description:
This project series documents a feasibility study for a convention centre in Toronto from 1972-1973. The office identified the project number as 7228. This project consisted of a study to evaluate the feasibility of various downtown sites to build a convention centre, particularly sites close to the CN Tower and Union Station. The project also included the design of the convention centre, establishing realistic project costs and testing the building criteria with governments and committees. The debate on whether the convention centre should be constructed lasted throughout the 1970s and into the 1980s. Parkin Architects Planners also investigated specific sites and refined the design in the late 1970s, under a different project number (see project series AP018.S1.1978.PR05 described in this fonds), and the project was later referred to as the Ontario Congress and Trade Centre. It should be noted that Congress Centre and Convention Centre are used interchangeably in the materials. Eventually, the building contract was given to another architectural firm and today is known as the Metropolitan Toronto Convention Centre. The project is recorded through drawings, presentation boards and textual records dating from around 1972-1977. The drawings consist of plans, elevations, sections, diagrams and sketches, while the textual records include press clippings, project notes, correspondence, the feasibility report, conference reports, and the project proposal. The presentation boards consist of photographs of the project model, site investigation plans, and a painting of the project by Dawson.
AP018.S1.1972.PR02
Description:
This project series documents a feasibility study for a convention centre in Toronto from 1972-1973. The office identified the project number as 7228. This project consisted of a study to evaluate the feasibility of various downtown sites to build a convention centre, particularly sites close to the CN Tower and Union Station. The project also included the design of the convention centre, establishing realistic project costs and testing the building criteria with governments and committees. The debate on whether the convention centre should be constructed lasted throughout the 1970s and into the 1980s. Parkin Architects Planners also investigated specific sites and refined the design in the late 1970s, under a different project number (see project series AP018.S1.1978.PR05 described in this fonds), and the project was later referred to as the Ontario Congress and Trade Centre. It should be noted that Congress Centre and Convention Centre are used interchangeably in the materials. Eventually, the building contract was given to another architectural firm and today is known as the Metropolitan Toronto Convention Centre. The project is recorded through drawings, presentation boards and textual records dating from around 1972-1977. The drawings consist of plans, elevations, sections, diagrams and sketches, while the textual records include press clippings, project notes, correspondence, the feasibility report, conference reports, and the project proposal. The presentation boards consist of photographs of the project model, site investigation plans, and a painting of the project by Dawson.
Personnes et institutions:
Date:
circa 1972-1977
circa 1972-1977
Titre:
Convention Centre for Metropolitan Toronto, Feasibility Study, Toronto (1972)
Actions:
AP018.S1.1972.PR02
Description:
This project series documents a feasibility study for a convention centre in Toronto from 1972-1973. The office identified the project number as 7228. This project consisted of a study to evaluate the feasibility of various downtown sites to build a convention centre, particularly sites close to the CN Tower and Union Station. The project also included the design of the convention centre, establishing realistic project costs and testing the building criteria with governments and committees. The debate on whether the convention centre should be constructed lasted throughout the 1970s and into the 1980s. Parkin Architects Planners also investigated specific sites and refined the design in the late 1970s, under a different project number (see project series AP018.S1.1978.PR05 described in this fonds), and the project was later referred to as the Ontario Congress and Trade Centre. It should be noted that Congress Centre and Convention Centre are used interchangeably in the materials. Eventually, the building contract was given to another architectural firm and today is known as the Metropolitan Toronto Convention Centre. The project is recorded through drawings, presentation boards and textual records dating from around 1972-1977. The drawings consist of plans, elevations, sections, diagrams and sketches, while the textual records include press clippings, project notes, correspondence, the feasibility report, conference reports, and the project proposal. The presentation boards consist of photographs of the project model, site investigation plans, and a painting of the project by Dawson.
Convention Centre for Metropolitan Toronto, Feasibility Study, Toronto (1972)
Actions:
AP018.S1.1972.PR02
Description:
This project series documents a feasibility study for a convention centre in Toronto from 1972-1973. The office identified the project number as 7228. This project consisted of a study to evaluate the feasibility of various downtown sites to build a convention centre, particularly sites close to the CN Tower and Union Station. The project also included the design of the convention centre, establishing realistic project costs and testing the building criteria with governments and committees. The debate on whether the convention centre should be constructed lasted throughout the 1970s and into the 1980s. Parkin Architects Planners also investigated specific sites and refined the design in the late 1970s, under a different project number (see project series AP018.S1.1978.PR05 described in this fonds), and the project was later referred to as the Ontario Congress and Trade Centre. It should be noted that Congress Centre and Convention Centre are used interchangeably in the materials. Eventually, the building contract was given to another architectural firm and today is known as the Metropolitan Toronto Convention Centre. The project is recorded through drawings, presentation boards and textual records dating from around 1972-1977. The drawings consist of plans, elevations, sections, diagrams and sketches, while the textual records include press clippings, project notes, correspondence, the feasibility report, conference reports, and the project proposal. The presentation boards consist of photographs of the project model, site investigation plans, and a painting of the project by Dawson.
Niveau de description archivistique:
Project
Project
Date:
circa 1972-1977
circa 1972-1977
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Brian Boigon
Fonds Brian Boigon
Numéro de référence:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Personnes et institutions:
Date:
1981 - 2015
1981 - 2015
Titre:
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1981 - 2015
1981 - 2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Max Wolfe Roth
Fonds Max Wolfe Roth
Numéro de référence:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Personnes et institutions:
Date:
1933-2000
1933-2000
Titre:
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-2000
1933-2000
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
Personnes et institutions:
Date:
1973-1982
1973-1982
Titre:
D. Programmes and Publications, 1977-1982: 2. Exhibitions and Catalogues
Actions:
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
D. Programmes and Publications, 1977-1982: 2. Exhibitions and Catalogues
Actions:
ARCH153526
Description:
Minutes of the Exhibition Program meetings Budgets Exhibition Program Calendars Correspondence with curators, writers, Max Protetch Gallery, etc. October status report Newspaper clippings Correspondence with Skyline subscribers Contracts with Rizzoli International Publications, Inc. Grant Application to the NEA for Californian exhibition Folder : Austrian Wave ; correspondence with Austrian architects Unlabelled folder : correspondence relating to most exhibitions including budgets, grant application, schedules, newspaper clippings Folder containing personal correspondence to PDE, 1975-1976 Envelope containing typewritten texts relating to Philip Johnson's catalogue - Kenneth Frampton : AT&T Headquarters, New York - Kenneth Frampton : The Glass House Revisited - 9 pages of correspondence between Philip Johnson & J.J.P. Oud - Peter Eisenman : Acknowledgments - Philip Johnson : History, Genealogy, Historicism - 1 text by Giorgio Ciucci (no title) - Catalogue "Another Chance for Housing…", 1973.
Classification:
documents textuels
documents textuels
Date:
1973-1982
1973-1982
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Personnes et institutions:
Date:
1973-1976
1973-1976
Titre:
Art Gallery of Ontario, Stage III Expansion, Toronto (1975-1976)
Actions:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Art Gallery of Ontario, Stage III Expansion, Toronto (1975-1976)
Actions:
AP018.S1.1975.PR08
Description:
This project series documents the design and planning for the third stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto in 1975. The office identified the project number as 7515. This proposed project conceived the further expansion of the AGO after the completion of Stage I and Stage II, which began in 1969 and 1972 respectively. Stage III would build upon completed areas of the building to enlarge gallery, office, performance, and activity spaces. Among the proposed spaces were the satirical art gallery, a Canadian sculpture gallery, a staff lounge, and the enlargement of the library. The largest addition would be to the south of the gallery, directly west of the Grange mansion. The project would also include continuation of exterior walls and masking of the mechanical penthouse on top of the gallery. At the beginning of December 1975, the AGO suddenly asked Parkin Architects Planners to halt design work on the Stage III expansion, citing a lack of financial stability as the cause. However, conversation between the AGO and Parkin on resuming the project continued for years after. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings and textual records dating from 1973-1976. The drawings show preliminary ideas and design work for the project, while the textual records consist of correspondence and meeting minutes.
Niveau de description archivistique:
Project
Project
Date:
1973-1976
1973-1976
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Academic work and interviews
Academic work and interviews
Numéro de référence:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Personnes et institutions:
Date:
circa 1970-2015
circa 1970-2015
Titre:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Niveau de description archivistique:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP154.S1.1967.PR01
Description:
The Twin Parks, Bronx, New York, N.Y. (1967) project series documents the participation of Giovanni Pasanella in the development and execution of housing projects in the Twin Parks West and Twin Parks East areas of the Bronx. In 1967, Giovanni Pasanella collaborated with Jonathan Barnett, Jaquelin Robertson, Richard Weinstein and Myles Weintraub on the "Twin Parks Study". The researchers identified underused sites that could be developed and buildings that could be rehabilitated in the East Tremont area. A plan focussing on two areas--Twin Parks West and Twin Parks East--was developed in collobaration with a group of local religious organizations called the Twin Parks Association. Between 1970 and 1973 a number of sites in the Twin Parks area were developed by different government agencies and designed by different architects. Giovanni Pasanella was selected to design Sites 8, 5-7, 10-12 and 6 in Twin Parks West for the New York State Urban Development Corporation (UDC). He was also chosen to design housing for Site 1-2 of Twin Parks West for the New York City Housing Authority (NYCHA), and he was selected as architect for Twin Parks East--a project composed of housing and a school--developed by the New York City Educational Construction Fund. The project series is arranged in four subseries. The documents related to the Twin Parks Study constitute the first subseries. A second subseries is related to the drawings for the built works in Twin Parks West that were designed for the UDC. Drawings for the apartment building designed for the NYCHA constitute the third subseries and the drawings for Twin Parks East constitute the fourth subseries.
AP154.S1.1967.PR01
Description:
The Twin Parks, Bronx, New York, N.Y. (1967) project series documents the participation of Giovanni Pasanella in the development and execution of housing projects in the Twin Parks West and Twin Parks East areas of the Bronx. In 1967, Giovanni Pasanella collaborated with Jonathan Barnett, Jaquelin Robertson, Richard Weinstein and Myles Weintraub on the "Twin Parks Study". The researchers identified underused sites that could be developed and buildings that could be rehabilitated in the East Tremont area. A plan focussing on two areas--Twin Parks West and Twin Parks East--was developed in collobaration with a group of local religious organizations called the Twin Parks Association. Between 1970 and 1973 a number of sites in the Twin Parks area were developed by different government agencies and designed by different architects. Giovanni Pasanella was selected to design Sites 8, 5-7, 10-12 and 6 in Twin Parks West for the New York State Urban Development Corporation (UDC). He was also chosen to design housing for Site 1-2 of Twin Parks West for the New York City Housing Authority (NYCHA), and he was selected as architect for Twin Parks East--a project composed of housing and a school--developed by the New York City Educational Construction Fund. The project series is arranged in four subseries. The documents related to the Twin Parks Study constitute the first subseries. A second subseries is related to the drawings for the built works in Twin Parks West that were designed for the UDC. Drawings for the apartment building designed for the NYCHA constitute the third subseries and the drawings for Twin Parks East constitute the fourth subseries.
Personnes et institutions:
Date:
1966-1974
1966-1974
Titre:
Twin Parks, Bronx, New York, N.Y. (1967)
Actions:
AP154.S1.1967.PR01
Description:
The Twin Parks, Bronx, New York, N.Y. (1967) project series documents the participation of Giovanni Pasanella in the development and execution of housing projects in the Twin Parks West and Twin Parks East areas of the Bronx. In 1967, Giovanni Pasanella collaborated with Jonathan Barnett, Jaquelin Robertson, Richard Weinstein and Myles Weintraub on the "Twin Parks Study". The researchers identified underused sites that could be developed and buildings that could be rehabilitated in the East Tremont area. A plan focussing on two areas--Twin Parks West and Twin Parks East--was developed in collobaration with a group of local religious organizations called the Twin Parks Association. Between 1970 and 1973 a number of sites in the Twin Parks area were developed by different government agencies and designed by different architects. Giovanni Pasanella was selected to design Sites 8, 5-7, 10-12 and 6 in Twin Parks West for the New York State Urban Development Corporation (UDC). He was also chosen to design housing for Site 1-2 of Twin Parks West for the New York City Housing Authority (NYCHA), and he was selected as architect for Twin Parks East--a project composed of housing and a school--developed by the New York City Educational Construction Fund. The project series is arranged in four subseries. The documents related to the Twin Parks Study constitute the first subseries. A second subseries is related to the drawings for the built works in Twin Parks West that were designed for the UDC. Drawings for the apartment building designed for the NYCHA constitute the third subseries and the drawings for Twin Parks East constitute the fourth subseries.
Twin Parks, Bronx, New York, N.Y. (1967)
Actions:
AP154.S1.1967.PR01
Description:
The Twin Parks, Bronx, New York, N.Y. (1967) project series documents the participation of Giovanni Pasanella in the development and execution of housing projects in the Twin Parks West and Twin Parks East areas of the Bronx. In 1967, Giovanni Pasanella collaborated with Jonathan Barnett, Jaquelin Robertson, Richard Weinstein and Myles Weintraub on the "Twin Parks Study". The researchers identified underused sites that could be developed and buildings that could be rehabilitated in the East Tremont area. A plan focussing on two areas--Twin Parks West and Twin Parks East--was developed in collobaration with a group of local religious organizations called the Twin Parks Association. Between 1970 and 1973 a number of sites in the Twin Parks area were developed by different government agencies and designed by different architects. Giovanni Pasanella was selected to design Sites 8, 5-7, 10-12 and 6 in Twin Parks West for the New York State Urban Development Corporation (UDC). He was also chosen to design housing for Site 1-2 of Twin Parks West for the New York City Housing Authority (NYCHA), and he was selected as architect for Twin Parks East--a project composed of housing and a school--developed by the New York City Educational Construction Fund. The project series is arranged in four subseries. The documents related to the Twin Parks Study constitute the first subseries. A second subseries is related to the drawings for the built works in Twin Parks West that were designed for the UDC. Drawings for the apartment building designed for the NYCHA constitute the third subseries and the drawings for Twin Parks East constitute the fourth subseries.
Niveau de description archivistique:
project
project
Date:
1966-1974
1966-1974
Personnes et institutions:
