7056 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Personnes et institutions:
Date:
1971-2017
1971-2017
Titre:
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
1971-2017
1971-2017
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Le début des années 1950 donne lieu à de grands bouleversements mondiaux. De l’Inde au Maroc, du Guatemala à l’Indochine, la décolonisation s’accélère et la Guerre froide s’amorce. Les architectes qui travaillent ou interviennent à titre d’experts dans des régions non occidentales ne peuvent plus penser les lieux comme s’il s’agissait de terrains vagues aménagés pour des(...)
Le début des années 1950 donne lieu à de grands bouleversements mondiaux. De l’Inde au Maroc, du Guatemala à l’Indochine, la décolonisation s’accélère et la Guerre froide s’amorce. Les architectes qui travaillent ou interviennent à titre d’experts dans des régions non occidentales ne peuvent plus penser les lieux comme s’il s’agissait de terrains vagues aménagés pour des(...)
Localisation:
Salles principales Mot(s)-clé(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Pendab, Inde, modernism, Africa, Takashi Homma, Yto Barrada, Maroc
Salles principales Mot(s)-clé(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Pendab, Inde, modernism, Africa, Takashi Homma, Yto Barrada, Maroc
Date:
26 novembre 2013 au 20 avril 2014
26 novembre 2013 au 20 avril 2014
Titre:
Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient l'urbanisme moderne : Casablanca Chandigarh
Actions:
Description:
Le début des années 1950 donne lieu à de grands bouleversements mondiaux. De l’Inde au Maroc, du Guatemala à l’Indochine, la décolonisation s’accélère et la Guerre froide s’amorce. Les architectes qui travaillent ou interviennent à titre d’experts dans des régions non occidentales ne peuvent plus penser les lieux comme s’il s’agissait de terrains vagues aménagés pour des(...)
Comment les architectes, les experts, les politiciens, les agences internationales et les citoyens négocient l'urbanisme moderne : Casablanca Chandigarh
Actions:
Description:
Le début des années 1950 donne lieu à de grands bouleversements mondiaux. De l’Inde au Maroc, du Guatemala à l’Indochine, la décolonisation s’accélère et la Guerre froide s’amorce. Les architectes qui travaillent ou interviennent à titre d’experts dans des régions non occidentales ne peuvent plus penser les lieux comme s’il s’agissait de terrains vagues aménagés pour des(...)
Classification:
expositions
expositions
Date:
26 novembre 2013 au
20 avril 2014
26 novembre 2013 au
20 avril 2014
Localisation:
Salles principales Mot(s)-clé(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Pendab, Inde, modernism, Africa, Takashi Homma, Yto Barrada, Maroc
Salles principales Mot(s)-clé(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Pendab, Inde, modernism, Africa, Takashi Homma, Yto Barrada, Maroc
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Photograph Collections
Photograph Collections
Numéro de référence:
AP032.S5
Description:
This series includes personal photographs and slides of friends and travels dating from the 1940s to the 1990s, as well as a large collection of colour slide images of architecture (including Goldsmith-designed buildings) and urban scenes used by Goldsmith to illustrate his lectures and talks.
AP032.S5
Description:
This series includes personal photographs and slides of friends and travels dating from the 1940s to the 1990s, as well as a large collection of colour slide images of architecture (including Goldsmith-designed buildings) and urban scenes used by Goldsmith to illustrate his lectures and talks.
Personnes et institutions:
Date:
1949-1985
1949-1985
Titre:
Photograph Collections
Actions:
AP032.S5
Description:
This series includes personal photographs and slides of friends and travels dating from the 1940s to the 1990s, as well as a large collection of colour slide images of architecture (including Goldsmith-designed buildings) and urban scenes used by Goldsmith to illustrate his lectures and talks.
Photograph Collections
Actions:
AP032.S5
Description:
This series includes personal photographs and slides of friends and travels dating from the 1940s to the 1990s, as well as a large collection of colour slide images of architecture (including Goldsmith-designed buildings) and urban scenes used by Goldsmith to illustrate his lectures and talks.
Niveau de description archivistique:
Series 5
Series 5
Date:
1949-1985
1949-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP129.S1.D4
Description:
La série de projet documente le projet Ilôts Saint-Martin situé dans le quartier de la Petite-Bourgogne de l'arrondissement du Sud-Ouest à Montréal, Québec par Ouellet, Reeves, Alain, architectes, en collaboration avec le Service d'habitation de la Ville de Montréal. Le projet remporte la Médaille Massey en architecture en 1970. La série de projet comprend est constituée de documents graphiques, photographiques et textuels, ainsi que dessins relatifs aux Îlots Saint-Martin.
AP129.S1.D4
Description:
La série de projet documente le projet Ilôts Saint-Martin situé dans le quartier de la Petite-Bourgogne de l'arrondissement du Sud-Ouest à Montréal, Québec par Ouellet, Reeves, Alain, architectes, en collaboration avec le Service d'habitation de la Ville de Montréal. Le projet remporte la Médaille Massey en architecture en 1970. La série de projet comprend est constituée de documents graphiques, photographiques et textuels, ainsi que dessins relatifs aux Îlots Saint-Martin.
Personnes et institutions:
Date:
1967-1979
1967-1979
Titre:
Îlots Saint-Martin, Montréal, Québec
Actions:
AP129.S1.D4
Description:
La série de projet documente le projet Ilôts Saint-Martin situé dans le quartier de la Petite-Bourgogne de l'arrondissement du Sud-Ouest à Montréal, Québec par Ouellet, Reeves, Alain, architectes, en collaboration avec le Service d'habitation de la Ville de Montréal. Le projet remporte la Médaille Massey en architecture en 1970. La série de projet comprend est constituée de documents graphiques, photographiques et textuels, ainsi que dessins relatifs aux Îlots Saint-Martin.
Îlots Saint-Martin, Montréal, Québec
Actions:
AP129.S1.D4
Description:
La série de projet documente le projet Ilôts Saint-Martin situé dans le quartier de la Petite-Bourgogne de l'arrondissement du Sud-Ouest à Montréal, Québec par Ouellet, Reeves, Alain, architectes, en collaboration avec le Service d'habitation de la Ville de Montréal. Le projet remporte la Médaille Massey en architecture en 1970. La série de projet comprend est constituée de documents graphiques, photographiques et textuels, ainsi que dessins relatifs aux Îlots Saint-Martin.
Niveau de description archivistique:
Dossier 4
Dossier 4
Date:
1967-1979
1967-1979
Personnes et institutions:
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
DR2012:0012:103:007
Description:
File containing documents in English, including a copy of Melvin Charney's article, "The Montrealness of Montreal: formations and formalities in urban architecture", a negative, photographs, and printouts. Original folder inscribed in graphite: 1980 THE MONTREALNESS OF MONTREAL
DR2012:0012:103:007
Description:
File containing documents in English, including a copy of Melvin Charney's article, "The Montrealness of Montreal: formations and formalities in urban architecture", a negative, photographs, and printouts. Original folder inscribed in graphite: 1980 THE MONTREALNESS OF MONTREAL
Personnes et institutions:
Date:
circa 1980
circa 1980
Titre:
Photographs and copy of article "The Montrealness of Montreal: formations and formalities in urban architecture"
Actions:
DR2012:0012:103:007
Description:
File containing documents in English, including a copy of Melvin Charney's article, "The Montrealness of Montreal: formations and formalities in urban architecture", a negative, photographs, and printouts. Original folder inscribed in graphite: 1980 THE MONTREALNESS OF MONTREAL
Photographs and copy of article "The Montrealness of Montreal: formations and formalities in urban architecture"
Actions:
DR2012:0012:103:007
Description:
File containing documents in English, including a copy of Melvin Charney's article, "The Montrealness of Montreal: formations and formalities in urban architecture", a negative, photographs, and printouts. Original folder inscribed in graphite: 1980 THE MONTREALNESS OF MONTREAL
Classification:
documents textuels, photographies
documents textuels, photographies
Date:
circa 1980
circa 1980
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP146
Résumé:
Le Fonds Giovanni de Paoli et Pierlucio Pellissier est constitué de 4 projets de bâtiments solaires actifs et passifs développés ou réalisés par l'agence, en Ontario, au Québec et en Colombie entre 1977 et 1983. Il contient des esquisses, des dessins, des ozalids, ainsi que de la documentation comprenant des publications, des diapositives, et des outils de références. Ces documents nous renseignent sur deux projets agro industriels soit un projet de serre à Petawawa (1977), non réalisé, et un projet de distillateur solaire construit en Colombie (1981), et deux maisons au Québec, toutes deux construites, l'une au Lac Nominingue (1978), l'autre à St-Benoît, Municipalité de Mirabel (1982). Le fonds comprend 734 documents photographiques, 61 publications, 56 reprographies, 41 dessins, 0.21 m.l. de documents textuels, 9 fichiers numériques (32 MB) et 1 vidéocassette U-matic.
AP146
Résumé:
Le Fonds Giovanni de Paoli et Pierlucio Pellissier est constitué de 4 projets de bâtiments solaires actifs et passifs développés ou réalisés par l'agence, en Ontario, au Québec et en Colombie entre 1977 et 1983. Il contient des esquisses, des dessins, des ozalids, ainsi que de la documentation comprenant des publications, des diapositives, et des outils de références. Ces documents nous renseignent sur deux projets agro industriels soit un projet de serre à Petawawa (1977), non réalisé, et un projet de distillateur solaire construit en Colombie (1981), et deux maisons au Québec, toutes deux construites, l'une au Lac Nominingue (1978), l'autre à St-Benoît, Municipalité de Mirabel (1982). Le fonds comprend 734 documents photographiques, 61 publications, 56 reprographies, 41 dessins, 0.21 m.l. de documents textuels, 9 fichiers numériques (32 MB) et 1 vidéocassette U-matic.
Personnes et institutions:
Date:
1954-2004
1954-2004
Titre:
Fonds Giovanni de Paoli et Pierlucio Pellissier
Actions:
AP146
Résumé:
Le Fonds Giovanni de Paoli et Pierlucio Pellissier est constitué de 4 projets de bâtiments solaires actifs et passifs développés ou réalisés par l'agence, en Ontario, au Québec et en Colombie entre 1977 et 1983. Il contient des esquisses, des dessins, des ozalids, ainsi que de la documentation comprenant des publications, des diapositives, et des outils de références. Ces documents nous renseignent sur deux projets agro industriels soit un projet de serre à Petawawa (1977), non réalisé, et un projet de distillateur solaire construit en Colombie (1981), et deux maisons au Québec, toutes deux construites, l'une au Lac Nominingue (1978), l'autre à St-Benoît, Municipalité de Mirabel (1982). Le fonds comprend 734 documents photographiques, 61 publications, 56 reprographies, 41 dessins, 0.21 m.l. de documents textuels, 9 fichiers numériques (32 MB) et 1 vidéocassette U-matic.
Fonds Giovanni de Paoli et Pierlucio Pellissier
Actions:
AP146
Résumé:
Le Fonds Giovanni de Paoli et Pierlucio Pellissier est constitué de 4 projets de bâtiments solaires actifs et passifs développés ou réalisés par l'agence, en Ontario, au Québec et en Colombie entre 1977 et 1983. Il contient des esquisses, des dessins, des ozalids, ainsi que de la documentation comprenant des publications, des diapositives, et des outils de références. Ces documents nous renseignent sur deux projets agro industriels soit un projet de serre à Petawawa (1977), non réalisé, et un projet de distillateur solaire construit en Colombie (1981), et deux maisons au Québec, toutes deux construites, l'une au Lac Nominingue (1978), l'autre à St-Benoît, Municipalité de Mirabel (1982). Le fonds comprend 734 documents photographiques, 61 publications, 56 reprographies, 41 dessins, 0.21 m.l. de documents textuels, 9 fichiers numériques (32 MB) et 1 vidéocassette U-matic.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1954-2004
1954-2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Personnes et institutions:
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Titre:
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Personnes et institutions:
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR2001:0023
Description:
BFL Software India documents include 1 empty envelope from BFL Software India, photographs of model, site photographs, Report of Atlas of vibrational spectra of liquid crystals (DRCON1999:0015:116:004 1/4), program summary, promotionnal documentation, documentation of the software building, listes of names and furnitures, drawings, clippings, documentation on Idian architecture (Vastu)
DR2001:0023
Description:
BFL Software India documents include 1 empty envelope from BFL Software India, photographs of model, site photographs, Report of Atlas of vibrational spectra of liquid crystals (DRCON1999:0015:116:004 1/4), program summary, promotionnal documentation, documentation of the software building, listes of names and furnitures, drawings, clippings, documentation on Idian architecture (Vastu)
Personnes et institutions:
Titre:
BFL Software India documents include 1 empty envelope from BFL Software India
Actions:
DR2001:0023
Description:
BFL Software India documents include 1 empty envelope from BFL Software India, photographs of model, site photographs, Report of Atlas of vibrational spectra of liquid crystals (DRCON1999:0015:116:004 1/4), program summary, promotionnal documentation, documentation of the software building, listes of names and furnitures, drawings, clippings, documentation on Idian architecture (Vastu)
BFL Software India documents include 1 empty envelope from BFL Software India
Actions:
DR2001:0023
Description:
BFL Software India documents include 1 empty envelope from BFL Software India, photographs of model, site photographs, Report of Atlas of vibrational spectra of liquid crystals (DRCON1999:0015:116:004 1/4), program summary, promotionnal documentation, documentation of the software building, listes of names and furnitures, drawings, clippings, documentation on Idian architecture (Vastu)
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Fashion House
Fashion House
Numéro de référence:
AP140.S1.SS1.D11
Description:
File documents a student project for the commercial and administrative building of a fashion house. Project was probably designed in Stirling's third year at the Liverpool School of Architecture and includes offices, an apartment, showroom, and studio. Material in this file was probably produced in 1947. File contains photographs.
AP140.S1.SS1.D11
Description:
File documents a student project for the commercial and administrative building of a fashion house. Project was probably designed in Stirling's third year at the Liverpool School of Architecture and includes offices, an apartment, showroom, and studio. Material in this file was probably produced in 1947. File contains photographs.
Personnes et institutions:
Date:
[1947?]
[1947?]
Titre:
Fashion House
Actions:
AP140.S1.SS1.D11
Description:
File documents a student project for the commercial and administrative building of a fashion house. Project was probably designed in Stirling's third year at the Liverpool School of Architecture and includes offices, an apartment, showroom, and studio. Material in this file was probably produced in 1947. File contains photographs.
Fashion House
Actions:
AP140.S1.SS1.D11
Description:
File documents a student project for the commercial and administrative building of a fashion house. Project was probably designed in Stirling's third year at the Liverpool School of Architecture and includes offices, an apartment, showroom, and studio. Material in this file was probably produced in 1947. File contains photographs.
Niveau de description archivistique:
File 11
File 11
Date:
[1947?]
[1947?]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Une histoire
Une histoire
Numéro de référence:
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
Personnes et institutions:
Date:
1975-1978
1975-1978
Titre:
Une histoire
Actions:
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
Une histoire
Actions:
AP041.S1.1975.D1
Description:
UNE HISTOIRE is a project consisting of photographs, photomontages, drawings and a wooden sculpture. A photograph of a worker’s house near a pulp mill in Trois-Rivières became the focus of the series. In an attempt to understand the architecture of that house, and how industrialization was being reflected in the architecture of Québec, Charney went to visit the house in 1974, only to find it had already been torn down. Charney photographed its surroundings and tried to reproduce its likeness in drawings. Unsatisfied with the results, he built a wooden sculpture (UNE HISTOIRE…Le trésor de Trois-Rivières, 1975), a replica of the house, in an attempt to fully “know” and understand the structure. Source: Melvin Charney: Oeuvres 1970-1979. Montréal Musée d’art contemporain. (p. 29-36)
Niveau de description archivistique:
Project
Project
Date:
1975-1978
1975-1978
Personnes et institutions:
