119251 Résultats
Classification:
pages web
pages web
Titre:
Territoires vivants
Territoires vivants
Actions:
Résumé:
Des engagements et projets à long terme qui ont comme objectifs de fournir un soutien et des ressources aux communautés et aux chercheurs autochtones pour étudier l’environnement bâti, et de remodeler notre propre compréhension du travail que nous faisons en tant qu’institution coloniale cherchant à repousser les limites de la pensée architecturale.
Titre:
Territoires vivants
Actions:
Résumé:
Territoires vivants
Actions:
Résumé:
Des engagements et projets à long terme qui ont comme objectifs de fournir un soutien et des ressources aux communautés et aux chercheurs autochtones pour étudier l’environnement bâti, et de remodeler notre propre compréhension du travail que nous faisons en tant qu’institution coloniale cherchant à repousser les limites de la pensée architecturale.
Classification:
pages web
pages web
Classification:
événements
événements
Titre:
Nuit blanche 2025 : 38%
Nuit blanche 2025 : 38%
Actions:
Description:
Il est temps d’envisager un changement systémique dans notre manière de concevoir et de valoriser lenvironnement bâti. Notre façon de construire nest pas écologiquement durable. Aujourd’hui 38% de la production mondiale annuelle du gaz à effet de serre est émis par l’industrie de la construction. Lors de la Nuit Blanche au CCA, nous vous invitons à venir discuter,(...)
Il est temps d’envisager un changement systémique dans notre manière de concevoir et de valoriser lenvironnement bâti. Notre façon de construire nest pas écologiquement durable. Aujourd’hui 38% de la production mondiale annuelle du gaz à effet de serre est émis par l’industrie de la construction. Lors de la Nuit Blanche au CCA, nous vous invitons à venir discuter,(...)
Mot(s)-clé(s):
Nuit Blanche 2025
Nuit Blanche 2025
Date:
1 mars 2025 au 2 mars 2025, de 19h à 1h
1 mars 2025 au 2 mars 2025, de 19h à 1h
Titre:
Nuit blanche 2025 : 38%
Actions:
Description:
Il est temps d’envisager un changement systémique dans notre manière de concevoir et de valoriser lenvironnement bâti. Notre façon de construire nest pas écologiquement durable. Aujourd’hui 38% de la production mondiale annuelle du gaz à effet de serre est émis par l’industrie de la construction. Lors de la Nuit Blanche au CCA, nous vous invitons à venir discuter,(...)
Nuit blanche 2025 : 38%
Actions:
Description:
Il est temps d’envisager un changement systémique dans notre manière de concevoir et de valoriser lenvironnement bâti. Notre façon de construire nest pas écologiquement durable. Aujourd’hui 38% de la production mondiale annuelle du gaz à effet de serre est émis par l’industrie de la construction. Lors de la Nuit Blanche au CCA, nous vous invitons à venir discuter,(...)
Classification:
événements
événements
Date:
1 mars 2025 au
2 mars 2025
de 19h à 1h
1 mars 2025 au
2 mars 2025
de 19h à 1h
Mot(s)-clé(s):
Nuit Blanche 2025
Nuit Blanche 2025
Classification:
dessins
dessins
Numéro de référence:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Date:
probably between 1745-1775
probably between 1745-1775
Titre:
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
Classification:
dessins
dessins
Date:
probably between 1745-1775
probably between 1745-1775
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Model Room at Sir John Soane's Museum, 2017
Actions:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Model Room at Sir John Soane's Museum, 2017
Actions:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2012
2012
Titre:
Questioning Pictures: Photograph of column capital at Karnak in Philae
Actions:
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of column capital at Karnak in Philae
Actions:
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2012
2012
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2016
2016
Titre:
Questioning Pictures: Photograph of Pantheon, detail of facade, Rome
Actions:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Pantheon, detail of facade, Rome
Actions:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2016
2016
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Painting Cabinet, Sir John Soane's Museum, 2017
Actions:
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Painting Cabinet, Sir John Soane's Museum, 2017
Actions:
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Palamede, sculpture by Antonio Canova
Actions:
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Palamede, sculpture by Antonio Canova
Actions:
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
L’architecte Bijoy Jain de Studio Mumbai présente ses derniers projets. Des pièces à ne pas manquer : Umberto Riva, Bijoy Jain présente le travail de Bijoy Jain et Umberto Riva, deux architectes qui partagent un profond intérêt pour les matériaux, le travail de l’artisan et les processus architecturaux.
L’architecte Bijoy Jain de Studio Mumbai présente ses derniers projets. Des pièces à ne pas manquer : Umberto Riva, Bijoy Jain présente le travail de Bijoy Jain et Umberto Riva, deux architectes qui partagent un profond intérêt pour les matériaux, le travail de l’artisan et les processus architecturaux.
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
6 novembre 2014 , 18h
6 novembre 2014 , 18h
Titre:
Des pièces à Mumbai : une discussion avec Bijoy Jain
Actions:
Description:
L’architecte Bijoy Jain de Studio Mumbai présente ses derniers projets. Des pièces à ne pas manquer : Umberto Riva, Bijoy Jain présente le travail de Bijoy Jain et Umberto Riva, deux architectes qui partagent un profond intérêt pour les matériaux, le travail de l’artisan et les processus architecturaux.
Des pièces à Mumbai : une discussion avec Bijoy Jain
Actions:
Description:
L’architecte Bijoy Jain de Studio Mumbai présente ses derniers projets. Des pièces à ne pas manquer : Umberto Riva, Bijoy Jain présente le travail de Bijoy Jain et Umberto Riva, deux architectes qui partagent un profond intérêt pour les matériaux, le travail de l’artisan et les processus architecturaux.
Classification:
événements
événements
Date:
6 novembre 2014
18h
6 novembre 2014
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Personnes et institutions:
Date:
1990 - 2014
1990 - 2014
Titre:
Mark Goulthorpe Hyposurface project records
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Mark Goulthorpe Hyposurface project records
Actions:
AP170
Résumé:
The Mark Goulthorpe HypoSurface project records, 1990-2014, document the design development, technical implementation, exhibition, and marketing of various iterations of the HypoSurface wall. The wall has a “skin” divided up into pixel-like metallic facets manipulated by a network of actuating pistons in order to create images, texts and patterns in dynamic relief. Sensors allow people near the wall to influence its movement. The records include approximately 62,700 digital files, 3 folders of textual documents, and 44 prototype pieces, and a working HypoSurface wall module.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1990 - 2014
1990 - 2014
Personnes et institutions:
