118952 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Œuvres du prix de Rome
Œuvres du prix de Rome
Numéro de référence:
AP120.S2
Description:
La série documente principalement la recherche que l'architecte a poursuivi durant son séjour à Rome, depuis les premières esquisses jusqu'à la création des œuvres définitives présentant le projet La Villa Indeterminata. Les documents permettent ainsi d'observer l'une des composantes fondamentales de la carrière de l'architecte, soit l'intérêt qu'il porte à la réflexion théorique sur l'architecture, et en particulier ici sur le rapport qu'elle entretient avec la nature. La série est en partie constituée de dessins originaux, soit les esquisses et les dessins qui ont précédé la réalisation des dessins de présentation, ainsi que les dessins de présentation eux-mêmes. Aussi, la série contient les œuvres présentées dans le cadre de l'exposition Ingberg, Prix de Rome Canada, 1993-1994, Topographies de l'anomalie et de l'indéterminé / of Anomaly and Indeterminacy, soit des panneaux de présentation, des panneaux de photographies , des reproductions photographiques de dessins de présentation et une maquette du projet. Enfin, la série contient un exemplaire du catalogue de l'exposition et des textes relatifs à la démanche intellectuelle de l'architecte.
AP120.S2
Description:
La série documente principalement la recherche que l'architecte a poursuivi durant son séjour à Rome, depuis les premières esquisses jusqu'à la création des œuvres définitives présentant le projet La Villa Indeterminata. Les documents permettent ainsi d'observer l'une des composantes fondamentales de la carrière de l'architecte, soit l'intérêt qu'il porte à la réflexion théorique sur l'architecture, et en particulier ici sur le rapport qu'elle entretient avec la nature. La série est en partie constituée de dessins originaux, soit les esquisses et les dessins qui ont précédé la réalisation des dessins de présentation, ainsi que les dessins de présentation eux-mêmes. Aussi, la série contient les œuvres présentées dans le cadre de l'exposition Ingberg, Prix de Rome Canada, 1993-1994, Topographies de l'anomalie et de l'indéterminé / of Anomaly and Indeterminacy, soit des panneaux de présentation, des panneaux de photographies , des reproductions photographiques de dessins de présentation et une maquette du projet. Enfin, la série contient un exemplaire du catalogue de l'exposition et des textes relatifs à la démanche intellectuelle de l'architecte.
Personnes et institutions:
Date:
1991-1996
1991-1996
Titre:
Œuvres du prix de Rome
Actions:
AP120.S2
Description:
La série documente principalement la recherche que l'architecte a poursuivi durant son séjour à Rome, depuis les premières esquisses jusqu'à la création des œuvres définitives présentant le projet La Villa Indeterminata. Les documents permettent ainsi d'observer l'une des composantes fondamentales de la carrière de l'architecte, soit l'intérêt qu'il porte à la réflexion théorique sur l'architecture, et en particulier ici sur le rapport qu'elle entretient avec la nature. La série est en partie constituée de dessins originaux, soit les esquisses et les dessins qui ont précédé la réalisation des dessins de présentation, ainsi que les dessins de présentation eux-mêmes. Aussi, la série contient les œuvres présentées dans le cadre de l'exposition Ingberg, Prix de Rome Canada, 1993-1994, Topographies de l'anomalie et de l'indéterminé / of Anomaly and Indeterminacy, soit des panneaux de présentation, des panneaux de photographies , des reproductions photographiques de dessins de présentation et une maquette du projet. Enfin, la série contient un exemplaire du catalogue de l'exposition et des textes relatifs à la démanche intellectuelle de l'architecte.
Œuvres du prix de Rome
Actions:
AP120.S2
Description:
La série documente principalement la recherche que l'architecte a poursuivi durant son séjour à Rome, depuis les premières esquisses jusqu'à la création des œuvres définitives présentant le projet La Villa Indeterminata. Les documents permettent ainsi d'observer l'une des composantes fondamentales de la carrière de l'architecte, soit l'intérêt qu'il porte à la réflexion théorique sur l'architecture, et en particulier ici sur le rapport qu'elle entretient avec la nature. La série est en partie constituée de dessins originaux, soit les esquisses et les dessins qui ont précédé la réalisation des dessins de présentation, ainsi que les dessins de présentation eux-mêmes. Aussi, la série contient les œuvres présentées dans le cadre de l'exposition Ingberg, Prix de Rome Canada, 1993-1994, Topographies de l'anomalie et de l'indéterminé / of Anomaly and Indeterminacy, soit des panneaux de présentation, des panneaux de photographies , des reproductions photographiques de dessins de présentation et une maquette du projet. Enfin, la série contient un exemplaire du catalogue de l'exposition et des textes relatifs à la démanche intellectuelle de l'architecte.
Niveau de description archivistique:
Série 2
Série 2
Date:
1991-1996
1991-1996
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270063
Description:
Group consists of various versions of an outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The documentation includes the transcription of a quote by Pierre Jeanneret, an history of the project for Chandigarh, a text on the CIAM (Congrès internationaux d'architecture moderne) chart, and texts on the Museum of Knowledge, including one by Le Corbusier.
ARCH270063
Description:
Group consists of various versions of an outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The documentation includes the transcription of a quote by Pierre Jeanneret, an history of the project for Chandigarh, a text on the CIAM (Congrès internationaux d'architecture moderne) chart, and texts on the Museum of Knowledge, including one by Le Corbusier.
Personnes et institutions:
Date:
1982-1986
1982-1986
Titre:
Outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville"
Actions:
ARCH270063
Description:
Group consists of various versions of an outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The documentation includes the transcription of a quote by Pierre Jeanneret, an history of the project for Chandigarh, a text on the CIAM (Congrès internationaux d'architecture moderne) chart, and texts on the Museum of Knowledge, including one by Le Corbusier.
Outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville"
Actions:
ARCH270063
Description:
Group consists of various versions of an outline and documentation for a book project on Chandigarh titled "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The documentation includes the transcription of a quote by Pierre Jeanneret, an history of the project for Chandigarh, a text on the CIAM (Congrès internationaux d'architecture moderne) chart, and texts on the Museum of Knowledge, including one by Le Corbusier.
Classification:
documents textuels
documents textuels
Date:
1982-1986
1982-1986
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH158232
Description:
Chemise incluant de la correspondance critiquant le recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean, fait vers 1991-1992. Photocopies d’une gravure de l’édifice provenant de l’Ordre des ambulanciers de Saint-Jean. Reproduction calquée par Roger D’Astous de la photocopie de cette gravure. Photocopie de la Maison Saint-Jean, avec annotation manuscrite. Article par Jean-Pierre Bonhomme, paru dans La Presse, 19 janvier 1992, au sujet du recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean. Divers articles par Jean-Pierre Bonhomme, parus dans La Presse, traitant d’architecture.
ARCH158232
Description:
Chemise incluant de la correspondance critiquant le recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean, fait vers 1991-1992. Photocopies d’une gravure de l’édifice provenant de l’Ordre des ambulanciers de Saint-Jean. Reproduction calquée par Roger D’Astous de la photocopie de cette gravure. Photocopie de la Maison Saint-Jean, avec annotation manuscrite. Article par Jean-Pierre Bonhomme, paru dans La Presse, 19 janvier 1992, au sujet du recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean. Divers articles par Jean-Pierre Bonhomme, parus dans La Presse, traitant d’architecture.
Personnes et institutions:
Titre:
Correspondance critiquant le recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean
Actions:
ARCH158232
Description:
Chemise incluant de la correspondance critiquant le recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean, fait vers 1991-1992. Photocopies d’une gravure de l’édifice provenant de l’Ordre des ambulanciers de Saint-Jean. Reproduction calquée par Roger D’Astous de la photocopie de cette gravure. Photocopie de la Maison Saint-Jean, avec annotation manuscrite. Article par Jean-Pierre Bonhomme, paru dans La Presse, 19 janvier 1992, au sujet du recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean. Divers articles par Jean-Pierre Bonhomme, parus dans La Presse, traitant d’architecture.
Correspondance critiquant le recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean
Actions:
ARCH158232
Description:
Chemise incluant de la correspondance critiquant le recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean, fait vers 1991-1992. Photocopies d’une gravure de l’édifice provenant de l’Ordre des ambulanciers de Saint-Jean. Reproduction calquée par Roger D’Astous de la photocopie de cette gravure. Photocopie de la Maison Saint-Jean, avec annotation manuscrite. Article par Jean-Pierre Bonhomme, paru dans La Presse, 19 janvier 1992, au sujet du recyclage de l’Édifice de l’Ordre des ambulanciers de Saint-Jean. Divers articles par Jean-Pierre Bonhomme, parus dans La Presse, traitant d’architecture.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273507
Description:
File contains biography of Arthur Erickson Architects partners and staff, including Arthur Erickson, Edward L. Cargafo, Joseph A. Collins, Alberto Bertoli, Susan H. Oakley, Paul Murdoch and Timothy Lambert. Also includes an article about the Canadian Chancery, Washington, D.C. from the Architectural Record (March 1990).
ARCH273507
Description:
File contains biography of Arthur Erickson Architects partners and staff, including Arthur Erickson, Edward L. Cargafo, Joseph A. Collins, Alberto Bertoli, Susan H. Oakley, Paul Murdoch and Timothy Lambert. Also includes an article about the Canadian Chancery, Washington, D.C. from the Architectural Record (March 1990).
Personnes et institutions:
Date:
ca. 1990
ca. 1990
Titre:
Biographies of Arthur Erickson and other partners and staff members
Actions:
ARCH273507
Description:
File contains biography of Arthur Erickson Architects partners and staff, including Arthur Erickson, Edward L. Cargafo, Joseph A. Collins, Alberto Bertoli, Susan H. Oakley, Paul Murdoch and Timothy Lambert. Also includes an article about the Canadian Chancery, Washington, D.C. from the Architectural Record (March 1990).
Biographies of Arthur Erickson and other partners and staff members
Actions:
ARCH273507
Description:
File contains biography of Arthur Erickson Architects partners and staff, including Arthur Erickson, Edward L. Cargafo, Joseph A. Collins, Alberto Bertoli, Susan H. Oakley, Paul Murdoch and Timothy Lambert. Also includes an article about the Canadian Chancery, Washington, D.C. from the Architectural Record (March 1990).
Classification:
documents textuels
documents textuels
Date:
ca. 1990
ca. 1990
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH276977
Description:
Group consists of 13 plans for the Centre International de Recherches Biologiques (CIRB) in Talloires, Haute Savoie, France, by the architectural firm Architectes Desa (Gilles de Tellier, Jacques Losserand and Alain Taves) probably collected by Jacqueline Jeanneret for documentation. The group includes a site plan, floor plans, sections and an elevation.
ARCH276977
Description:
Group consists of 13 plans for the Centre International de Recherches Biologiques (CIRB) in Talloires, Haute Savoie, France, by the architectural firm Architectes Desa (Gilles de Tellier, Jacques Losserand and Alain Taves) probably collected by Jacqueline Jeanneret for documentation. The group includes a site plan, floor plans, sections and an elevation.
Personnes et institutions:
Date:
May 5, 1988
May 5, 1988
Titre:
Plans for the Centre International de Recherches Biologiques (CIRB) in Talloires, Haute Savoie, France
Actions:
ARCH276977
Description:
Group consists of 13 plans for the Centre International de Recherches Biologiques (CIRB) in Talloires, Haute Savoie, France, by the architectural firm Architectes Desa (Gilles de Tellier, Jacques Losserand and Alain Taves) probably collected by Jacqueline Jeanneret for documentation. The group includes a site plan, floor plans, sections and an elevation.
Plans for the Centre International de Recherches Biologiques (CIRB) in Talloires, Haute Savoie, France
Actions:
ARCH276977
Description:
Group consists of 13 plans for the Centre International de Recherches Biologiques (CIRB) in Talloires, Haute Savoie, France, by the architectural firm Architectes Desa (Gilles de Tellier, Jacques Losserand and Alain Taves) probably collected by Jacqueline Jeanneret for documentation. The group includes a site plan, floor plans, sections and an elevation.
Classification:
dessins
dessins
Date:
May 5, 1988
May 5, 1988
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH256688
Description:
3 publicity files - AEA CVs and resumes for brochures, list of personnel dates of graduation; AEA silver pamphlets with small pictures of projects, AEA Vancouver brochure that unfolds to show a map of finished projects in Vancouver; Gutheim, Seelig, Erickson (Washington, 1971) architectural firm brochure with selected studies and biographical profiles.
ARCH256688
Description:
3 publicity files - AEA CVs and resumes for brochures, list of personnel dates of graduation; AEA silver pamphlets with small pictures of projects, AEA Vancouver brochure that unfolds to show a map of finished projects in Vancouver; Gutheim, Seelig, Erickson (Washington, 1971) architectural firm brochure with selected studies and biographical profiles.
Personnes et institutions:
Titre:
Resumes, brochures, list of personnel for Arthur Erickson Architect
Actions:
ARCH256688
Description:
3 publicity files - AEA CVs and resumes for brochures, list of personnel dates of graduation; AEA silver pamphlets with small pictures of projects, AEA Vancouver brochure that unfolds to show a map of finished projects in Vancouver; Gutheim, Seelig, Erickson (Washington, 1971) architectural firm brochure with selected studies and biographical profiles.
Resumes, brochures, list of personnel for Arthur Erickson Architect
Actions:
ARCH256688
Description:
3 publicity files - AEA CVs and resumes for brochures, list of personnel dates of graduation; AEA silver pamphlets with small pictures of projects, AEA Vancouver brochure that unfolds to show a map of finished projects in Vancouver; Gutheim, Seelig, Erickson (Washington, 1971) architectural firm brochure with selected studies and biographical profiles.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
né numérique
Quantité:
2 DVD(s)
né numérique
Quantité:
2 DVD(s)
Actions:
Numéro de référence:
PH2005:0033
Description:
The film is about the Forth railway Bridge in Edinburgh, Scotland. The box contains the original DVD and a security copy as well as a written note by Dieter Appelt. Video and sound are choppy. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2002-2006
PH2005:0033
Description:
The film is about the Forth railway Bridge in Edinburgh, Scotland. The box contains the original DVD and a security copy as well as a written note by Dieter Appelt. Video and sound are choppy. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2002-2006
Personnes et institutions:
Date:
2003-2004
2003-2004
Titre:
Forth-Bridge-Cinema Metric Space
Actions:
PH2005:0033
Description:
The film is about the Forth railway Bridge in Edinburgh, Scotland. The box contains the original DVD and a security copy as well as a written note by Dieter Appelt. Video and sound are choppy. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2002-2006
Forth-Bridge-Cinema Metric Space
Actions:
PH2005:0033
Description:
The film is about the Forth railway Bridge in Edinburgh, Scotland. The box contains the original DVD and a security copy as well as a written note by Dieter Appelt. Video and sound are choppy. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2002-2006
Classification:
né numérique
Quantité:
2 DVD(s)
né numérique
Quantité:
2 DVD(s)
Date:
2003-2004
2003-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1979.PR06
Description:
The project series documents the 1979 design entry for Block 70 and 89, also known as the Fränkelufer residential complex. While the records were held in the office’s archives this project was assigned the number 55/70. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Six months prior to submitting the design for Block 70 and 89 Siza submitted a design for the Görlitzer Bad swimming pool, which did not win the competition but received a special prize. Siza later submitted proposals to the IBA for Bonjour Tristesse (Block 121), Monument to Gestapo victims Prinz-Albrecht-Palais, Block 11-12 (Kottbusser Damm), and the Kulturforum, all of which are documented in this fonds. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues, and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new structures while IBA Altbau's was to renovate existing buildings. The competition site for Block 70 and 89 was located on the west side of Kreuzberg, a district on the eastern edge of West Berlin. Although this project was part of the Altbau section, it nonetheless required building new housing complexes, which was generally under the purview of the Neubau section (Mota, "An archaeology of the ordinary" 299). Siza won second prize in the competition for his design of Block 70 and 89. This design proposal is said to have prepared Siza's ideas for his first international built project, Block 121 (Mathur, "The migrant's time"). The project series contains sketches and studies, which include notes. Several of the project sketches also include sketches of people. Documenting the design proposal are site plans, elevations, interior elevations, and floor plans. Photographs, negatives, contact sheets, and slides depict the project site and surrounding area as well as the model and drawings. Additionally there are panoramic photomontages of the project site. Please note that documentation for this project series is housed with documentation on Block 11-12 in file AP178.S1.1980.PR03.008, in the order it was kept by the office. Documentation for Block 70 and 89 includes an invitation to the competition, recommendations from the IBA advisory council, and other information regarding the competition.
AP178.S1.1979.PR06
Description:
The project series documents the 1979 design entry for Block 70 and 89, also known as the Fränkelufer residential complex. While the records were held in the office’s archives this project was assigned the number 55/70. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Six months prior to submitting the design for Block 70 and 89 Siza submitted a design for the Görlitzer Bad swimming pool, which did not win the competition but received a special prize. Siza later submitted proposals to the IBA for Bonjour Tristesse (Block 121), Monument to Gestapo victims Prinz-Albrecht-Palais, Block 11-12 (Kottbusser Damm), and the Kulturforum, all of which are documented in this fonds. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues, and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new structures while IBA Altbau's was to renovate existing buildings. The competition site for Block 70 and 89 was located on the west side of Kreuzberg, a district on the eastern edge of West Berlin. Although this project was part of the Altbau section, it nonetheless required building new housing complexes, which was generally under the purview of the Neubau section (Mota, "An archaeology of the ordinary" 299). Siza won second prize in the competition for his design of Block 70 and 89. This design proposal is said to have prepared Siza's ideas for his first international built project, Block 121 (Mathur, "The migrant's time"). The project series contains sketches and studies, which include notes. Several of the project sketches also include sketches of people. Documenting the design proposal are site plans, elevations, interior elevations, and floor plans. Photographs, negatives, contact sheets, and slides depict the project site and surrounding area as well as the model and drawings. Additionally there are panoramic photomontages of the project site. Please note that documentation for this project series is housed with documentation on Block 11-12 in file AP178.S1.1980.PR03.008, in the order it was kept by the office. Documentation for Block 70 and 89 includes an invitation to the competition, recommendations from the IBA advisory council, and other information regarding the competition.
Personnes et institutions:
Date:
1976-1982
1976-1982
Titre:
Blocke 70 und 89, Kreuzberg, Fränkelufer [Fränkelufer residential complex], Berlin, Germany (1976-1982)
Actions:
AP178.S1.1979.PR06
Description:
The project series documents the 1979 design entry for Block 70 and 89, also known as the Fränkelufer residential complex. While the records were held in the office’s archives this project was assigned the number 55/70. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Six months prior to submitting the design for Block 70 and 89 Siza submitted a design for the Görlitzer Bad swimming pool, which did not win the competition but received a special prize. Siza later submitted proposals to the IBA for Bonjour Tristesse (Block 121), Monument to Gestapo victims Prinz-Albrecht-Palais, Block 11-12 (Kottbusser Damm), and the Kulturforum, all of which are documented in this fonds. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues, and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new structures while IBA Altbau's was to renovate existing buildings. The competition site for Block 70 and 89 was located on the west side of Kreuzberg, a district on the eastern edge of West Berlin. Although this project was part of the Altbau section, it nonetheless required building new housing complexes, which was generally under the purview of the Neubau section (Mota, "An archaeology of the ordinary" 299). Siza won second prize in the competition for his design of Block 70 and 89. This design proposal is said to have prepared Siza's ideas for his first international built project, Block 121 (Mathur, "The migrant's time"). The project series contains sketches and studies, which include notes. Several of the project sketches also include sketches of people. Documenting the design proposal are site plans, elevations, interior elevations, and floor plans. Photographs, negatives, contact sheets, and slides depict the project site and surrounding area as well as the model and drawings. Additionally there are panoramic photomontages of the project site. Please note that documentation for this project series is housed with documentation on Block 11-12 in file AP178.S1.1980.PR03.008, in the order it was kept by the office. Documentation for Block 70 and 89 includes an invitation to the competition, recommendations from the IBA advisory council, and other information regarding the competition.
Blocke 70 und 89, Kreuzberg, Fränkelufer [Fränkelufer residential complex], Berlin, Germany (1976-1982)
Actions:
AP178.S1.1979.PR06
Description:
The project series documents the 1979 design entry for Block 70 and 89, also known as the Fränkelufer residential complex. While the records were held in the office’s archives this project was assigned the number 55/70. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Six months prior to submitting the design for Block 70 and 89 Siza submitted a design for the Görlitzer Bad swimming pool, which did not win the competition but received a special prize. Siza later submitted proposals to the IBA for Bonjour Tristesse (Block 121), Monument to Gestapo victims Prinz-Albrecht-Palais, Block 11-12 (Kottbusser Damm), and the Kulturforum, all of which are documented in this fonds. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues, and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new structures while IBA Altbau's was to renovate existing buildings. The competition site for Block 70 and 89 was located on the west side of Kreuzberg, a district on the eastern edge of West Berlin. Although this project was part of the Altbau section, it nonetheless required building new housing complexes, which was generally under the purview of the Neubau section (Mota, "An archaeology of the ordinary" 299). Siza won second prize in the competition for his design of Block 70 and 89. This design proposal is said to have prepared Siza's ideas for his first international built project, Block 121 (Mathur, "The migrant's time"). The project series contains sketches and studies, which include notes. Several of the project sketches also include sketches of people. Documenting the design proposal are site plans, elevations, interior elevations, and floor plans. Photographs, negatives, contact sheets, and slides depict the project site and surrounding area as well as the model and drawings. Additionally there are panoramic photomontages of the project site. Please note that documentation for this project series is housed with documentation on Block 11-12 in file AP178.S1.1980.PR03.008, in the order it was kept by the office. Documentation for Block 70 and 89 includes an invitation to the competition, recommendations from the IBA advisory council, and other information regarding the competition.
Niveau de description archivistique:
Project
Project
Date:
1976-1982
1976-1982
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP175.S1
Description:
Series 1, Erasmus Bridge, Rotterdam, Netherlands, 1990-1996, documents the design, conception and construction of a third bridge for Rotterdam over the Nieuwe Maas River. The bridge connects the Kop van Zuid neighborhood, located on the south side of the river, to Willemsplein, located on the north side. The bridge is considered as a landmark in Rotterdam’s landscape. The Erasmus Bridge was a formative project in the thinking of UNStudio. It was originally supposed to be designed by architect Maarten Struijs who was the city of Rotterdam principal architect and who is responsible for the concept of the neighboring Willem Bridge. Ben van Berkel came later into the project and was hired as a designing consultant along with architect Wim Quist. Ben van Berkel proposed design was selected allowing him and his firm, which was called Van Berkel & Bos Architectuurbureau at that time, to supervise the conception and construction of the project, from the original concept to piers design to the selection of every item of bridge furniture such as traffic lights, bridge camera and handrails. The bridge was designed to fit the distinct character and industrial past of Rotterdam. The construction of this landmark was one component of a larger redevelopment project, coinciding with other major developments in the city of Rotterdam. The goal was to develop a dense urban intervention on the southern shore of the Nieuwe Maas, in the Kop van Zuid neighborhood. This explains the implication of UNStudio in the planning of urban configuration of the neighborhoods on both sides of the river and their work for Spido, a ferry company operating on the Nieuwe Maas, work spaces and parking garage. This commercial building was designed by the firm and also hosts The Grand Café and Jazz Café. This commercial building is integrated to one of the bridge pillar on the north shore of the river. For the design the firm used AutoCAD to work along with engineers and to conceptualize 3D models. They also used the software to evaluate the circulation flow of drivers, pedestrians and streetcars, measuring its impact on the structure and the urban configuration of the neighborhoods on both sides of the river. The records contain sketches for bridge and pier design, plans and sections for pier, Spido and bridge, architectural and construction details created by engineering companies for every component of the bridge, from drawbridge, to cable car system, to bridge furnitures such as traffic light, handrails and cameras and photographs documenting the research for precedent and the original configuration of the neighborhoods on both sides of the river. The record contains AutoCAD plans, details and sections for both the bridge and Spido parking garage. The records also contain one physical model: a small scale plastic, glass and metal model of the bridge.
AP175.S1
Description:
Series 1, Erasmus Bridge, Rotterdam, Netherlands, 1990-1996, documents the design, conception and construction of a third bridge for Rotterdam over the Nieuwe Maas River. The bridge connects the Kop van Zuid neighborhood, located on the south side of the river, to Willemsplein, located on the north side. The bridge is considered as a landmark in Rotterdam’s landscape. The Erasmus Bridge was a formative project in the thinking of UNStudio. It was originally supposed to be designed by architect Maarten Struijs who was the city of Rotterdam principal architect and who is responsible for the concept of the neighboring Willem Bridge. Ben van Berkel came later into the project and was hired as a designing consultant along with architect Wim Quist. Ben van Berkel proposed design was selected allowing him and his firm, which was called Van Berkel & Bos Architectuurbureau at that time, to supervise the conception and construction of the project, from the original concept to piers design to the selection of every item of bridge furniture such as traffic lights, bridge camera and handrails. The bridge was designed to fit the distinct character and industrial past of Rotterdam. The construction of this landmark was one component of a larger redevelopment project, coinciding with other major developments in the city of Rotterdam. The goal was to develop a dense urban intervention on the southern shore of the Nieuwe Maas, in the Kop van Zuid neighborhood. This explains the implication of UNStudio in the planning of urban configuration of the neighborhoods on both sides of the river and their work for Spido, a ferry company operating on the Nieuwe Maas, work spaces and parking garage. This commercial building was designed by the firm and also hosts The Grand Café and Jazz Café. This commercial building is integrated to one of the bridge pillar on the north shore of the river. For the design the firm used AutoCAD to work along with engineers and to conceptualize 3D models. They also used the software to evaluate the circulation flow of drivers, pedestrians and streetcars, measuring its impact on the structure and the urban configuration of the neighborhoods on both sides of the river. The records contain sketches for bridge and pier design, plans and sections for pier, Spido and bridge, architectural and construction details created by engineering companies for every component of the bridge, from drawbridge, to cable car system, to bridge furnitures such as traffic light, handrails and cameras and photographs documenting the research for precedent and the original configuration of the neighborhoods on both sides of the river. The record contains AutoCAD plans, details and sections for both the bridge and Spido parking garage. The records also contain one physical model: a small scale plastic, glass and metal model of the bridge.
Personnes et institutions:
Date:
1990-1996
1990-1996
Titre:
Erasmus Bridge, Rotterdam, Netherlands, 1990-1996
Actions:
AP175.S1
Description:
Series 1, Erasmus Bridge, Rotterdam, Netherlands, 1990-1996, documents the design, conception and construction of a third bridge for Rotterdam over the Nieuwe Maas River. The bridge connects the Kop van Zuid neighborhood, located on the south side of the river, to Willemsplein, located on the north side. The bridge is considered as a landmark in Rotterdam’s landscape. The Erasmus Bridge was a formative project in the thinking of UNStudio. It was originally supposed to be designed by architect Maarten Struijs who was the city of Rotterdam principal architect and who is responsible for the concept of the neighboring Willem Bridge. Ben van Berkel came later into the project and was hired as a designing consultant along with architect Wim Quist. Ben van Berkel proposed design was selected allowing him and his firm, which was called Van Berkel & Bos Architectuurbureau at that time, to supervise the conception and construction of the project, from the original concept to piers design to the selection of every item of bridge furniture such as traffic lights, bridge camera and handrails. The bridge was designed to fit the distinct character and industrial past of Rotterdam. The construction of this landmark was one component of a larger redevelopment project, coinciding with other major developments in the city of Rotterdam. The goal was to develop a dense urban intervention on the southern shore of the Nieuwe Maas, in the Kop van Zuid neighborhood. This explains the implication of UNStudio in the planning of urban configuration of the neighborhoods on both sides of the river and their work for Spido, a ferry company operating on the Nieuwe Maas, work spaces and parking garage. This commercial building was designed by the firm and also hosts The Grand Café and Jazz Café. This commercial building is integrated to one of the bridge pillar on the north shore of the river. For the design the firm used AutoCAD to work along with engineers and to conceptualize 3D models. They also used the software to evaluate the circulation flow of drivers, pedestrians and streetcars, measuring its impact on the structure and the urban configuration of the neighborhoods on both sides of the river. The records contain sketches for bridge and pier design, plans and sections for pier, Spido and bridge, architectural and construction details created by engineering companies for every component of the bridge, from drawbridge, to cable car system, to bridge furnitures such as traffic light, handrails and cameras and photographs documenting the research for precedent and the original configuration of the neighborhoods on both sides of the river. The record contains AutoCAD plans, details and sections for both the bridge and Spido parking garage. The records also contain one physical model: a small scale plastic, glass and metal model of the bridge.
Erasmus Bridge, Rotterdam, Netherlands, 1990-1996
Actions:
AP175.S1
Description:
Series 1, Erasmus Bridge, Rotterdam, Netherlands, 1990-1996, documents the design, conception and construction of a third bridge for Rotterdam over the Nieuwe Maas River. The bridge connects the Kop van Zuid neighborhood, located on the south side of the river, to Willemsplein, located on the north side. The bridge is considered as a landmark in Rotterdam’s landscape. The Erasmus Bridge was a formative project in the thinking of UNStudio. It was originally supposed to be designed by architect Maarten Struijs who was the city of Rotterdam principal architect and who is responsible for the concept of the neighboring Willem Bridge. Ben van Berkel came later into the project and was hired as a designing consultant along with architect Wim Quist. Ben van Berkel proposed design was selected allowing him and his firm, which was called Van Berkel & Bos Architectuurbureau at that time, to supervise the conception and construction of the project, from the original concept to piers design to the selection of every item of bridge furniture such as traffic lights, bridge camera and handrails. The bridge was designed to fit the distinct character and industrial past of Rotterdam. The construction of this landmark was one component of a larger redevelopment project, coinciding with other major developments in the city of Rotterdam. The goal was to develop a dense urban intervention on the southern shore of the Nieuwe Maas, in the Kop van Zuid neighborhood. This explains the implication of UNStudio in the planning of urban configuration of the neighborhoods on both sides of the river and their work for Spido, a ferry company operating on the Nieuwe Maas, work spaces and parking garage. This commercial building was designed by the firm and also hosts The Grand Café and Jazz Café. This commercial building is integrated to one of the bridge pillar on the north shore of the river. For the design the firm used AutoCAD to work along with engineers and to conceptualize 3D models. They also used the software to evaluate the circulation flow of drivers, pedestrians and streetcars, measuring its impact on the structure and the urban configuration of the neighborhoods on both sides of the river. The records contain sketches for bridge and pier design, plans and sections for pier, Spido and bridge, architectural and construction details created by engineering companies for every component of the bridge, from drawbridge, to cable car system, to bridge furnitures such as traffic light, handrails and cameras and photographs documenting the research for precedent and the original configuration of the neighborhoods on both sides of the river. The record contains AutoCAD plans, details and sections for both the bridge and Spido parking garage. The records also contain one physical model: a small scale plastic, glass and metal model of the bridge.
Niveau de description archivistique:
Series
Series
Date:
1990-1996
1990-1996
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Joignez-vous à nous à la Librairie pour le lancement de notre première série de publications numériques avec une présentation spéciale de Tamara Maletic et Dan Michaelson du studio Linked By Air, de New York. Nos publications parues jusqu’à maintenant présentent des conversations avec les architectes Chuck Hoberman et Peter Eisenman.
Joignez-vous à nous à la Librairie pour le lancement de notre première série de publications numériques avec une présentation spéciale de Tamara Maletic et Dan Michaelson du studio Linked By Air, de New York. Nos publications parues jusqu’à maintenant présentent des conversations avec les architectes Chuck Hoberman et Peter Eisenman.
Localisation:
Librarie du CCA
Librarie du CCA
Date:
15 mai 2014 , 18h
15 mai 2014 , 18h
Titre:
Linked By Air présente notre nouvelle série de publications numériques
Actions:
Description:
Joignez-vous à nous à la Librairie pour le lancement de notre première série de publications numériques avec une présentation spéciale de Tamara Maletic et Dan Michaelson du studio Linked By Air, de New York. Nos publications parues jusqu’à maintenant présentent des conversations avec les architectes Chuck Hoberman et Peter Eisenman.
Linked By Air présente notre nouvelle série de publications numériques
Actions:
Description:
Joignez-vous à nous à la Librairie pour le lancement de notre première série de publications numériques avec une présentation spéciale de Tamara Maletic et Dan Michaelson du studio Linked By Air, de New York. Nos publications parues jusqu’à maintenant présentent des conversations avec les architectes Chuck Hoberman et Peter Eisenman.
Classification:
événements
événements
Date:
15 mai 2014
18h
15 mai 2014
18h
Localisation:
Librarie du CCA
Librarie du CCA
