62514 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270973
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
ARCH270973
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Personnes et institutions:
Date:
circa 2002
circa 2002
Titre:
Portfiolio of projects
Actions:
ARCH270973
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Portfiolio of projects
Actions:
ARCH270973
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Classification:
documents textuels
documents textuels
Date:
circa 2002
circa 2002
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270974
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
ARCH270974
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Personnes et institutions:
Date:
circa 2002
circa 2002
Titre:
Portfolio of projects
Actions:
ARCH270974
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Portfolio of projects
Actions:
ARCH270974
Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1993 to 2002. It includes these projects: - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Casa Mora, Cádiz (AP164.S1.2000.D10); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Es Pil•larí, Palma de Mallorca (AP164.S1.2000.D5); - Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - La Casa verde, Pozuelo, Madrid (AP164.S1.1997.D4); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Centro universitario en Mérida (AP164.S1.1999.D4); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5).
Classification:
documents textuels
documents textuels
Date:
circa 2002
circa 2002
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270978
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1995 to 2004. It includes these projects: - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Barcelona Forum 2004: Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - Integración del ferrocarril, Logroño (AP164.S1.2004.D10); - The Collection building, Miami (AP164.S1.2003.D12); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Sagüés, San Sebastián (AP164.S1.2003.D5); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Estación Zaragoza (AP164.S1.1999.D5).
ARCH270978
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1995 to 2004. It includes these projects: - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Barcelona Forum 2004: Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - Integración del ferrocarril, Logroño (AP164.S1.2004.D10); - The Collection building, Miami (AP164.S1.2003.D12); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Sagüés, San Sebastián (AP164.S1.2003.D5); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Estación Zaragoza (AP164.S1.1999.D5).
Personnes et institutions:
Date:
March 2005
March 2005
Titre:
Portfolio of projects
Actions:
ARCH270978
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1995 to 2004. It includes these projects: - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Barcelona Forum 2004: Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - Integración del ferrocarril, Logroño (AP164.S1.2004.D10); - The Collection building, Miami (AP164.S1.2003.D12); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Sagüés, San Sebastián (AP164.S1.2003.D5); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Estación Zaragoza (AP164.S1.1999.D5).
Portfolio of projects
Actions:
ARCH270978
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1995 to 2004. It includes these projects: - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Barcelona Forum 2004: Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - Integración del ferrocarril, Logroño (AP164.S1.2004.D10); - The Collection building, Miami (AP164.S1.2003.D12); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Sagüés, San Sebastián (AP164.S1.2003.D5); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Estación Zaragoza (AP164.S1.1999.D5).
Classification:
documents textuels
documents textuels
Date:
March 2005
March 2005
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
Personnes et institutions:
Titre:
Projects photographs for various projects
Actions:
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
Projects photographs for various projects
Actions:
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
Classification:
photographies
photographies
Personnes et institutions:
Classification:
documents textuels
Quantité:
18 file
documents textuels
Quantité:
18 file
Numéro de référence:
ARCH242924
Description:
Martin, Well-Opener - drafts of articles by Reinhold Martin (3 files) Koss - drafts of article by Juliet Koss El-Dahdah Book Review - drafts of review by Farès el-Dahdah of Jean-François de Bastide's The Little House, An Architectural Seduction Picon - drafts and translations of article by Antoine Picon Eigen - drafts of article by Edward Eigen (2 files) Project - Sm-M / Hawk (Smith-Miller + Hawkinson Architects) - transcript of conversation between Henry Smith-Miller, Laurie Hawkinson, Cynthia Davidson, and Ernest Pascucci Kurgan - drafts of article by Laura Kurgan Wigley - drafts of articles by Mark Wigley Nordenson - drafts of article by Guy Nordenson, with illustrations Wong - drafts of article by Y. C. Wong Branden Joseph - drafts of article by Branden W. Joseph Segrest - drafts of article by Robert Segrest Roy - drafts of article by Lindy Roy Colomina - drafts of article by Beatriz Colomina Robbins - drafts of review by Edward Robbins of M. Christine Boyer's The City of Collective Memory
ARCH242924
Description:
Martin, Well-Opener - drafts of articles by Reinhold Martin (3 files) Koss - drafts of article by Juliet Koss El-Dahdah Book Review - drafts of review by Farès el-Dahdah of Jean-François de Bastide's The Little House, An Architectural Seduction Picon - drafts and translations of article by Antoine Picon Eigen - drafts of article by Edward Eigen (2 files) Project - Sm-M / Hawk (Smith-Miller + Hawkinson Architects) - transcript of conversation between Henry Smith-Miller, Laurie Hawkinson, Cynthia Davidson, and Ernest Pascucci Kurgan - drafts of article by Laura Kurgan Wigley - drafts of articles by Mark Wigley Nordenson - drafts of article by Guy Nordenson, with illustrations Wong - drafts of article by Y. C. Wong Branden Joseph - drafts of article by Branden W. Joseph Segrest - drafts of article by Robert Segrest Roy - drafts of article by Lindy Roy Colomina - drafts of article by Beatriz Colomina Robbins - drafts of review by Edward Robbins of M. Christine Boyer's The City of Collective Memory
Personnes et institutions:
Date:
1996-1997
1996-1997
Titre:
Article Texts, 1996-1997
Actions:
ARCH242924
Description:
Martin, Well-Opener - drafts of articles by Reinhold Martin (3 files) Koss - drafts of article by Juliet Koss El-Dahdah Book Review - drafts of review by Farès el-Dahdah of Jean-François de Bastide's The Little House, An Architectural Seduction Picon - drafts and translations of article by Antoine Picon Eigen - drafts of article by Edward Eigen (2 files) Project - Sm-M / Hawk (Smith-Miller + Hawkinson Architects) - transcript of conversation between Henry Smith-Miller, Laurie Hawkinson, Cynthia Davidson, and Ernest Pascucci Kurgan - drafts of article by Laura Kurgan Wigley - drafts of articles by Mark Wigley Nordenson - drafts of article by Guy Nordenson, with illustrations Wong - drafts of article by Y. C. Wong Branden Joseph - drafts of article by Branden W. Joseph Segrest - drafts of article by Robert Segrest Roy - drafts of article by Lindy Roy Colomina - drafts of article by Beatriz Colomina Robbins - drafts of review by Edward Robbins of M. Christine Boyer's The City of Collective Memory
Article Texts, 1996-1997
Actions:
ARCH242924
Description:
Martin, Well-Opener - drafts of articles by Reinhold Martin (3 files) Koss - drafts of article by Juliet Koss El-Dahdah Book Review - drafts of review by Farès el-Dahdah of Jean-François de Bastide's The Little House, An Architectural Seduction Picon - drafts and translations of article by Antoine Picon Eigen - drafts of article by Edward Eigen (2 files) Project - Sm-M / Hawk (Smith-Miller + Hawkinson Architects) - transcript of conversation between Henry Smith-Miller, Laurie Hawkinson, Cynthia Davidson, and Ernest Pascucci Kurgan - drafts of article by Laura Kurgan Wigley - drafts of articles by Mark Wigley Nordenson - drafts of article by Guy Nordenson, with illustrations Wong - drafts of article by Y. C. Wong Branden Joseph - drafts of article by Branden W. Joseph Segrest - drafts of article by Robert Segrest Roy - drafts of article by Lindy Roy Colomina - drafts of article by Beatriz Colomina Robbins - drafts of review by Edward Robbins of M. Christine Boyer's The City of Collective Memory
Classification:
documents textuels
Quantité:
18 file
documents textuels
Quantité:
18 file
Date:
1996-1997
1996-1997
Personnes et institutions:
Titre:
Panorama of the Hudson
Panorama of the Hudson
Actions:
Numéro de référence:
PH1979:0549
Description:
This album titled 'Panorama of the Hudson' shows views of the east bank of the river printed upside down under corresponding views of the west bank. The full title reads: "Panorama of the Hudson showing both sides of the River from New York to Albany. First photo-panorama of any river ever published. One hundred and fifty miles of continuous scenery accurately represented from eight hundred consecutive photographs. From the metropolis to the capital the Hudson varies in width from a half mile to four miles and a half; but the river remains uniform in these pages as most convenient for a book of reference or tourist guide". Sites of interest are noted in typeface on both east and west sides of the river. On verso of title page : Copyright 1888 by Bryant Literary Union. Photographed by G. Willard Shear. Engraved by Moss Engraving Company. Printed by A.V. Haight. Published by Bryant Literary Union. Evening Post Building.
PH1979:0549
Description:
This album titled 'Panorama of the Hudson' shows views of the east bank of the river printed upside down under corresponding views of the west bank. The full title reads: "Panorama of the Hudson showing both sides of the River from New York to Albany. First photo-panorama of any river ever published. One hundred and fifty miles of continuous scenery accurately represented from eight hundred consecutive photographs. From the metropolis to the capital the Hudson varies in width from a half mile to four miles and a half; but the river remains uniform in these pages as most convenient for a book of reference or tourist guide". Sites of interest are noted in typeface on both east and west sides of the river. On verso of title page : Copyright 1888 by Bryant Literary Union. Photographed by G. Willard Shear. Engraved by Moss Engraving Company. Printed by A.V. Haight. Published by Bryant Literary Union. Evening Post Building.
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Date:
1888
1888
Titre:
Panorama of the Hudson
Actions:
PH1979:0549
Description:
This album titled 'Panorama of the Hudson' shows views of the east bank of the river printed upside down under corresponding views of the west bank. The full title reads: "Panorama of the Hudson showing both sides of the River from New York to Albany. First photo-panorama of any river ever published. One hundred and fifty miles of continuous scenery accurately represented from eight hundred consecutive photographs. From the metropolis to the capital the Hudson varies in width from a half mile to four miles and a half; but the river remains uniform in these pages as most convenient for a book of reference or tourist guide". Sites of interest are noted in typeface on both east and west sides of the river. On verso of title page : Copyright 1888 by Bryant Literary Union. Photographed by G. Willard Shear. Engraved by Moss Engraving Company. Printed by A.V. Haight. Published by Bryant Literary Union. Evening Post Building.
Panorama of the Hudson
Actions:
PH1979:0549
Description:
This album titled 'Panorama of the Hudson' shows views of the east bank of the river printed upside down under corresponding views of the west bank. The full title reads: "Panorama of the Hudson showing both sides of the River from New York to Albany. First photo-panorama of any river ever published. One hundred and fifty miles of continuous scenery accurately represented from eight hundred consecutive photographs. From the metropolis to the capital the Hudson varies in width from a half mile to four miles and a half; but the river remains uniform in these pages as most convenient for a book of reference or tourist guide". Sites of interest are noted in typeface on both east and west sides of the river. On verso of title page : Copyright 1888 by Bryant Literary Union. Photographed by G. Willard Shear. Engraved by Moss Engraving Company. Printed by A.V. Haight. Published by Bryant Literary Union. Evening Post Building.
Date:
1888
1888
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
March 1586
March 1586
Titre:
Plan, Elevation, and Perspective of the Castello Used in the Transportation of the Vatican Obelisk; and Views of the Original and Final Location of the Obelisk
Actions:
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Plan, Elevation, and Perspective of the Castello Used in the Transportation of the Vatican Obelisk; and Views of the Original and Final Location of the Obelisk
Actions:
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Classification:
oeuvres d'art
oeuvres d'art
Date:
March 1586
March 1586
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Titre:
Cambridge
Cambridge
Actions:
Numéro de référence:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
ca. 1880
ca. 1880
Titre:
Cambridge
Actions:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Cambridge
Actions:
PH1979:0600.01:001-036
Description:
This album comprises 28 albumen silver prints of monuments of Cambridge and the following description of views of Cambridge could apply to this album: "These views of Cambrige focus primarily on the University's great medieval colleges untouched by the additions, renovations and accretions of the twentieth century, but also document the uncluttered nature of the city itself in the third quarter of the nineteenth century. Sprouting gargoyles vie for attention with gothic pinnacles, graceful bridges reflect themselves in the River Cam, and top-hatted gentlemen stroll through the snowy lanes of winter while labourers, messengers and apprentices confront the camera's gaze." (Cambridge Book and Print Gallery). The monuments depicted are the following: Jesus College. New Buildings; Cambridge Divinity Schools; Queen's College Entrance Gate; St. John's Chapel, from Trinity Backs (Summer); St. John's Chapel, from Trinity Backs (Winter); St. John's College. Bridge of Sighs; Queen's Bridge; Queen's Gardens; Pembroke College; Catherine's College; Emanuel College; Magdelen College; St. Peters College; Dowing College; Cains College. Old Gateway; Sidney College; Trinity Hall; The Round Church; Senate House and Library; and Fitzwilliam Museum.
Date:
ca. 1880
ca. 1880
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Álvaro Siza
Fonds Álvaro Siza
Numéro de référence:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Personnes et institutions:
Date:
1958-2002
1958-2002
Titre:
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2002
1958-2002
Personnes et institutions:
